31edo chord names: Difference between revisions
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== Ups and downs notation == | == Ups and downs notation == | ||
Various [[31edo]] triads, 6th and 7th chords, named via [[Ups and | Various [[31edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ~4 and ^4 can be used interchangeably, as can ~5 and v5. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. 0-13-20 = C4(a5) becomes 13-20-31 = Fvm. "a" stands for augmented and "d" stands for diminished. | |||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! | ! colspan="2" | Third → | ||
|Cvm | ! vm3 = 7 | ||
|Cm | ! m3 = 8 | ||
|C~ | ! ~3 = 9 | ||
|C | ! M3 = 10 | ||
|C^ | ! ^M3 = 11 | ||
|Cv4 | ! v4 = 12 | ||
|C4 | ! P4 = 13 | ||
|C~4 | ! ~4 = 14 | ||
|- | |||
! colspan="2" | Triads with P5 = 18 | |||
| Cvm | |||
| Cm | |||
| C~ | |||
| C | |||
| C^ | |||
| Cv4 | |||
| C4 | |||
| C~4 | |||
|- | |- | ||
! | ! rowspan="5" | Other<br />triads | ||
|Cvm | ! v5 = 17 | ||
|Cm | | Cvm(v5) | ||
|C~ | | Cm(v5) | ||
|C | | C~(v5) | ||
|C^ | | C(v5) | ||
|Cv4 | | C^(v5) | ||
|C4 | | Cv4(v5) | ||
|C~4 | | C4(v5) | ||
| C~4(v5) | |||
|- | |- | ||
! | ! d5 = 16 | ||
| | | Cvd | ||
| | | Cd | ||
|C | | C^d | ||
| | | C(b5) | ||
|C^ | | C^(b5) | ||
|Cv4 | | Cv4(b5) | ||
|C4 | | C4(b5) | ||
|C~4 | | C~4(b5) | ||
|- | |- | ||
! | ! vd5 = 15 | ||
| | | Cvd(v5) | ||
| | | Cd(v5) | ||
|C | | C^d(v5) | ||
|C | | C(vb5) | ||
|C^ | | C^(vb5) | ||
|Cv4 | | Cv4(vb5) | ||
|C4 | | C4(vb5) | ||
|C~4 | | C~4(vb5) | ||
|- | |- | ||
! | ! ^5 = 19 | ||
| | | Cvm(^5) | ||
| | | Cm(^5) | ||
|C~ | | C~(^5) | ||
|C | | C(^5) | ||
|C^ | | C^(^5) | ||
| | | Cv4(^5) | ||
| | | C4(^5) | ||
|C~ | | C~4(^5) | ||
|- | |- | ||
! | ! a5 = 20 | ||
| | | ''(vAb^)'' | ||
| | | Cm(#5) | ||
|C~ | | C~a | ||
| | | Ca | ||
|C^ | | C^a | ||
|Cv4 | | Cv4(#5) | ||
| | | ''(Fvm)'' | ||
|C~4 | | C~4(#5) | ||
|- | |- | ||
!~ | ! rowspan="8" | Tetrads<br />with a<br />P5 | ||
|Cvm~ | ! ~6 = 22 | ||
|Cm~ | | Cvm~6 | ||
|C~ | | Cm~6 | ||
|C,~ | | C~6 | ||
|C^,~ | | C,~6 | ||
|Cv4~ | | C^,~6 | ||
|C4~ | | Cv4~6 | ||
|C~4~ | | C4~6 | ||
| C~4~6 | |||
|- | |- | ||
! | ! M6 = 23 | ||
| | | Cvm,6 | ||
| | | Cm6 | ||
|C~ | | C~,6 | ||
| | | C6 | ||
|C^, | | C^,6 | ||
| | | Cv4,6 | ||
| | | C4,6 | ||
|C~ | | C~4,6 | ||
|- | |- | ||
!^M7 | ! ^M6 = 24 | ||
|Cvm^M7 | | Cvm^6 | ||
|Cm^M7 | | Cm^6 | ||
|C~^M7 | | C~^6 | ||
|C,^M7 | | C,^6 | ||
|C^M7 | | C^6 | ||
|Cv4^M7 | | Cv4^6 | ||
|C4^M7 | | C4^6 | ||
|C~4^M7 | | C~4^6 | ||
|- | |||
! vm7 = 25 | |||
| Cvm7 | |||
| Cmv7 | |||
| C~v7 | |||
| C,v7 | |||
| C^v7 | |||
| Cv4v7 | |||
| C4v7 | |||
| C~4v7 | |||
|- | |||
! m7 = 26 | |||
| Cvm,7 | |||
| Cm7 | |||
| C~,7 | |||
| C7 | |||
| C^,7 | |||
| Cv4,7 | |||
| C4,7 | |||
| C~4,7 | |||
|- | |||
! ~7 = 27 | |||
| Cvm~7 | |||
| Cm~7 | |||
| C~7 | |||
| C,~7 | |||
| C^,~7 | |||
| Cv4~7 | |||
| C4~7 | |||
| C~4~7 | |||
|- | |||
! M7 = 28 | |||
| CvmM7 | |||
| CmM7 | |||
| C~M7 | |||
| CM7 | |||
| C^,M7 | |||
| Cv4M7 | |||
| C4M7 | |||
| C~4M7 | |||
|- | |||
! ^M7 = 29 | |||
| Cvm^M7 | |||
| Cm^M7 | |||
| C~^M7 | |||
| C,^M7 | |||
| C^M7 | |||
| Cv4^M7 | |||
| C4^M7 | |||
| C~4^M7 | |||
|} | |} | ||
A comma ( | |||
A punctuation comma (",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma or an "add" if limiting oneself to 31edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6. | |||
Note that 4:5:6:7 = C E G vBb is named C,v7 not Cv7 because Cv7 is an alternate name for C~v7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened. | Note that 4:5:6:7 = C E G vBb is named C,v7 not Cv7 because Cv7 is an alternate name for C~v7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
|4:5:6:7 | ! Chord | ||
|C E G vBb | ! Notes | ||
|C add-down-7 | ! colspan="2" | Ups and downs name | ||
|C,v7 | ! colspan="2" | Color name | ||
|C har7 | |- | ||
|Ch7 | | 4:5:6:7 | ||
| C E G vBb | |||
| C add-down-7 | |||
| C,v7 | |||
| C har7 | |||
| Ch7 | |||
|- | |||
| 4:5:6:7:9 | |||
| C E G vBb D | |||
| C-nine down-7 | |||
| C9(v7) | |||
| C har7 | |||
| Ch7 | |||
|- | |||
| 7:6:5:4 | |||
| C vEb vGb vBb | |||
| C downminor7 downflat-5 | |||
| Cvm7(vb5) | |||
| C sub7 | |||
| Cs7 | |||
|- | |- | ||
| | | 12:10:8:7 | ||
|C | | C Eb G ^A | ||
|C | | C minor up-6 | ||
| | | Cm^6 | ||
|C | | C sub6 | ||
| | | Cs6 | ||
|- | |- | ||
| | | 9:7:6:5:4 | ||
|C | | C ^E G Bb D | ||
|C | | C-nine up-3 | ||
| | | C9(v3) | ||
|C | | C sub9 | ||
| | | Cs9 | ||
|} | |} | ||
== Extended jazz symbol set == | == Extended jazz symbol set == | ||
[[File:31edo chord symbols.jpg|thumb|400px| | [[File:31edo chord symbols.jpg|thumb|400px|tota*nox's original proposition (2024-03-02).]]<br />tota*nox proposes the following symbols: | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |||
! Chord quality | ! Chord quality | ||
! Symbol | ! Symbol | ||
| Line 174: | Line 246: | ||
| H7 | | H7 | ||
| | | | ||
|- | |||
| Diminished | |||
| ∘ | |||
| | |||
|- | |||
| Subdiminished / sin(bv5) | |||
| ● | |||
| | |||
|- | |||
| Half Diminished / m7(b5) | |||
| ∅ | |||
| | |||
|- | |||
| Half Subdiminished / sin7(bv5) | |||
| ⦰ | |||
| | |||
|- | |||
| Augmented | |||
| + | |||
| | |||
|- | |||
| Superaugmented / saj(#+5) | |||
| 王 (or *) | |||
| Akin to the plus sign with two extra lines | |||
|} | |} | ||
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== See also == | == See also == | ||
* [[19edo | * [[15edo chord names]] | ||
* [[22edo | * [[19edo chord names]] | ||
* [[24edo | * [[22edo chord names]] | ||
* [[41edo | * [[24edo chord names]] | ||
* [[Kite Guitar | * [[41edo chord names]] | ||
* [[Kite Guitar chord shapes (downmajor tuning)]] | |||
[[Category:31edo]] | [[Category:31edo]] | ||
[[Category:Chords]] | [[Category:Chords]] | ||
[[Category:Ups and downs notation]] | |||
[[Category:Notation]] | |||