|
|
| (2 intermediate revisions by 2 users not shown) |
| Line 1: |
Line 1: |
| Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
| | #REDIRECT [[22edo chords#Ups and downs notation]] |
| | |
| Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-9-14 = C4(^5) becomes 9-14-22 = Fm. "a" stands for augmented and "d" stands for diminished.
| |
| | |
| {| class="wikitable"
| |
| |-
| |
| ! colspan="2" |third ---->
| |
| ! m3
| |
| ! ^m3
| |
| ! vM3
| |
| ! M3
| |
| ! P4
| |
| !^4
| |
| |-
| |
| ! colspan="2" |Triads with P5
| |
| | Cm
| |
| | C^m
| |
| | Cv
| |
| | C
| |
| | C4
| |
| |C^4
| |
| |-
| |
| ! rowspan="5" |Other
| |
| triads
| |
| !v5
| |
| |Cm(v5)
| |
| |C^m(v5)
| |
| |Cv(v5)
| |
| |C(v5)
| |
| |C4(v5)
| |
| |C^4(v5)
| |
| |-
| |
| !^d5
| |
| |Cd(^5)
| |
| |C^d(^5)
| |
| |Cv(^b5)
| |
| |C(^b5)
| |
| |C4(^b5)
| |
| |C^4(^b5)
| |
| |-
| |
| !d5
| |
| |Cd
| |
| |C^d
| |
| |Cv(b5)
| |
| |C(b5)
| |
| |C4(b5)
| |
| |C^4(b5)
| |
| |-
| |
| !^5
| |
| |''(Ab)''
| |
| |C^m(^5)
| |
| |Cv(^5)
| |
| |C(^5)
| |
| |''(Fm)''
| |
| |C^4(^5)
| |
| |-
| |
| !va5
| |
| |Cm(v#5)
| |
| |''(^Abv)''
| |
| |Cv(v#5)
| |
| |C(v#5)
| |
| |''(F^m)''
| |
| |C^4(v#5)
| |
| |-
| |
| ! rowspan="6" |Tetrads
| |
| with a
| |
| | |
| P5
| |
| ! vM6
| |
| | Cmv6
| |
| | C^mv6
| |
| | Cv6
| |
| | C,v6
| |
| | C4v6
| |
| |C^4v6
| |
| |-
| |
| ! M6
| |
| | Cm6
| |
| | C^m,6
| |
| | Cv,6
| |
| | C6
| |
| | C4,6
| |
| |C^4,6
| |
| |-
| |
| ! m7
| |
| | Cm7
| |
| | C^m,7
| |
| | Cv,7
| |
| | C7
| |
| | C4,7
| |
| |C^4,7
| |
| |-
| |
| ! ^m7
| |
| | Cm^7
| |
| | C^m7
| |
| | Cv^7
| |
| | C,^7
| |
| | C4^7
| |
| |C^4^7
| |
| |-
| |
| ! vM7
| |
| | CmvM7
| |
| | C^mvM7
| |
| | CvM7
| |
| | C,vM7
| |
| | C4vM7
| |
| |C^4vM7
| |
| |-
| |
| ! M7
| |
| | CmM7
| |
| | C^mM7
| |
| | Cv,M7
| |
| | CM7
| |
| | C4M7
| |
| |C^4M7
| |
| |}
| |
| | |
| A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.
| |
| | |
| 4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
| |
| | |
| {| class="wikitable"
| |
| |-
| |
| ! Chord
| |
| ! Notes
| |
| ! colspan="2" | Ups and downs name
| |
| ! colspan="2" | Color name
| |
| |-
| |
| | 4:5:6:7
| |
| | C vE G Bb
| |
| | C-down add-7
| |
| | Cv,7
| |
| | C har7
| |
| | Ch7
| |
| |-
| |
| |4:5:6:7:9
| |
| |C vE G Bb D
| |
| |C-nine down-3
| |
| |C9(v3)
| |
| |C har9
| |
| |Ch9
| |
| |-
| |
| | 7:6:5:4
| |
| | C Eb ^Gb Bb
| |
| | C minor7 upflat-5
| |
| | Cm7(^b5)
| |
| | C sub7
| |
| | Cs7
| |
| |-
| |
| | 12:10:8:7
| |
| | C ^Eb G A
| |
| | C upminor add-6
| |
| | C^m,6
| |
| | C sub6
| |
| | Cs6
| |
| |-
| |
| |9:7:6:5:4
| |
| |C E G ^Bb D
| |
| |C-nine up-7
| |
| |C9(^7)
| |
| |C sub9
| |
| |Cs9
| |
| |}
| |
| | |
| == See also ==
| |
| * [[15edo chord names]]
| |
| * [[19edo chord names]]
| |
| * [[24edo chord names]]
| |
| * [[31edo chord names]]
| |
| * [[41edo chord names]]
| |
| * [[Kite Guitar chord shapes (downmajor tuning)]]
| |
| | |
| [[Category:22edo]]
| |
| [[Category:Chords]]
| |
| [[Category:Ups and downs notation]]
| |
| [[Category:Notation]]
| |