User:BudjarnLambeth/Sandbox2: Difference between revisions
(2 intermediate revisions by the same user not shown) | |||
Line 7: | Line 7: | ||
= Title2 = | = Title2 = | ||
== Octave stretch or compression == | == Octave stretch or compression == | ||
Whether there is intonational improvement from [[stretched and compressed tuning|octave stretch or compression]] depends on which subgroup we are focusing on. | |||
For the 5-, 7-, and 11-limit, stretch is advised, though in the case of the 11-limit the stretch should be way milder, whereas for the 13-limit and in particular the 17-limit, little to no stretch or even compression may be suitable for balancing out the sharp and flat tuning tendencies, as is demonstrated in tunings such as [[65edt]], [[106ed6]], and [[147ed12]]. | |||
Primes 19, 29, and 31 all tend flat, so stretching will serve again as we take that into account, especially if we use the temperament in any no-17 or no-13 no-17 settings. | |||
What follows is a comparison of stretched- and compressed-octave 41edo tunings. | |||
; [[ | ; [[147ed12]] / [[106ed6]] / [[65edt]] | ||
* | * 65edt — step size: 29.261{{c}}, octave size: 1199.81{{c}} | ||
* | * 106ed6 — step size: 29.264{{c}}, octave size: 1199.69{{c}} | ||
* | * 147ed12 — step size: 29.265{{c}}, octave size: 1199.87{{c}} | ||
Compressing the octave of 41edo by around 0.2{{c}} results in just slightly improved primes 3, 11 and 13, but just slightly worse primes , 5 and 7. This approximates all harmonics up to 16 within 7.6{{c}}. The tunings 147ed12, 106ed6 and 65edt each do this. | |||
Compressing the octave of | {{Harmonics in equal|106|6|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 106ed6}} | ||
{{Harmonics in | {{Harmonics in equal|106|6|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 106ed6 (continued)}} | ||
{{Harmonics in | |||
; | ; 41edo | ||
* Step size: | * Step size: 29.268{{c}}, octave size: 1200.00{{c}} | ||
Pure-octaves 41edo approximates all harmonics up to 16 within 8.3{{c}}. The octaves of its 13-limit [[WE]] and [[TE]] tuning differ by less than 0.1{{c}} from pure. | |||
{{Harmonics in equal| | {{Harmonics in equal|41|2|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 41edo}} | ||
{{Harmonics in equal| | {{Harmonics in equal|41|2|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 41edo (continued)}} | ||
; [[ | ; [[zpi|184zpi]] / [[WE|41et, 11-limit WE tuning]] | ||
* Step size: | * Step size: 29.277{{c}}, octave size: 1200.35{{c}} | ||
Stretching the octave of 41edo by around 0.5{{c}} results in just slightly improved primes 5 and 7, but just slightly worse primes 2, 3, 11 and 13. This approximates all harmonics up to 16 within 9.6{{c}}. Its 11-limit WE tuning and 11-limit [[TE]] tuning both do this. So does 184zpi, whose octave is identical to WE within 0.02{{c}}. | |||
{{Harmonics in | {{Harmonics in cet|29.277|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 184zpi tuning}} | ||
{{Harmonics in | {{Harmonics in cet|29.277|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 184zpi (continued)}} | ||
; [[WE|41et, 7-limit WE tuning]] | |||
* Step size: 29.288{{c}}, octave size: 1200.81{{c}} | |||
Stretching the octave of 41edo by just under 1{{c}} results in improved primes 5 and 7, but worse primes 2, 3, 11 and 13. This approximates all harmonics up to 16 within NNN{{c}}. Its 7-limit WE tuning and 7-limit [[TE]] tuning both do this. | |||
{{Harmonics in cet|29.288|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 41et, 7-limit WE tuning}} | |||
{{Harmonics in cet|29.288|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 41et, 7-limit WE tuning (continued)}} |
Latest revision as of 21:33, 25 August 2025
Title1
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -4.1 | -8.5 | -8.2 | +4.1 | -12.6 | +19.5 | -12.3 | -16.9 | +0.0 | +34.3 | -16.7 |
Relative (%) | -4.1 | -8.5 | -8.2 | +4.1 | -12.6 | +19.6 | -12.4 | -17.0 | +0.0 | +34.4 | -16.7 | |
Steps (reduced) |
12 (12) |
19 (19) |
24 (24) |
28 (28) |
31 (31) |
34 (34) |
36 (36) |
38 (38) |
40 (0) |
42 (2) |
43 (3) |
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +3.4 | +3.4 | +6.7 | +21.5 | +6.7 | +40.7 | +10.1 | +6.7 | +24.9 | -39.9 | +10.1 |
Relative (%) | +3.3 | +3.3 | +6.7 | +21.4 | +6.7 | +40.6 | +10.0 | +6.7 | +24.8 | -39.8 | +10.0 | |
Steps (reduced) |
12 (5) |
19 (5) |
24 (3) |
28 (0) |
31 (3) |
34 (6) |
36 (1) |
38 (3) |
40 (5) |
41 (6) |
43 (1) |
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +34.7 | +3.7 | +0.0 | +17.8 | -47.1 | +2.5 |
Relative (%) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +34.6 | +3.7 | +0.0 | +17.8 | -47.1 | +2.5 | |
Steps (reduced) |
12 (12) |
19 (0) |
24 (5) |
28 (9) |
31 (12) |
34 (15) |
36 (17) |
38 (0) |
40 (2) |
41 (3) |
43 (5) |
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.8 | -0.8 | +1.5 | +15.5 | +0.0 | +33.3 | +2.3 | -1.5 | +16.2 | -48.7 | +0.8 |
Relative (%) | +0.8 | -0.8 | +1.5 | +15.4 | +0.0 | +33.3 | +2.3 | -1.5 | +16.2 | -48.7 | +0.8 | |
Steps (reduced) |
12 (12) |
19 (19) |
24 (24) |
28 (28) |
31 (0) |
34 (3) |
36 (5) |
38 (7) |
40 (9) |
41 (10) |
43 (12) |
Title2
Octave stretch or compression
Whether there is intonational improvement from octave stretch or compression depends on which subgroup we are focusing on.
For the 5-, 7-, and 11-limit, stretch is advised, though in the case of the 11-limit the stretch should be way milder, whereas for the 13-limit and in particular the 17-limit, little to no stretch or even compression may be suitable for balancing out the sharp and flat tuning tendencies, as is demonstrated in tunings such as 65edt, 106ed6, and 147ed12.
Primes 19, 29, and 31 all tend flat, so stretching will serve again as we take that into account, especially if we use the temperament in any no-17 or no-13 no-17 settings.
What follows is a comparison of stretched- and compressed-octave 41edo tunings.
- 65edt — step size: 29.261 ¢, octave size: 1199.81 ¢
- 106ed6 — step size: 29.264 ¢, octave size: 1199.69 ¢
- 147ed12 — step size: 29.265 ¢, octave size: 1199.87 ¢
Compressing the octave of 41edo by around 0.2 ¢ results in just slightly improved primes 3, 11 and 13, but just slightly worse primes , 5 and 7. This approximates all harmonics up to 16 within 7.6 ¢. The tunings 147ed12, 106ed6 and 65edt each do this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -0.2 | +0.2 | -0.4 | -6.3 | +0.0 | -3.5 | -0.6 | +0.4 | -6.4 | +4.1 | -0.2 |
Relative (%) | -0.6 | +0.6 | -1.3 | -21.4 | +0.0 | -12.0 | -1.9 | +1.3 | -22.0 | +14.1 | -0.6 | |
Steps (reduced) |
41 (41) |
65 (65) |
82 (82) |
95 (95) |
106 (0) |
115 (9) |
123 (17) |
130 (24) |
136 (30) |
142 (36) |
147 (41) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +7.6 | -3.7 | -6.1 | -0.7 | +11.4 | +0.2 | -5.6 | -6.6 | -3.3 | +3.9 | -14.5 | -0.4 |
Relative (%) | +25.8 | -12.6 | -20.8 | -2.6 | +38.8 | +0.6 | -19.2 | -22.7 | -11.3 | +13.5 | -49.5 | -1.3 | |
Steps (reduced) |
152 (46) |
156 (50) |
160 (54) |
164 (58) |
168 (62) |
171 (65) |
174 (68) |
177 (71) |
180 (74) |
183 (77) |
185 (79) |
188 (82) |
- 41edo
- Step size: 29.268 ¢, octave size: 1200.00 ¢
Pure-octaves 41edo approximates all harmonics up to 16 within 8.3 ¢. The octaves of its 13-limit WE and TE tuning differ by less than 0.1 ¢ from pure.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | +0.5 | +0.0 | -5.8 | +0.5 | -3.0 | +0.0 | +1.0 | -5.8 | +4.8 | +0.5 |
Relative (%) | +0.0 | +1.7 | +0.0 | -19.9 | +1.7 | -10.2 | +0.0 | +3.3 | -19.9 | +16.3 | +1.7 | |
Steps (reduced) |
41 (0) |
65 (24) |
82 (0) |
95 (13) |
106 (24) |
115 (33) |
123 (0) |
130 (7) |
136 (13) |
142 (19) |
147 (24) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +8.3 | -3.0 | -5.3 | +0.0 | +12.1 | +1.0 | -4.8 | -5.8 | -2.5 | +4.8 | -13.6 | +0.5 |
Relative (%) | +28.2 | -10.2 | -18.3 | +0.0 | +41.4 | +3.3 | -16.5 | -19.9 | -8.5 | +16.3 | -46.6 | +1.7 | |
Steps (reduced) |
152 (29) |
156 (33) |
160 (37) |
164 (0) |
168 (4) |
171 (7) |
174 (10) |
177 (13) |
180 (16) |
183 (19) |
185 (21) |
188 (24) |
- Step size: 29.277 ¢, octave size: 1200.35 ¢
Stretching the octave of 41edo by around 0.5 ¢ results in just slightly improved primes 5 and 7, but just slightly worse primes 2, 3, 11 and 13. This approximates all harmonics up to 16 within 9.6 ¢. Its 11-limit WE tuning and 11-limit TE tuning both do this. So does 184zpi, whose octave is identical to WE within 0.02 ¢.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.4 | +1.0 | +0.7 | -5.0 | +1.4 | -2.0 | +1.1 | +2.1 | -4.6 | +6.0 | +1.8 |
Relative (%) | +1.2 | +3.6 | +2.4 | -17.1 | +4.8 | -6.7 | +3.7 | +7.2 | -15.9 | +20.5 | +6.0 | |
Step | 41 | 65 | 82 | 95 | 106 | 115 | 123 | 130 | 136 | 142 | 147 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +9.6 | -1.6 | -3.9 | +1.4 | +13.6 | +2.5 | -3.3 | -4.3 | -0.9 | +6.4 | -12.0 | +2.1 |
Relative (%) | +32.7 | -5.5 | -13.5 | +4.9 | +46.4 | +8.4 | -11.3 | -14.6 | -3.1 | +21.8 | -41.1 | +7.2 | |
Step | 152 | 156 | 160 | 164 | 168 | 171 | 174 | 177 | 180 | 183 | 185 | 188 |
- Step size: 29.288 ¢, octave size: 1200.81 ¢
Stretching the octave of 41edo by just under 1 ¢ results in improved primes 5 and 7, but worse primes 2, 3, 11 and 13. This approximates all harmonics up to 16 within NNN ¢. Its 7-limit WE tuning and 7-limit TE tuning both do this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.8 | +1.8 | +1.6 | -4.0 | +2.6 | -0.7 | +2.4 | +3.5 | -3.1 | +7.6 | +3.4 |
Relative (%) | +2.8 | +6.0 | +5.5 | -13.5 | +8.8 | -2.4 | +8.3 | +12.1 | -10.7 | +25.9 | +11.5 | |
Step | 41 | 65 | 82 | 95 | 106 | 115 | 123 | 130 | 136 | 142 | 147 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +11.2 | +0.1 | -2.2 | +3.2 | -13.9 | +4.3 | -1.4 | -2.3 | +1.1 | +8.4 | -10.0 | +4.2 |
Relative (%) | +38.4 | +0.3 | -7.5 | +11.0 | -47.3 | +14.8 | -4.8 | -8.0 | +3.6 | +28.6 | -34.1 | +14.3 | |
Step | 152 | 156 | 160 | 164 | 167 | 171 | 174 | 177 | 180 | 183 | 185 | 188 |