24edo chord names: Difference between revisions
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m Text replacement - "Ups and Downs Notation" to "Ups and downs notation" |
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Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and | Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. | Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! colspan="2" | | ! colspan="2" | Thirds → | ||
! vm3 | ! vm3 | ||
! m3 | ! m3 | ||
| Line 14: | Line 14: | ||
! ~4 | ! ~4 | ||
|- | |- | ||
! | ! colspan="2" | Triads with P5 | ||
| Cvm | | Cvm | ||
| Cm | | Cm | ||
| Line 24: | Line 23: | ||
| C~4 | | C~4 | ||
|- | |- | ||
!v5 | ! rowspan="4" | Other<br />triads | ||
|Cvm(v5) | ! v5 | ||
|Cm(v5) | | Cvm(v5) | ||
|C~(v5) | | Cm(v5) | ||
|C(v5) | | C~(v5) | ||
|C^(v5) | | C(v5) | ||
|C4(v5) | | C^(v5) | ||
|C~4(v5) | | C4(v5) | ||
| C~4(v5) | |||
|- | |- | ||
!d5 | ! d5 | ||
|Cvd | | Cvd | ||
|Cd | | Cd | ||
|C^d | | C^d | ||
|C(b5) | | C(b5) | ||
|C^(b5) | | C^(b5) | ||
|C4(b5) | | C4(b5) | ||
|C~4(b5) | | C~4(b5) | ||
|- | |- | ||
!^5 | ! ^5 | ||
|''(^G^)'' | | ''(^G^)'' | ||
|Cm(^5) | | Cm(^5) | ||
|C~(^5) | | C~(^5) | ||
|C(^5) | | C(^5) | ||
|C^(^5) | | C^(^5) | ||
|C4(^5) | | C4(^5) | ||
|C~4(^5) | | C~4(^5) | ||
|- | |- | ||
!a5 | ! a5 | ||
|Cvm(#5) | | Cvm(#5) | ||
|''(Ab)'' | | ''(Ab)'' | ||
|Cva | | Cva | ||
|Ca | | Ca | ||
|C^a | | C^a | ||
|''(Fm)'' | | ''(Fm)'' | ||
|C~4(#5) | | C~4(#5) | ||
|- | |- | ||
! rowspan="7" |Tetrads | ! rowspan="7" |Tetrads<br />with | ||
with | |||
P5 | P5 | ||
| Line 82: | Line 81: | ||
| C~4,6 | | C~4,6 | ||
|- | |- | ||
! ^M6 | ! ^M6<br />vm7 | ||
vm7 | | (Cvm^6)<br />Cvm7 | ||
| (Cvm^6) | | Cm^6<br />Cmv7 | ||
Cvm7 | | C~^6<br />C~v7 | ||
| Cm^6 | | C,^6<br />C,v7 | ||
Cmv7 | | C^6<br />(C^v7) | ||
| C~^6 | | C4^6<br />C4v7 | ||
C~v7 | | C~4^6<br />C~4v7 | ||
| C,^6 | |||
C,v7 | |||
| C^6 | |||
(C^v7) | |||
| C4^6 | |||
C4v7 | |||
| C~4^6 | |||
C~4v7 | |||
|- | |- | ||
! m7 | ! m7 | ||
| Line 138: | Line 129: | ||
A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6. | A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6. | ||
See also | == See also == | ||
* [[15edo chord names]] | * [[15edo chord names]] | ||
* [[19edo chord names]] | * [[19edo chord names]] | ||
Latest revision as of 01:07, 20 August 2025
Various 24edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
Highly implausible chords are named as a more plausible homonym, e.g. 0–5–15 = Cvm(^5) becomes 15–24–29 = ^G^, where "a" stands for augmented and "d" stands for diminished.
| Thirds → | vm3 | m3 | ~3 | M3 | ^M3 | P4 | ~4 | |
|---|---|---|---|---|---|---|---|---|
| Triads with P5 | Cvm | Cm | C~ | C | C^ | C4 | C~4 | |
| Other triads |
v5 | Cvm(v5) | Cm(v5) | C~(v5) | C(v5) | C^(v5) | C4(v5) | C~4(v5) |
| d5 | Cvd | Cd | C^d | C(b5) | C^(b5) | C4(b5) | C~4(b5) | |
| ^5 | (^G^) | Cm(^5) | C~(^5) | C(^5) | C^(^5) | C4(^5) | C~4(^5) | |
| a5 | Cvm(#5) | (Ab) | Cva | Ca | C^a | (Fm) | C~4(#5) | |
| Tetrads with P5 |
~6 | Cvm~6 | Cm~6 | C~6 | C,~6 | C^,~6 | C4~6 | C~4~6 |
| M6 | Cvm,6 | Cm6 | C~,6 | C6 | C^,6 | C4,6 | C~4,6 | |
| ^M6 vm7 |
(Cvm^6) Cvm7 |
Cm^6 Cmv7 |
C~^6 C~v7 |
C,^6 C,v7 |
C^6 (C^v7) |
C4^6 C4v7 |
C~4^6 C~4v7 | |
| m7 | Cvm,7 | Cm7 | C~,7 | C7 | C^,7 | C4,7 | C~4,7 | |
| ~7 | Cvm~7 | Cm~7 | C~7 | C,~7 | C^,~7 | C4~7 | C~4~7 | |
| M7 | CvmM7 | CmM7 | C~M7 | CM7 | C^,M7 | C4M7 | C~4M7 | |
| ^M7 | Cvm^M7 | Cm^M7 | C~^M7 | C,^M7 | C^M7 | C4^M7 | C~4^M7 | |
A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.