Erose–McClain double mode: Difference between revisions
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''' | '''Erose–McClain double modes''', or simply '''double modes''', are a family of [[heptatonic]] scales in [[31edo]]. | ||
They are constructed by taking one of the modes of the | They are constructed by taking one of the modes of the [[5L 2s|diatonic]] scale, but flattening the interval of equivalence by one [[normal diesis]], from 31\31 to 30\31. This creates a [[scale]] with [[pseudo-octave]]s. | ||
The first double mode to be described was double Lydian, by [[Zhea Erose]]. The other six were described by [[Levi McClain]], who was inspired by the work of Erose, and by his own [[McClain toy piano tuning]], which resembles double Phrygian. | The first double mode to be described was double Lydian, by [[Zhea Erose]]. The other six were described by [[Levi McClain]], who was inspired by the work of Erose, and by his own [[McClain toy piano tuning]], which resembles double Phrygian. | ||
== Taxonomy == | == Taxonomy == | ||
Erose–McClain double modes are [[warped diatonic]] scales, containing strings of 6 diatonic steps, but every 7th step is slightly shortened. | |||
Double modes are [[ternary]] scales, because they posess exactly 3 step sizes. Double Lydian and double | Double modes are [[ternary]] scales, because they posess exactly 3 step sizes. Double Lydian and double Ionian are 5L 1M 1s, the other five are 4L 1M 2s. | ||
== Examples == | == Examples == | ||
There are 7 Erose-McClain double modes: | There are 7 Erose-McClain double modes: | ||
* Double Lydian | * Double Lydian – 5 5 5 3 5 5 2 | ||
* Double | * Double Ionian – 5 5 3 5 5 5 2 | ||
* Double Mixolydian | * Double Mixolydian – 5 5 3 5 5 3 4 | ||
* Double Dorian | * Double Dorian – 5 3 5 5 5 3 4 | ||
* Double | * Double Aeolian – 5 3 5 5 3 5 5 | ||
* Double Phrygian | * Double Phrygian – 3 5 5 5 3 5 4 | ||
* Double Locrian | * Double Locrian – 3 5 5 3 5 5 4 | ||
When generating these in [[Scale Workshop]], you need to add a "1" at the end, then delete the last scale degree manually. | When generating these in [[Scale Workshop]], you need to add a "1" at the end, then delete the last scale degree manually. | ||
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The concept of double modes can be generalized to produce even more scales. | The concept of double modes can be generalized to produce even more scales. | ||
=== To | === To modmos scales === | ||
More double modes could be constructed by using a [[ | More double modes could be constructed by using a [[modmos]] of the 5L 2s diatonic scale in 31edo. | ||
For example, melodic minor, harmonic minor, harmonic major, or any of their modes (rotations) could be used. | For example, melodic minor, harmonic minor, harmonic major, or any of their modes (rotations) could be used. | ||
These may not always retain all properties of ordinary double modes. For example, if the | These may not always retain all properties of ordinary double modes. For example, if the modmos itself is ternary, then the double mode may become [[quaternary]]. | ||
A sampling of examples (not exhaustive): | A sampling of examples (not exhaustive): | ||
* Double-modal harmonic minor | * Double-modal harmonic minor – 5 3 5 5 3 7 2 | ||
* Double-modal melodic minor | * Double-modal melodic minor – 5 3 5 5 5 5 2 | ||
* Double-modal harmonic major | * Double-modal harmonic major – 5 5 3 5 3 5 4 | ||
=== To other | === To other edos === | ||
Double modes could be generalized to any [[ | Double modes could be generalized to any [[edo]] that contains both a diatonic scale and a [[diesis (interval region)|diesis]] – that is, an [[interval]] in the range between 25 [[cent]]s and 45 cents. | ||
Double modes in other | Double modes in other edos are constructed the same way as in 31edo – start with a diatonic mode (or modmos thereof), then flatten the octave by one diesis. | ||
If the | If the edo has multiple dieses available, then the one closest to 38.7 cents (i.e. the 31edo diesis) should be used. | ||
=== To other | === To other mos scales === | ||
Double modes could be generalized to any mode of any [[ | Double modes could be generalized to any mode of any [[mos]] or modmos scale, especially any with around 5 to 10 tones. | ||
These would still be constructed the same way: | These would still be constructed the same way: | ||
# Generate the | # Generate the mos or modmos scale inside an edo that has a diesis | ||
# Choose the desired mode of | # Choose the desired mode of mos or modmos | ||
# Flatten the octave of that mode by 1 diesis | # Flatten the octave of that mode by 1 diesis | ||
[[Category:Scales by family]][[Category:31edo]][[Category:7-tone scales]][[Category:Nonoctave]] | [[Category:Scales by family]] | ||
[[Category:31edo]] | |||
[[Category:7-tone scales]] | |||
[[Category:Nonoctave]] |
Revision as of 11:42, 14 March 2025
Erose–McClain double modes, or simply double modes, are a family of heptatonic scales in 31edo.
They are constructed by taking one of the modes of the diatonic scale, but flattening the interval of equivalence by one normal diesis, from 31\31 to 30\31. This creates a scale with pseudo-octaves.
The first double mode to be described was double Lydian, by Zhea Erose. The other six were described by Levi McClain, who was inspired by the work of Erose, and by his own McClain toy piano tuning, which resembles double Phrygian.
Taxonomy
Erose–McClain double modes are warped diatonic scales, containing strings of 6 diatonic steps, but every 7th step is slightly shortened.
Double modes are ternary scales, because they posess exactly 3 step sizes. Double Lydian and double Ionian are 5L 1M 1s, the other five are 4L 1M 2s.
Examples
There are 7 Erose-McClain double modes:
- Double Lydian – 5 5 5 3 5 5 2
- Double Ionian – 5 5 3 5 5 5 2
- Double Mixolydian – 5 5 3 5 5 3 4
- Double Dorian – 5 3 5 5 5 3 4
- Double Aeolian – 5 3 5 5 3 5 5
- Double Phrygian – 3 5 5 5 3 5 4
- Double Locrian – 3 5 5 3 5 5 4
When generating these in Scale Workshop, you need to add a "1" at the end, then delete the last scale degree manually.
For example, to make double Lydian, enter 5 5 5 3 5 5 2 1, and after the scale generates, just manually remove the 31\31.
Generalization
The concept of double modes can be generalized to produce even more scales.
To modmos scales
More double modes could be constructed by using a modmos of the 5L 2s diatonic scale in 31edo.
For example, melodic minor, harmonic minor, harmonic major, or any of their modes (rotations) could be used.
These may not always retain all properties of ordinary double modes. For example, if the modmos itself is ternary, then the double mode may become quaternary.
A sampling of examples (not exhaustive):
- Double-modal harmonic minor – 5 3 5 5 3 7 2
- Double-modal melodic minor – 5 3 5 5 5 5 2
- Double-modal harmonic major – 5 5 3 5 3 5 4
To other edos
Double modes could be generalized to any edo that contains both a diatonic scale and a diesis – that is, an interval in the range between 25 cents and 45 cents.
Double modes in other edos are constructed the same way as in 31edo – start with a diatonic mode (or modmos thereof), then flatten the octave by one diesis.
If the edo has multiple dieses available, then the one closest to 38.7 cents (i.e. the 31edo diesis) should be used.
To other mos scales
Double modes could be generalized to any mode of any mos or modmos scale, especially any with around 5 to 10 tones.
These would still be constructed the same way:
- Generate the mos or modmos scale inside an edo that has a diesis
- Choose the desired mode of mos or modmos
- Flatten the octave of that mode by 1 diesis