List of approaches to musical tuning: Difference between revisions
m Merged overtone scales and primodality into a single dot point because they are highly related |
m Added an extra line break |
||
Line 32: | Line 32: | ||
** etc. | ** etc. | ||
* [[Timbral tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g. the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series. | * [[Timbral tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g. the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series. | ||
The following approaches describe the subjective exploration process or its representations rather than its objective, audible result: | The following approaches describe the subjective exploration process or its representations rather than its objective, audible result: | ||