Chord homonym: Difference between revisions

TallKite (talk | contribs)
Created page with "A chord's homonym has the same notes, but a different root. Analogous to how various modes of a scale have the same notes, but a different tonic. Examples: C6 and Am7 are hom..."
 
m Categories
 
(3 intermediate revisions by 2 users not shown)
Line 1: Line 1:
A chord's homonym has the same notes, but a different root. Analogous to how various modes of a scale have the same notes, but a different tonic.
A chord's '''homonym''' has the same [[note]]s, but a different [[root]]. Analogous to how various [[mode]]s of a [[scale]] have the same notes, but a different [[tonic]].


Examples: C6 and Am7 are homonyms, as are C4 and F2.
Examples: C6 and Am7 are homonyms, as are C4 and F2.
In theory, every [[triad]] has two homonyms, every [[tetrad]] has three, etc. However, most homonyms are implausible. For example, an E minor flat-6 no-5 chord would generally be heard as a C major chord in first inversion.
Most [[pentad]]s and [[hexad]]s have at least one plausible homonym.
[[Category:Terms]]
[[Category:Chord]]