Why microtonality: Difference between revisions
Jump to navigation
Jump to search
Wikispaces>xenwolf **Imported revision 391761612 - Original comment: my approach would be the "minor problem"** |
m Removing from Category:Essays using Cat-a-lot |
||
(6 intermediate revisions by 4 users not shown) | |||
Line 1: | Line 1: | ||
< | <ul><li>In 12EDO, virtually all the catchy/easy chord progressions have been taken. Want some possibilities for new ones? You can't have beautiful/pure 6:7:8, 5:7:9, 7:9:11, 10:11:12...7 and 11-limit chords on your 12EDO keyboard because such chords don't exist in 12EDO. In 12EDO you are stuck with run-of-the-mill 5-limit chords such as major (4:5:6) and minor (10:12:15)...get unstuck with new temperaments in Xenharmony.</li><li>At least with JI, there are ways you can go about it where the math or theory doesn't have to be any harder than 12EDO -> [[Mike_Sheiman's_Very_Easy_Scale_Building_From_The_Harmonic_Series_Page|http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page]]</li><li>If you are into deep mathematical theory...the possibilities for optimization of scales for variety are virtually endless.</li><li>If you use electronic instruments that support SCALA files, such as cheap to free VSTi's, you can start composing Xenharmonic music often without spending a dime (list needed).</li><li>You know how musicians (cluelessly) warn you about Xenharmony being necessarily dissonant? It's a load of bull ->[http://www.cdbaby.com/cd/marcussatellite2 http://www.cdbaby.com/cd/marcussatellite2] (done in a CPS scale: Hexanies) | ||
: | [http://www.youtube.com/watch?v=BhZpvGSPx6w http://www.youtube.com/watch?v=BhZpvGSPx6w] (done in Just Intonation) | ||
: The | |||
</li></ul> | |||
[[Category:Why microtonality?]] | |||
< | |||
Latest revision as of 22:24, 6 March 2023
- In 12EDO, virtually all the catchy/easy chord progressions have been taken. Want some possibilities for new ones? You can't have beautiful/pure 6:7:8, 5:7:9, 7:9:11, 10:11:12...7 and 11-limit chords on your 12EDO keyboard because such chords don't exist in 12EDO. In 12EDO you are stuck with run-of-the-mill 5-limit chords such as major (4:5:6) and minor (10:12:15)...get unstuck with new temperaments in Xenharmony.
- At least with JI, there are ways you can go about it where the math or theory doesn't have to be any harder than 12EDO -> http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page
- If you are into deep mathematical theory...the possibilities for optimization of scales for variety are virtually endless.
- If you use electronic instruments that support SCALA files, such as cheap to free VSTi's, you can start composing Xenharmonic music often without spending a dime (list needed).
- You know how musicians (cluelessly) warn you about Xenharmony being necessarily dissonant? It's a load of bull ->http://www.cdbaby.com/cd/marcussatellite2 (done in a CPS scale: Hexanies) http://www.youtube.com/watch?v=BhZpvGSPx6w (done in Just Intonation)