88edo: Difference between revisions
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== Theory == | |||
Using two different approximations to the [[3/2|perfect fifth]] (one of 51 steps and one of 52 steps), 88edo is compatible with both [[meantone]] and the particular variety of [[superpyth]] supported by [[22edo|22 equal temperament]], respectively. The meantone fifth is 0.0384 cents flatter than that of [[Lucy Tuning]] and, thus, audibly indistinguishable from it. It also gives the [[optimal patent val]] for the 11-limit [[mothra]] and [[euterpe]] temperaments. | |||
=== Odd harmonics === | |||
{{Harmonics in equal|88}} | {{Harmonics in equal|88}} | ||
[[ | === Subsets and supersets === | ||
[[ | Since 88 factors into {{factorization|88}}, 88edo has subset edos {{EDOs| 2, 4, 8, 11, 22, and 44 }}. [[176edo]], which doubles it, provides correction for the approximation to harmonic 3. | ||
== Intervals == | |||
{{Interval table}} | |||
== Instruments == | |||
=== Lumatone === | |||
[[Lumatone mapping for 88edo]] | |||
=== Skip fretting === | |||
'''Skip fretting system 88 6 13''' is a [[skip fretting]] system for [[88edo]]. All examples on this page are for 7-string [[guitar]]. | |||
; Prime intervals | |||
1/1: string 2 open | |||
2/1: string 6 fret 6 | |||
3/2: string 5 fret 2 | |||
5/4: not easily accessible | |||
7/4: string 7 fret 1 | |||
11/8: not easily accessible | |||
13/8: string 4 fret 6 | |||
17/16: not easily accessible | |||
19/16: not easily accessible | |||
== Music == | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/watch?v=JQly-kX6kcM ''microtonal improvisation in 88edo''] (2025) | |||
[[Category:Lucy tuning]] | [[Category:Lucy tuning]] | ||
[[Category:Meantone]] | [[Category:Meantone]] | ||
[[Category:Mothra]] | [[Category:Mothra]] |
Latest revision as of 19:59, 30 July 2025
← 87edo | 88edo | 89edo → |
88 equal divisions of the octave (abbreviated 88edo or 88ed2), also called 88-tone equal temperament (88tet) or 88 equal temperament (88et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 88 equal parts of about 13.6 ¢ each. Each step represents a frequency ratio of 21/88, or the 88th root of 2.
Theory
Using two different approximations to the perfect fifth (one of 51 steps and one of 52 steps), 88edo is compatible with both meantone and the particular variety of superpyth supported by 22 equal temperament, respectively. The meantone fifth is 0.0384 cents flatter than that of Lucy Tuning and, thus, audibly indistinguishable from it. It also gives the optimal patent val for the 11-limit mothra and euterpe temperaments.
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -6.50 | -4.50 | -0.64 | +0.64 | -5.86 | +4.93 | +2.64 | +4.14 | +2.49 | +6.49 | -1.00 |
Relative (%) | -47.7 | -33.0 | -4.7 | +4.7 | -43.0 | +36.1 | +19.4 | +30.3 | +18.2 | +47.6 | -7.3 | |
Steps (reduced) |
139 (51) |
204 (28) |
247 (71) |
279 (15) |
304 (40) |
326 (62) |
344 (80) |
360 (8) |
374 (22) |
387 (35) |
398 (46) |
Subsets and supersets
Since 88 factors into 23 × 11, 88edo has subset edos 2, 4, 8, 11, 22, and 44. 176edo, which doubles it, provides correction for the approximation to harmonic 3.
Intervals
Steps | Cents | Approximate ratios | Ups and downs notation (Dual flat fifth 51\88) |
Ups and downs notation (Dual sharp fifth 52\88) |
---|---|---|---|---|
0 | 0 | 1/1 | D | D |
1 | 13.6 | ^D, ^^E♭♭♭ | ^D, v3E♭ | |
2 | 27.3 | ^^D, vvE♭♭ | ^^D, vvE♭ | |
3 | 40.9 | 41/40, 42/41 | vvD♯, vE♭♭ | ^3D, vE♭ |
4 | 54.5 | 32/31 | vD♯, E♭♭ | ^4D, E♭ |
5 | 68.2 | 25/24 | D♯, ^E♭♭ | ^5D, ^E♭ |
6 | 81.8 | 21/20, 22/21 | ^D♯, ^^E♭♭ | ^6D, ^^E♭ |
7 | 95.5 | 37/35 | ^^D♯, vvE♭ | v5D♯, ^3E♭ |
8 | 109.1 | vvD𝄪, vE♭ | v4D♯, ^4E♭ | |
9 | 122.7 | vD𝄪, E♭ | v3D♯, ^5E♭ | |
10 | 136.4 | 40/37 | D𝄪, ^E♭ | vvD♯, v6E |
11 | 150 | 12/11 | ^D𝄪, ^^E♭ | vD♯, v5E |
12 | 163.6 | 11/10 | ^^D𝄪, vvE | D♯, v4E |
13 | 177.3 | 31/28, 41/37 | vvD♯𝄪, vE | ^D♯, v3E |
14 | 190.9 | 19/17, 29/26 | E | ^^D♯, vvE |
15 | 204.5 | ^E, ^^F♭♭ | ^3D♯, vE | |
16 | 218.2 | 42/37 | ^^E, vvF♭ | E |
17 | 231.8 | 8/7 | vvE♯, vF♭ | ^E, v3F |
18 | 245.5 | vE♯, F♭ | ^^E, vvF | |
19 | 259.1 | E♯, ^F♭ | ^3E, vF | |
20 | 272.7 | 34/29, 41/35 | ^E♯, ^^F♭ | F |
21 | 286.4 | ^^E♯, vvF | ^F, v3G♭ | |
22 | 300 | 19/16, 25/21 | vvE𝄪, vF | ^^F, vvG♭ |
23 | 313.6 | 6/5 | F | ^3F, vG♭ |
24 | 327.3 | ^F, ^^G♭♭♭ | ^4F, G♭ | |
25 | 340.9 | 28/23, 39/32 | ^^F, vvG♭♭ | ^5F, ^G♭ |
26 | 354.5 | 38/31 | vvF♯, vG♭♭ | ^6F, ^^G♭ |
27 | 368.2 | vF♯, G♭♭ | v5F♯, ^3G♭ | |
28 | 381.8 | F♯, ^G♭♭ | v4F♯, ^4G♭ | |
29 | 395.5 | 39/31 | ^F♯, ^^G♭♭ | v3F♯, ^5G♭ |
30 | 409.1 | ^^F♯, vvG♭ | vvF♯, v6G | |
31 | 422.7 | vvF𝄪, vG♭ | vF♯, v5G | |
32 | 436.4 | vF𝄪, G♭ | F♯, v4G | |
33 | 450 | F𝄪, ^G♭ | ^F♯, v3G | |
34 | 463.6 | 17/13 | ^F𝄪, ^^G♭ | ^^F♯, vvG |
35 | 477.3 | ^^F𝄪, vvG | ^3F♯, vG | |
36 | 490.9 | vvF♯𝄪, vG | G | |
37 | 504.5 | G | ^G, v3A♭ | |
38 | 518.2 | 31/23 | ^G, ^^A♭♭♭ | ^^G, vvA♭ |
39 | 531.8 | ^^G, vvA♭♭ | ^3G, vA♭ | |
40 | 545.5 | 26/19 | vvG♯, vA♭♭ | ^4G, A♭ |
41 | 559.1 | vG♯, A♭♭ | ^5G, ^A♭ | |
42 | 572.7 | 32/23, 39/28 | G♯, ^A♭♭ | ^6G, ^^A♭ |
43 | 586.4 | ^G♯, ^^A♭♭ | v5G♯, ^3A♭ | |
44 | 600 | ^^G♯, vvA♭ | v4G♯, ^4A♭ | |
45 | 613.6 | vvG𝄪, vA♭ | v3G♯, ^5A♭ | |
46 | 627.3 | 23/16 | vG𝄪, A♭ | vvG♯, v6A |
47 | 640.9 | G𝄪, ^A♭ | vG♯, v5A | |
48 | 654.5 | 19/13, 35/24 | ^G𝄪, ^^A♭ | G♯, v4A |
49 | 668.2 | ^^G𝄪, vvA | ^G♯, v3A | |
50 | 681.8 | vvG♯𝄪, vA | ^^G♯, vvA | |
51 | 695.5 | A | ^3G♯, vA | |
52 | 709.1 | ^A, ^^B♭♭♭ | A | |
53 | 722.7 | ^^A, vvB♭♭ | ^A, v3B♭ | |
54 | 736.4 | 26/17 | vvA♯, vB♭♭ | ^^A, vvB♭ |
55 | 750 | 37/24 | vA♯, B♭♭ | ^3A, vB♭ |
56 | 763.6 | A♯, ^B♭♭ | ^4A, B♭ | |
57 | 777.3 | ^A♯, ^^B♭♭ | ^5A, ^B♭ | |
58 | 790.9 | ^^A♯, vvB♭ | ^6A, ^^B♭ | |
59 | 804.5 | 35/22 | vvA𝄪, vB♭ | v5A♯, ^3B♭ |
60 | 818.2 | vA𝄪, B♭ | v4A♯, ^4B♭ | |
61 | 831.8 | A𝄪, ^B♭ | v3A♯, ^5B♭ | |
62 | 845.5 | 31/19 | ^A𝄪, ^^B♭ | vvA♯, v6B |
63 | 859.1 | 23/14, 41/25 | ^^A𝄪, vvB | vA♯, v5B |
64 | 872.7 | vvA♯𝄪, vB | A♯, v4B | |
65 | 886.4 | 5/3 | B | ^A♯, v3B |
66 | 900 | 32/19, 37/22, 42/25 | ^B, ^^C♭♭ | ^^A♯, vvB |
67 | 913.6 | 39/23 | ^^B, vvC♭ | ^3A♯, vB |
68 | 927.3 | 29/17, 41/24 | vvB♯, vC♭ | B |
69 | 940.9 | vB♯, C♭ | ^B, v3C | |
70 | 954.5 | B♯, ^C♭ | ^^B, vvC | |
71 | 968.2 | 7/4 | ^B♯, ^^C♭ | ^3B, vC |
72 | 981.8 | 37/21 | ^^B♯, vvC | C |
73 | 995.5 | vvB𝄪, vC | ^C, v3D♭ | |
74 | 1009.1 | 34/19 | C | ^^C, vvD♭ |
75 | 1022.7 | ^C, ^^D♭♭♭ | ^3C, vD♭ | |
76 | 1036.4 | 20/11 | ^^C, vvD♭♭ | ^4C, D♭ |
77 | 1050 | 11/6 | vvC♯, vD♭♭ | ^5C, ^D♭ |
78 | 1063.6 | 37/20 | vC♯, D♭♭ | ^6C, ^^D♭ |
79 | 1077.3 | 41/22 | C♯, ^D♭♭ | v5C♯, ^3D♭ |
80 | 1090.9 | ^C♯, ^^D♭♭ | v4C♯, ^4D♭ | |
81 | 1104.5 | ^^C♯, vvD♭ | v3C♯, ^5D♭ | |
82 | 1118.2 | 21/11, 40/21 | vvC𝄪, vD♭ | vvC♯, v6D |
83 | 1131.8 | vC𝄪, D♭ | vC♯, v5D | |
84 | 1145.5 | 31/16 | C𝄪, ^D♭ | C♯, v4D |
85 | 1159.1 | 41/21 | ^C𝄪, ^^D♭ | ^C♯, v3D |
86 | 1172.7 | ^^C𝄪, vvD | ^^C♯, vvD | |
87 | 1186.4 | vvC♯𝄪, vD | ^3C♯, vD | |
88 | 1200 | 2/1 | D | D |
Instruments
Lumatone
Skip fretting
Skip fretting system 88 6 13 is a skip fretting system for 88edo. All examples on this page are for 7-string guitar.
- Prime intervals
1/1: string 2 open
2/1: string 6 fret 6
3/2: string 5 fret 2
5/4: not easily accessible
7/4: string 7 fret 1
11/8: not easily accessible
13/8: string 4 fret 6
17/16: not easily accessible
19/16: not easily accessible