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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | '''Gene Ward Smith''' (1947–2021) was an American mathematician, music theorist, and composer. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2010-06-04 17:05:14 UTC</tt>.<br>
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| : The original revision id was <tt>147070181</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Gene Ward Smith (born 1947) is an American mathematician and music theorist. In mathematics he has worked in the areas of [[Galois theory]] and [[Moonshine theory]]. In music theory, he is noted for a number of innovations in the theory of musical tuning, such as the introduction of [[multilinear algebra]] and for being the first to write music in a number of exotic intonation systems. A boyhood friend of [[Steven Spielberg]], a few of his biographical details appear incidentally in the biography of Spielberg by Joseph McBride.<ref>{{citation|first=Joseph|last=McBride|title=Steven Spielberg: A Biography|publisher=Da Capo Press|year=1999|isbn=0-306-80900-1}}.</ref> While a graduate student at [[University of California, Berkeley|Berkeley]], he and fellow mathematician Matthew P. Wiener gained online notoriety for fierce debating and frequent participation in flame wars on [[Usenet]], causing them to be nicknamed the [[Brahms Gang]] (because ''brahms.berkeley.edu'' was the name of the server they posted from).
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| ==Music theory==
| | In mathematics, he worked in the areas of {{w|Galois theory}} and {{w|Moonshine theory}}. |
| Smith introduced [[exterior algebra|wedge product]]s as a way of classifying [[regular temperament]]s, and of dealing with the problem of [[Torsion (abstract algebra)|torsion]]. In this system, a temperament is specified by means of a ''wedgie'', which technically may be identified as a point on a [[Grassmannian]].
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| Smith has long been drawing attention to the relationship between [[equal division of the octave|equal divisions of the octave]] and the [[Riemann zeta function]].<ref>[http://www.math.niu.edu/~rusin/uses-math/music/12 Why 12 tones per octave?], Dave Rusin. Sequence {{OEIS2C|A117536}} ''Increasingly large peaks of the Riemann zeta function on the critical line'' and {{OEIS2C|A117538}} ''Increasingly large integrals of the Z function between zeros'', [[On-Line Encyclopedia of Integer Sequences]].</ref>
| | In music theory, he introduced {{w|wedge product}}s as a way of classifying [[regular temperament]]s. In this system, a temperament is specified by means of a [[Wedgies and multivals|wedgie]], which may technically be identified as a point on a [[Wikipedia:Grassmannian|Grassmannian]]. He had long drawn attention to the relationship between [[Equal temperaments|equal divisions of the octave]] and the [[the Riemann zeta function and tuning|Riemann zeta function]].<ref>Rusin, Dave. "Why 12 tones per octave?" [http://www.math.niu.edu/~rusin/uses-math/music/12 http://www.math.niu.edu/~rusin/uses-math/music/12]</ref><ref>OEIS. Increasingly large peaks of the Riemann zeta function on the critical line: {{OEIS|A117536}}.</ref><ref>OEIS. Increasingly large integrals of the Z function between zeros: {{OEIS|A117538}}.</ref> He [http://www.webcitation.org/67ZUSajSK early on] identified and emphasized free abelian groups of finite rank and their homomorphisms, and it was from that perspective that he contributed to the creation of the [[Regular temperament|regular mapping paradigm]]. |
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| Smith was among the first to consider extending the [[Tonnetz]] of [[Hugo Riemann]] beyond the [[limit (music)|5-limit]] and hence into higher dimensional [[lattice (group)|lattices]]. In three dimensions, the [[hexagonal lattice]] of 5-limit harmony extends to a lattice of type A<sub>3</sub> ~ D<sub>3</sub>.
| | In the 1970s, Gene experimented with musical compositions using a device with four square-wave voices, whose tuning was very stable and accurate, being controlled by a {{w|crystal oscillator}}. The device in turn was controlled by {{w|HP 9800 series desktop computers}}, initially the HP 9830A, programmed in HP Basic, later the 9845A. Using this, he explored both just intonation with a particular emphasis on groups of transformations, and [[pajara]]. |
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| ==Mathematics==
| | Gene had a basic understanding of the regular mapping paradigm during this period, but it was limited in practice since he was focused on the idea that the next step from meantone should keep some familiar features, and so was interested in tempering out 64/63 in place of 81/80. He knew 7-limit 12 and 22 had tempering out 64/63 and 50/49 in common, and 12 and 27 had tempering out 64/63 and 126/125 in common, and thought these would be logical places to progress to, blending novelty with familiarity. While he never got around to working with augene, he did consider it. For pajara, he found tempering certain JI scales, the 10 and 12 note [[highschool scales]], led to interesting ([[Omnitetrachordality|omnitetrachordal]]) results, and that there were also closely related symmetric (MOS) scales of size 10 and 12 for pajara; he did some work with these, particularly favoring the pentachordal decatonic scale. |
| In mathematics, Smith's most notable achievement is the construction of what has been called the Smith [[generic polynomial|generic cyclic polynomial]].<ref>{{citation|first1=Christian U.|last1=Jensen|first2=Arne|last2=Ledet|first3=Noriko|last3=Yui|title=Generic Polynomials: Constructive Aspects of the Inverse Galois Problem|publisher=Cambridge University Press|location=Cambridge|year=2002|isbn=0-521-81998-9|url=http://www.msri.org/communications/books/Book45/files/book45.pdf}}.</ref> For any integer ''n'' not divisible by eight, this constructs a polynomial which, upon specializing the values, gives all of the cyclic extensions of any given base field with [[characteristic (algebra)|characteristic]] prime to ''n''. This can then be extended to [[metacyclic]] extensions, such as [[dihedral group]]s.
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| Smith was also a member of the ''Amdahl Six'' group which held the largest prime record from 1989-1992.<ref>[http://www.isthe.com:/chongo/tech/math/prime/amdahl6.html The Amdahl Six].</ref>
| | Gene was among the first to consider extending the {{w|Tonnetz}} of Hugo Riemann beyond the 5-limit and hence into higher dimensional {{w|Lattice (group)|lattices}}. In three dimensions, the hexagonal lattice of [[5-limit]] harmony extends to a lattice of type {{nowrap|A3 ~ D3}}. He is also the first to write music in a number of exotic intonation systems. |
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| ==References== | | == Historical interest == |
| {{reflist}}
| | * [[USENET_post_from_1990_by_Gene_Smith_on_homomorphisms_and_kernels|Usenet post from 1990 by Gene Smith on homomorphisms and kernels]] |
| | * [[USENET_post_from_1995_by_Gene_Smith_on_homomorphisms_and_kernels|Usenet post from 1995 by Gene Smith on homomorphisms and kernels]] |
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| ==External links== | | == See also == |
| *[http://lumma.org/tuning/gws/home.htm Smith's old website] | | * [[Microtonal music by Gene Ward Smith]] |
| | * [[Hypergenesis58]] (a scale described by Gene Ward Smith) |
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| | == References == |
| | <references/> |
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| {{DEFAULTSORT:Smith, Gene Ward}} | | {{DEFAULTSORT:Smith, Gene Ward}} |
| [[Category:American music theorists]] | | [[Category:People]] |
| [[Category:American mathematicians]] | | [[Category:Composers]] |
| [[Category:Usenet people]] | | [[Category:Mathematicians]] |
| [[Category:1947 births]] | | [[Category:Theorists]] |
| [[Category:Living people]]
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| [[ht:Gene Ward Smith]]
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| Homepage: http://lumma.org/tuning/gws/home.htm
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| read on Wikipedia http://en.wikipedia.org/wiki/Gene_Ward_Smith</pre></div>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Gene Ward Smith</title></head><body>Gene Ward Smith (born 1947) is an American mathematician and music theorist. In mathematics he has worked in the areas of <a class="wiki_link" href="/Galois%20theory">Galois theory</a> and <a class="wiki_link" href="/Moonshine%20theory">Moonshine theory</a>. In music theory, he is noted for a number of innovations in the theory of musical tuning, such as the introduction of <a class="wiki_link" href="/multilinear%20algebra">multilinear algebra</a> and for being the first to write music in a number of exotic intonation systems. A boyhood friend of <a class="wiki_link" href="/Steven%20Spielberg">Steven Spielberg</a>, a few of his biographical details appear incidentally in the biography of Spielberg by Joseph McBride.<!-- ws:start:WikiTextRefRule:2:&amp;lt;ref&amp;gt;&lt;tt&gt;citation|first=Joseph|last=McBride|title=Steven Spielberg: A Biography|publisher=Da Capo Press|year=1999|isbn=0-306-80900-1&lt;/tt&gt;.&amp;lt;/ref&amp;gt; --><sup id="cite_ref-1" class="reference"><a href="#cite_note-1">[1]</a></sup><!-- ws:end:WikiTextRefRule:2 --> While a graduate student at <a class="wiki_link" href="/University%20of%20California%2C%20Berkeley">Berkeley</a>, he and fellow mathematician Matthew P. Wiener gained online notoriety for fierce debating and frequent participation in flame wars on <a class="wiki_link" href="/Usenet">Usenet</a>, causing them to be nicknamed the <a class="wiki_link" href="/Brahms%20Gang">Brahms Gang</a> (because ''brahms.berkeley.edu'' was the name of the server they posted from).<br />
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| <!-- ws:start:WikiTextHeadingRule:16:&lt;h2&gt; --><h2 id="toc0"><a name="x-Music theory"></a><!-- ws:end:WikiTextHeadingRule:16 -->Music theory</h2>
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| Smith introduced <a class="wiki_link" href="/exterior%20algebra">wedge product</a>s as a way of classifying <a class="wiki_link" href="/regular%20temperament">regular temperament</a>s, and of dealing with the problem of <a class="wiki_link" href="/Torsion%20%28abstract%20algebra%29">torsion</a>. In this system, a temperament is specified by means of a ''wedgie'', which technically may be identified as a point on a <a class="wiki_link" href="/Grassmannian">Grassmannian</a>.<br />
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| <br />
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| Smith has long been drawing attention to the relationship between <a class="wiki_link" href="/equal%20division%20of%20the%20octave">equal divisions of the octave</a> and the <a class="wiki_link" href="/Riemann%20zeta%20function">Riemann zeta function</a>.<!-- ws:start:WikiTextRefRule:9:&amp;lt;ref&amp;gt;[http://www.math.niu.edu/~rusin/uses-math/music/12 Why 12 tones per octave?], Dave Rusin. Sequence &lt;tt&gt;OEIS2C|A117536&lt;/tt&gt; ''Increasingly large peaks of the Riemann zeta function on the critical line'' and &lt;tt&gt;OEIS2C|A117538&lt;/tt&gt; ''Increasingly large integrals of the Z function between zeros'', &lt;a class=&quot;wiki_link&quot; href=&quot;/On-Line%20Encyclopedia%20of%20Integer%20Sequences&quot;&gt;On-Line Encyclopedia of Integer Sequences&lt;/a&gt;.&amp;lt;/ref&amp;gt; --><sup id="cite_ref-2" class="reference"><a href="#cite_note-2">[2]</a></sup><!-- ws:end:WikiTextRefRule:9 --><br />
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| <br />
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| Smith was among the first to consider extending the <a class="wiki_link" href="/Tonnetz">Tonnetz</a> of <a class="wiki_link" href="/Hugo%20Riemann">Hugo Riemann</a> beyond the <a class="wiki_link" href="/limit%20%28music%29">5-limit</a> and hence into higher dimensional <a class="wiki_link" href="/lattice%20%28group%29">lattices</a>. In three dimensions, the <a class="wiki_link" href="/hexagonal%20lattice">hexagonal lattice</a> of 5-limit harmony extends to a lattice of type A&lt;sub&gt;3&lt;/sub&gt; ~ D&lt;sub&gt;3&lt;/sub&gt;.<br />
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| <!-- ws:start:WikiTextHeadingRule:18:&lt;h2&gt; --><h2 id="toc1"><a name="x-Mathematics"></a><!-- ws:end:WikiTextHeadingRule:18 -->Mathematics</h2>
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| In mathematics, Smith's most notable achievement is the construction of what has been called the Smith <a class="wiki_link" href="/generic%20polynomial">generic cyclic polynomial</a>.<!-- ws:start:WikiTextRefRule:13:&amp;lt;ref&amp;gt;&lt;tt&gt;citation|first1=Christian U.|last1=Jensen|first2=Arne|last2=Ledet|first3=Noriko|last3=Yui|title=Generic Polynomials: Constructive Aspects of the Inverse Galois Problem|publisher=Cambridge University Press|location=Cambridge|year=2002|isbn=0-521-81998-9|url=http://www.msri.org/communications/books/Book45/files/book45.pdf&lt;/tt&gt;.&amp;lt;/ref&amp;gt; --><sup id="cite_ref-3" class="reference"><a href="#cite_note-3">[3]</a></sup><!-- ws:end:WikiTextRefRule:13 --> For any integer ''n'' not divisible by eight, this constructs a polynomial which, upon specializing the values, gives all of the cyclic extensions of any given base field with <a class="wiki_link" href="/characteristic%20%28algebra%29">characteristic</a> prime to ''n''. This can then be extended to <a class="wiki_link" href="/metacyclic">metacyclic</a> extensions, such as <a class="wiki_link" href="/dihedral%20group">dihedral group</a>s.<br />
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| <br />
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| Smith was also a member of the ''Amdahl Six'' group which held the largest prime record from 1989-1992.<!-- ws:start:WikiTextRefRule:15:&amp;lt;ref&amp;gt;[http://www.isthe.com:/chongo/tech/math/prime/amdahl6.html The Amdahl Six].&amp;lt;/ref&amp;gt; --><sup id="cite_ref-4" class="reference"><a href="#cite_note-4">[4]</a></sup><!-- ws:end:WikiTextRefRule:15 --><br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:20:&lt;h2&gt; --><h2 id="toc2"><a name="x-References"></a><!-- ws:end:WikiTextHeadingRule:20 -->References</h2>
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| <tt>reflist</tt><br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:22:&lt;h2&gt; --><h2 id="toc3"><a name="x-External links"></a><!-- ws:end:WikiTextHeadingRule:22 -->External links</h2>
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| *[<!-- ws:start:WikiTextUrlRule:79:http://lumma.org/tuning/gws/home.htm --><a class="wiki_link_ext" href="http://lumma.org/tuning/gws/home.htm" rel="nofollow">http://lumma.org/tuning/gws/home.htm</a><!-- ws:end:WikiTextUrlRule:79 --> Smith's old website]<br />
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| <tt>DEFAULTSORT:Smith, Gene Ward</tt><br />
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| <a class="wiki_link" href="http://category.wikispaces.com/American%20music%20theorists">Category/American music theorists</a><br />
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| <a class="wiki_link" href="http://category.wikispaces.com/American%20mathematicians">Category/American mathematicians</a><br />
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| <a class="wiki_link" href="http://category.wikispaces.com/Usenet%20people">Category/Usenet people</a><br />
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| <a class="wiki_link" href="http://category.wikispaces.com/1947%20births">Category/1947 births</a><br />
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| <a class="wiki_link" href="http://category.wikispaces.com/Living%20people">Category/Living people</a><br />
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| <br />
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| [[ht:Gene Ward Smith]]<br />
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| <br />
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| Homepage: <!-- ws:start:WikiTextUrlRule:80:http://lumma.org/tuning/gws/home.htm --><a class="wiki_link_ext" href="http://lumma.org/tuning/gws/home.htm" rel="nofollow">http://lumma.org/tuning/gws/home.htm</a><!-- ws:end:WikiTextUrlRule:80 --><br />
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| read on Wikipedia <!-- ws:start:WikiTextUrlRule:81:http://en.wikipedia.org/wiki/Gene_Ward_Smith --><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Gene_Ward_Smith" rel="nofollow">http://en.wikipedia.org/wiki/Gene_Ward_Smith</a><!-- ws:end:WikiTextUrlRule:81 --><!-- ws:start:WikiTextReferencesRule:86: --><hr class="references" /><ol class="references">
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| <li id="cite_note-1"><a href="#cite_ref-1">^</a> <tt>citation|first=Joseph|last=McBride|title=Steven Spielberg: A Biography|publisher=Da Capo Press|year=1999|isbn=0-306-80900-1</tt>.</li>
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| <li id="cite_note-2"><a href="#cite_ref-2">^</a> [<a class="wiki_link_ext" href="http://www.math.niu.edu/~rusin/uses-math/music/12" rel="nofollow">http://www.math.niu.edu/~rusin/uses-math/music/12</a> Why 12 tones per octave?], Dave Rusin. Sequence <tt>OEIS2C|A117536</tt> ''Increasingly large peaks of the Riemann zeta function on the critical line'' and <tt>OEIS2C|A117538</tt> ''Increasingly large integrals of the Z function between zeros'', <a class="wiki_link" href="/On-Line%20Encyclopedia%20of%20Integer%20Sequences">On-Line Encyclopedia of Integer Sequences</a>.</li>
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| <li id="cite_note-3"><a href="#cite_ref-3">^</a> <tt>citation|first1=Christian U.|last1=Jensen|first2=Arne|last2=Ledet|first3=Noriko|last3=Yui|title=Generic Polynomials: Constructive Aspects of the Inverse Galois Problem|publisher=Cambridge University Press|location=Cambridge|year=2002|isbn=0-521-81998-9|url=<a class="wiki_link_ext" href="http://www.msri.org/communications/books/Book45/files/book45.pdf" rel="nofollow">http://www.msri.org/communications/books/Book45/files/book45.pdf</a></tt>.</li>
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| <li id="cite_note-4"><a href="#cite_ref-4">^</a> [<a class="wiki_link_ext" href="http://www.isthe.com:/chongo/tech/math/prime/amdahl6.html" rel="nofollow">http://www.isthe.com:/chongo/tech/math/prime/amdahl6.html</a> The Amdahl Six].</li>
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| </ol><!-- ws:end:WikiTextReferencesRule:86 --></body></html></pre></div>
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