Metallic intonation: Difference between revisions

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{{Mathematical interest}}
'''Metallic intonation''' ('''MTI'''){{idiosyncratic}} is a system which uses the irrational [[metallic harmonic series]], based on {{w|metallic mean}}s, rather than the [[harmonic series]] as the basis for an exact or tempered tuning. It was first described by [[User:CompactStar|CompactStar]] in 2024. Metallic intonation is related to and can sometimes overlap with [[merciful intonation]]. Except for the [[1/1|unison]], it consists of only irrational intervals, and is inherently [[nonoctave]]. As the first metallic harmonic, [[acoustic phi]] is a possible candidate to serve as an [[equave]] in the same way as octave. Metallic intonation is suitable for inharmonic [[timbre]]s based on metallic harmonics rather than harmonics.
'''Metallic intonation''' ('''MTI'''){{idiosyncratic}} is a system which uses the irrational [[metallic harmonic series]], based on {{w|metallic mean}}s, rather than the [[harmonic series]] as the basis for an exact or tempered tuning. It was first described by [[User:CompactStar|CompactStar]] in 2024. Metallic intonation is related to and can sometimes overlap with [[merciful intonation]]. Except for the [[1/1|unison]], it consists of only irrational intervals, and is inherently [[nonoctave]]. As the first metallic harmonic, [[acoustic phi]] is a possible candidate to serve as an [[equave]] in the same way as octave. Metallic intonation is suitable for inharmonic [[timbre]]s based on metallic harmonics rather than harmonics.


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== Harmony ==
== Harmony ==
If reduced with acoustic phi as the period, the chord formed by the silver and bronze ratios above the root is, coincidentally, a fairly conventional major triad (0¢-402.2¢-692.7¢).  This makes it so traditional chord types are easily accessible in metallic intonation systems, but not [[2/1|octave]]s, similarly to the [[Carlos Alpha]] tuning. [[6edφ]] offers a basic equal-tempered approximation of the metallic major triad by steps 0-3-5 (0¢-416.5¢-694.2¢), although with a noticeably sharp third. Systems containing "quasi-equalized" versions of 6edφ, such as [[17edφ]], [[23edφ]], and [[29edφ]]  include more accurate approximations.
If reduced with acoustic phi as the period, the chord formed by the silver and bronze ratios above the root is, coincidentally, a fairly conventional major triad (0¢-402.2¢-692.7¢).  This makes it so traditional chord types are easily accessible in metallic intonation systems, but not [[2/1|octave]]s, similarly to the [[Carlos Alpha]] tuning.


== Tempered systems ==
[[6edφ]] offers a basic equal-tempered approximation of the metallic major triad by steps 0-3-5 (0¢-416.5¢-694.2¢), although with a noticeably sharp third. Systems containing "quasi-equalized" versions of 6edφ, such as [[17edφ]], [[23edφ]], and [[29edφ]]  include more accurate approximations.


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[[Category:Math]]
[[Category:Xenharmonic series]]