Lumatone mapping for 58edo: Difference between revisions

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{{Lumatone mapping intro}} Due to its size, it would not cover the whole gamut even if it was. Instead, the [[2L 8s]] [[diaschismic]] mapping is probably the most intuitive way of ~~providing access to all intervals~~ while putting well-tuned ones close together if you're used to playing 12edo.

{{Lumatone mapping intro}} Due to its size, it would not cover the whole gamut even if it was. Instead, the [[2L 8s]] [[diaschismic]] mapping is probably the most intuitive way of covering the whole gamut while putting well-tuned ones close together if you're used to playing 12edo.

However, this results in a range barely over 3 octaves, which may be compositionally limiting.

The [[6L 2s]] [[Echidna]] mapping has fewer repeated notes while still providing the full gamut, giving you a range almost as large as the standard mapping. (This mapping, like many others, is [https://www.facebook.com/groups/lumatone.keyboard/permalink/5624482024327650 available from the Lumatone Facebook group].)

Other good options include [[7L 3s]] [[Hemififths]]

Other good options include the [[7L 3s]] [[Hemififths]]

[[5L 3s]] [[Buzzard]], although this occasionally skips a step.

The [[5L 3s]] [[Buzzard]] mapping is also another good option, although this occasionally skips a step.

Or if you don't mind the smaller range and want to more easily exploit narrow intervals, [[2L 12s]] [[Harry]] (as in [[Lumatone mapping for harry]])

Or if you don't mind the smaller range and want to more easily exploit narrow intervals, there is the [[2L 12s]] [[Harry]] mapping (as in [[Lumatone mapping for harry]])

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-{{Lumatone mapping intro}} Due to its size, it would not cover the whole gamut even if it was. Instead, the [[2L&nbsp;8s]] [[diaschismic]] mapping is probably the most intuitive way of providing access to all intervals while putting well-tuned ones close together if you're used to playing 12edo.
+{{Lumatone mapping intro}} Due to its size, it would not cover the whole gamut even if it was. Instead, the [[2L&nbsp;8s]] [[diaschismic]] mapping is probably the most intuitive way of covering the whole gamut while putting well-tuned ones close together if you're used to playing 12edo.
 {{Lumatone EDO mapping|n=58|start=19|xstep=5|ystep=4}}
 However, this results in a range barely over 3 octaves, which may be compositionally limiting.
 The [[6L&nbsp;2s]] [[Echidna]] mapping has fewer repeated notes while still providing the full gamut, giving you a range almost as large as the standard mapping. (This mapping, like many others, is [https://www.facebook.com/groups/lumatone.keyboard/permalink/5624482024327650 available from the Lumatone Facebook group].)
 {{Lumatone EDO mapping|n=58|start=54|xstep=8|ystep=-3}}
-Other good options include [[7L&nbsp;3s]] [[Hemififths]]
+Other good options include the [[7L&nbsp;3s]] [[Hemififths]]
 {{Lumatone EDO mapping|n=58|start=2|xstep=7|ystep=-4}}
-[[5L&nbsp;3s]] [[Buzzard]], although this occasionally skips a step.
+The [[5L&nbsp;3s]] [[Buzzard]] mapping is also another good option, although this occasionally skips a step.
 {{Lumatone EDO mapping|n=58|start=9|xstep=11|ystep=-10}}
-Or if you don't mind the smaller range and want to more easily exploit narrow intervals, [[2L&nbsp;12s]] [[Harry]] (as in [[Lumatone mapping for harry]])
+Or if you don't mind the smaller range and want to more easily exploit narrow intervals, there is the [[2L&nbsp;12s]] [[Harry]] mapping (as in [[Lumatone mapping for harry]])
 {{Lumatone EDO mapping|n=58|start=40|xstep=4|ystep=1}}
 {{Navbox Lumatone}}