German sixth chord: Difference between revisions

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== In meantone ==

In [[~~meantone~~]], the augmented sixth represents both [[125/72]] and [[225/128]]. ~~Most~~ meantone tunings has ~~this interval~~ placed near [[7/4]]. In the historically-prevalent [[quarter-comma meantone]], for example, it is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the [[harmonic seventh chord]]:

If we stick to the [[5-limit]], which traditional tonal harmony mainly concerns, the augmented sixth represents both [[125/72]] and [[225/128]]. It is treated as a rare and special dissonance, especially when used on the sixth degree. However, most [[meantone]] tunings has the augmented sixth placed near [[7/4]]. In the historically-prevalent [[quarter-comma meantone]], for example, it is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the [[harmonic seventh chord]]:

* 1 – 5/4 – 3/2 – 7/4 with steps 5/4, 6/5, 7/6.

== In just intonation ==

Because the German sixth chord is often built on the sixth degree of a minor scale, the [[128:160:192:225]] found on the ♭VI of the [[duodene]] is a good candidate for its interpretation in the [[5-limit]].

Because the German sixth chord is often built on the sixth degree of a minor scale, the [[128:160:192:225]] found on the ♭VI of the [[duodene]] is a good candidate for its interpretation in the 5-limit.

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 == In meantone ==
-In [[meantone]], the augmented sixth represents both [[125/72]] and [[225/128]]. Most meantone tunings has this interval placed near [[7/4]]. In the historically-prevalent [[quarter-comma meantone]], for example, it is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the [[harmonic seventh chord]]:
+If we stick to the [[5-limit]], which traditional tonal harmony mainly concerns, the augmented sixth represents both [[125/72]] and [[225/128]]. It is treated as a rare and special dissonance, especially when used on the sixth degree. However, most [[meantone]] tunings has the augmented sixth placed near [[7/4]]. In the historically-prevalent [[quarter-comma meantone]], for example, it is tuned only a few cents shy of a just 7/4, so the meantone German sixth chord can be considered to approximate the [[harmonic seventh chord]]:
 * 1&thinsp;–&thinsp;5/4&thinsp;–&thinsp;3/2&thinsp;–&thinsp;7/4 with steps 5/4, 6/5, 7/6.
 == In just intonation ==
-Because the German sixth chord is often built on the sixth degree of a minor scale, the [[128:160:192:225]] found on the ♭VI of the [[duodene]] is a good candidate for its interpretation in the [[5-limit]].
+Because the German sixth chord is often built on the sixth degree of a minor scale, the [[128:160:192:225]] found on the ♭VI of the [[duodene]] is a good candidate for its interpretation in the 5-limit.