Cluster MOS: Difference between revisions
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A '''cluster MOS''' or '''cluster scale''' is a very particular kind of [[MOS]]-based system (i.e. a system based on stacks of [[period]]s and [[generator]]s) whose generator is quite near a rational fraction of an octave. Therefore some MOS generated by the generator is quasi-equal (which should be reasonably sized for it to be a good cluster MOS, usually between 5 and 10 notes per octave). But not only that; in a cluster temperament, the different versions of each interval, differing by a chroma ("diminished", "minor", "major", "augmented"...) include many nearby interval colors that are individually recognizable, yet conceptually grouped into the same category (or "cluster") because they're so close. | |||
An example of something that is | A '''cluster temperament''' (named by [[Keenan Pepper]]) is a rank-2 [[regular temperament]] interpretation of a cluster MOS. This means that in a cluster temperament, many different versions of each interval, differing by a chroma, these colors ''represent nearby JI intervals'' specifically (because a temperament is a JI interpretation of MOS generator chains separated by the period). | ||
An example of something that is '''not''' a cluster temperament is [[amity]], because although the amity generator is within 4 cents of 2\7, making amity[7] near equal, amity is too complex of a temperament and most of the intervals differing by a chroma do not represent simple JI intervals at all. For example, the list of amity "thirds" includes ...6/5 (339.5) (363.2) 5/4... where the intervals given in cents are not representable as simple JI intervals (243/200 and 100/81 are about as simple as you can get). | |||
Another way to describe this property is that the chroma of the near-equal MOS is a kind of "super-comma", a set of many useful commas that are tempered to become the same, non-vanishing, interval. It should be obvious that "cluster temperament" is a vague, qualitative phrase and not mathematically well-defined. | Another way to describe this property is that the chroma of the near-equal MOS is a kind of "super-comma", a set of many useful commas that are tempered to become the same, non-vanishing, interval. It should be obvious that "cluster temperament" is a vague, qualitative phrase and not mathematically well-defined. | ||
=Examples= | Rather than simply denoting one of a list of rank-2 temperaments, the phrase "cluster scale" is also associated with a compositional philosophy. It is often said that temperaments such as slendric are melodically "bad" or have "bad MOS structure", because some MOS (in this case slendric[5]) is "too equal" and the next higher MOSes are "too unequal". But this can be thought of as a feature rather than a bug. Rather than forcing them into the MOS framework, one can think of cluster scales as having two hierarchical levels of melodic structure: the "step" (a step of the quasi-equal MOS), and the "chroma", and a chroma is so much smaller than a step that the steps seldom go out of order no matter how many chromas are involved. | ||
==Slendric== | |||
Chroma: 49/48~64/63 | {{todo|add more detail|inline=1}} | ||
|| Steps | |||
|| 1 || 9/8 || 8/7 || 7/6 || 32/27 | | == Examples of cluster MOSes == | ||
|| 2 || 9/7 || 21/16 || 4/3 || | [[4L 3s #Parasoft|Parasoft smitonic]] is a cluster MOS. | ||
|| 3 || | == Examples of cluster temperaments == | ||
|| 4 || 27/16 || 12/7 || 7/4 || 16/9 | | |||
=== Slendric === | |||
Main article: [[Slendric]] | |||
Chroma: 49/48 ~ 64/63 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
|- | |||
| | 1 | |||
| | 9/8 | |||
| | 8/7 | |||
| | 7/6 | |||
| | 32/27 | |||
|- | |||
| | 2 | |||
| | 9/7 | |||
| | 21/16 | |||
| | 4/3 | |||
| | | |||
|- | |||
| | 3 | |||
| | | |||
| | 3/2 | |||
| | 32/21 | |||
| | 14/9 | |||
|- | |||
| | 4 | |||
| | 27/16 | |||
| | 12/7 | |||
| | 7/4 | |||
| | 16/9 | |||
|} | |||
* [http://sevish.com/scaleworkshop/index.htm?name=36edo%20slendric&data=33.333333333333336%0A66.66666666666667%0A100.%0A133.33333333333334%0A166.66666666666669%0A200.%0A233.33333333333334%0A266.6666666666667%0A300.%0A333.33333333333337%0A366.6666666666667%0A400.%0A433.33333333333337%0A466.6666666666667%0A500.00000000000006%0A533.3333333333334%0A566.6666666666667%0A600.%0A633.3333333333334%0A666.6666666666667%0A700.%0A733.3333333333334%0A766.6666666666667%0A800.%0A833.3333333333334%0A866.6666666666667%0A900.0000000000001%0A933.3333333333334%0A966.6666666666667%0A1000.0000000000001%0A1033.3333333333335%0A1066.6666666666667%0A1100.%0A1133.3333333333335%0A1166.6666666666667%0A1200.&vert=-6&horiz=7&midi=12 Play Slendric in 36edo] | |||
Slendric has two quite different extensions that are both also cluster scales: | Slendric has two quite different extensions that are both also cluster scales: | ||
==== Mothra ==== | |||
Main article: [[Mothra]] | |||
Chroma: 33/32 ~ 36/35 ~ 49/48 ~ 55/54 ~ 56/55 ~ 64/63 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
! | | |||
|- | |||
| | 1 | |||
| | 12/11 | |||
| | 10/9~9/8 | |||
| | 8/7 | |||
| | 7/6 | |||
| | 6/5 | |||
| | 11/9 | |||
|- | |||
| | 2 | |||
| | 5/4 | |||
| | 14/11~9/7 | |||
| | 21/16 | |||
| | 4/3 | |||
| | 11/8 | |||
| | 7/5 | |||
|- | |||
| | 3 | |||
| | 10/7 | |||
| | 16/11 | |||
| | 3/2 | |||
| | 32/21 | |||
| | 14/9~11/7 | |||
| | 8/5 | |||
|- | |||
| | 4 | |||
| | 18/11 | |||
| | 5/3 | |||
| | 12/7 | |||
| | 7/4 | |||
| | 16/9~9/5 | |||
| | 11/6 | |||
|} | |||
* [http://sevish.com/scaleworkshop/index.htm?name=31edo%20mothra&data=38.70967741935484%0A77.41935483870968%0A116.12903225806451%0A154.83870967741936%0A193.5483870967742%0A232.25806451612902%0A270.9677419354839%0A309.6774193548387%0A348.38709677419354%0A387.0967741935484%0A425.80645161290323%0A464.51612903225805%0A503.2258064516129%0A541.9354838709678%0A580.6451612903226%0A619.3548387096774%0A658.0645161290323%0A696.7741935483871%0A735.483870967742%0A774.1935483870968%0A812.9032258064516%0A851.6129032258065%0A890.3225806451613%0A929.0322580645161%0A967.741935483871%0A1006.4516129032259%0A1045.1612903225807%0A1083.8709677419356%0A1122.5806451612902%0A1161.2903225806451%0A1200.&vert=-5&horiz=6&midi=16 Play Mothra in 31edo] | |||
==== Rodan ==== | |||
Main article: [[Rodan]] | |||
Chroma: 49/48 ~ 55/54 ~ 56/55 ~ 64/63 ~ 81/80 ~ 99/98 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | | |||
! | | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
! | | |||
! | | |||
|- | |||
| | 1 | |||
| | 12/11 | |||
| | 10/9 | |||
| | 9/8 | |||
| | 8/7 | |||
| | 7/6 | |||
| | 32/27 | |||
| | 6/5 | |||
| | 11/9 | |||
|- | |||
| | 2 | |||
| | 5/4 | |||
| | 14/11 | |||
| | 9/7 | |||
| | 21/16 | |||
| | 4/3 | |||
| | 27/20 | |||
| | 11/8 | |||
| | 7/5 | |||
|- | |||
| | 3 | |||
| | 10/7 | |||
| | 16/11 | |||
| | 40/27 | |||
| | 3/2 | |||
| | 32/21 | |||
| | 14/9 | |||
| | 11/7 | |||
| | 8/5 | |||
|- | |||
| | 4 | |||
| | 18/11 | |||
| | 5/3 | |||
| | 27/16 | |||
| | 12/7 | |||
| | 7/4 | |||
| | 16/9 | |||
| | 9/5 | |||
| | 11/6 | |||
|} | |||
=== Modus (of the tetracot family) === | |||
Main article: [[Tetracot]] and [[Modus]] | |||
Chroma: 40/39 ~ 45/44 ~ 55/54 ~ 65/64 ~ 66/65 ~ 81/80 ~ 121/120 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
|- | |||
| | 1 | |||
| | 16/15 | |||
| | 13/12~12/11 | |||
| | 11/10~10/9 | |||
| | 9/8 | |||
|- | |||
| | 2 | |||
| | 13/11~32/27 | |||
| | 6/5 | |||
| | 11/9~16/13 | |||
| | 5/4 | |||
|- | |||
| | 3 | |||
| | 13/10 | |||
| | 4/3 | |||
| | 27/20~15/11 | |||
| | 11/8~18/13 | |||
|- | |||
| | 4 | |||
| | 13/9~16/11 | |||
| | 22/15~40/27 | |||
| | 3/2 | |||
| | 20/13 | |||
|- | |||
| | 5 | |||
| | 8/5 | |||
| | 13/8~18/11 | |||
| | 5/3 | |||
| | 27/16~22/13 | |||
|- | |||
| | 6 | |||
| | 16/9 | |||
| | 9/5~20/11 | |||
| | 11/6~24/13 | |||
| | 15/8 | |||
|} | |||
* [http://sevish.com/scaleworkshop/index.htm?name=34edo%20modus&data=35.294117647058826%0A70.58823529411765%0A105.88235294117648%0A141.1764705882353%0A176.47058823529414%0A211.76470588235296%0A247.05882352941177%0A282.3529411764706%0A317.64705882352945%0A352.9411764705883%0A388.2352941176471%0A423.5294117647059%0A458.82352941176475%0A494.11764705882354%0A529.4117647058824%0A564.7058823529412%0A600.%0A635.2941176470589%0A670.5882352941177%0A705.8823529411766%0A741.1764705882354%0A776.4705882352941%0A811.764705882353%0A847.0588235294118%0A882.3529411764706%0A917.6470588235295%0A952.9411764705883%0A988.2352941176471%0A1023.529411764706%0A1058.8235294117649%0A1094.1176470588236%0A1129.4117647058824%0A1164.7058823529412%0A1200.&vert=-4&horiz=5 Play Modus in 34edo] | |||
=== Miracle === | |||
Main article: [[Miracle]] | |||
Chroma: 45/44 ~ 49/48 ~ 50/49 ~ 55/54 ~ 56/55 ~ 64/63 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
! | | |||
|- | |||
| | 1 | |||
| | | |||
| | 22/21~21/20 | |||
| | 16/15~15/14 | |||
| | 12/11 | |||
| | 10/9 | |||
| | | |||
|- | |||
| | 2 | |||
| | 11/10 | |||
| | 9/8 | |||
| | 8/7 | |||
| | 7/6 | |||
| | 32/27 | |||
| | | |||
|- | |||
| | 3 | |||
| | | |||
| | 6/5 | |||
| | 11/9 | |||
| | 5/4 | |||
| | 14/11 | |||
| | | |||
|- | |||
| | 4 | |||
| | | |||
| | 9/7 | |||
| | 21/16 | |||
| | 4/3 | |||
| | | |||
| | | |||
|- | |||
| | 5 | |||
| | | |||
| | 11/8 | |||
| | 7/5 | |||
| | 10/7 | |||
| | 16/11 | |||
| | | |||
|- | |||
| | 6 | |||
| | | |||
| | | |||
| | 3/2 | |||
| | 32/21 | |||
| | 14/9 | |||
| | | |||
|- | |||
| | 7 | |||
| | | |||
| | 11/7 | |||
| | 8/5 | |||
| | 18/11 | |||
| | 5/3 | |||
| | | |||
|- | |||
| | 8 | |||
| | | |||
| | 27/16 | |||
| | 12/7 | |||
| | 7/4 | |||
| | 16/9 | |||
| | 20/11 | |||
|- | |||
| | 9 | |||
| | | |||
| | 9/5 | |||
| | 11/6 | |||
| | 15/8 | |||
| | 21/11 | |||
| | | |||
|} | |||
=== Porcupine === | |||
Main article: [[Porcupine]] | |||
Chroma: 22/21 ~ 25/24 ~ 26/25<sup>*</sup> ~ 33/32 ~ 36/35 ~ 45/44 ~ 81/80 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
|- | |||
| | 1 | |||
| | 21/20~16/15 | |||
| | 12/11~11/10~10/9 | |||
| | 9/8~8/7 | |||
| | 13/11<sup>*</sup> | |||
|- | |||
| | 2 | |||
| | 7/6 | |||
| | 6/5~11/9 | |||
| | 5/4 | |||
| | 9/7~13/10<sup>*</sup> | |||
|- | |||
| | 3 | |||
| | 14/11 | |||
| | 4/3 | |||
| | 11/8 | |||
| | 10/7~13/9<sup>*</sup> | |||
|- | |||
| | 4 | |||
| | 7/5~18/13<sup>*</sup> | |||
| | 16/11 | |||
| | 3/2 | |||
| | 11/7 | |||
|- | |||
| | 5 | |||
| | 14/9~20/13<sup>*</sup> | |||
| | 8/5 | |||
| | 5/3~18/11 | |||
| | 12/7 | |||
|- | |||
| | 6 | |||
| | 22/13<sup>*</sup> | |||
| | 7/4~16/9 | |||
| | 9/5~11/6 | |||
| | 40/21~15/8 | |||
|} | |||
: <sup>*</sup> 13-limit porcupinefish interpretation | |||
=== Valentino === | |||
Chroma: 49/48 ~ 51/50 ~ 52/51 ~ 55/54 ~ 56/55 ~ 64/63 ~ 65/64 ~ 77/75 ~ 85/84 ~ 119/117 ~ 128/125 ~ 143/140 | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
! | | |||
|- | |||
| | 1 | |||
| | | |||
| | 36/35 | |||
| | 21/20~25/24 | |||
| | 17/16~16/15 | |||
| | 13/12 | |||
| | | |||
|- | |||
| | 2 | |||
| | | |||
| | 14/13 | |||
| | 12/11~11/10 | |||
| | 10/9 | |||
| | 17/15 | |||
| | 20/17 | |||
|- | |||
| | 3 | |||
| | | |||
| | 9/8 | |||
| | 8/7 | |||
| | 7/6 | |||
| | 32/27 | |||
| | | |||
|- | |||
| | 4 | |||
| | | |||
| | 13/11 | |||
| | 6/5 | |||
| | 11/9~17/14 | |||
| | | |||
| | | |||
|- | |||
| | 5 | |||
| | | |||
| | 16/13~21/17 | |||
| | 5/4 | |||
| | 14/11 | |||
| | 13/10 | |||
| | 27/20 | |||
|- | |||
| | 6 | |||
| | | |||
| | 9/7 | |||
| | 21/16~17/13 | |||
| | 4/3 | |||
| | 34/25 | |||
| | | |||
|- | |||
| | 7 | |||
| | | |||
| | 27/20 | |||
| | 11/8~15/11 | |||
| | 7/5 | |||
| | 17/12 | |||
| | | |||
|- | |||
| | 8 | |||
| | | |||
| | 24/17 | |||
| | 10/7 | |||
| | 16/11~22/15 | |||
| | 40/27 | |||
| | | |||
|- | |||
| | 9 | |||
| | | |||
| | 25/17 | |||
| | 3/2 | |||
| | 26/17~32/21 | |||
| | 14/9 | |||
| | | |||
|- | |||
| | 10 | |||
| | 40/27 | |||
| | 20/13 | |||
| | 11/7 | |||
| | 8/5 | |||
| | 13/8~34/21 | |||
| | | |||
|- | |||
| | 11 | |||
| | | |||
| | | |||
| | 18/11~28/17 | |||
| | 5/3 | |||
| | 22/13 | |||
| | | |||
|- | |||
| | 12 | |||
| | | |||
| | 27/16 | |||
| | 12/7 | |||
| | 7/4 | |||
| | 16/9 | |||
| | | |||
|- | |||
| | 13 | |||
| | 17/10 | |||
| | 30/14 | |||
| | 9/5 | |||
| | 11/6~20/11 | |||
| | 13/7 | |||
| | | |||
|- | |||
| | 14 | |||
| | | |||
| | 24/13 | |||
| | 15/8 | |||
| | 40/21~48/25 | |||
| | 35/18 | |||
| | | |||
|} | |||
=== 2.3.5.11.13 hitchcock === | |||
Unlike amity itself, this 2.3.5.11.13 amity extension is a cluster temperament because the intervals between 6/5 and 5/4 are mapped to 11/9 and 16/13. | |||
{| class="wikitable" | |||
|- | |||
! | Steps | |||
! | | |||
! | "Diminished" | |||
! | "Minor" | |||
! | "Major" | |||
! | "Augmented" | |||
! | | |||
|- | |||
| | 1 | |||
| | | |||
| | 13/12 | |||
| | 12/11~11/10 | |||
| | 10/9 | |||
| | 9/8 | |||
| | | |||
|- | |||
| | 2 | |||
| | 13/11 | |||
| | 6/5 | |||
| | 11/9 | |||
| | 16/13 | |||
| | 5/4 | |||
| | | |||
|- | |||
| | 3 | |||
| | 13/10 | |||
| | | |||
| | 4/3 | |||
| | 27/20 | |||
| | 11/8 | |||
| | 18/13 | |||
|- | |||
| | 4 | |||
| | 13/9 | |||
| | 16/11 | |||
| | 40/27 | |||
| | 3/2 | |||
| | | |||
| | 20/13 | |||
|- | |||
| | 5 | |||
| | | |||
| | 8/5 | |||
| | 13/8 | |||
| | 18/11 | |||
| | 5/3 | |||
| | 22/13 | |||
|- | |||
| | 6 | |||
| | | |||
| | 16/9 | |||
| | 9/5 | |||
| | 11/6 | |||
| | 24/13 | |||
| | | |||
|} | |||
[[Category:Rank 2]] | |||
[[Category:MOS scales]] | |||
Latest revision as of 14:55, 13 June 2025
A cluster MOS or cluster scale is a very particular kind of MOS-based system (i.e. a system based on stacks of periods and generators) whose generator is quite near a rational fraction of an octave. Therefore some MOS generated by the generator is quasi-equal (which should be reasonably sized for it to be a good cluster MOS, usually between 5 and 10 notes per octave). But not only that; in a cluster temperament, the different versions of each interval, differing by a chroma ("diminished", "minor", "major", "augmented"...) include many nearby interval colors that are individually recognizable, yet conceptually grouped into the same category (or "cluster") because they're so close.
A cluster temperament (named by Keenan Pepper) is a rank-2 regular temperament interpretation of a cluster MOS. This means that in a cluster temperament, many different versions of each interval, differing by a chroma, these colors represent nearby JI intervals specifically (because a temperament is a JI interpretation of MOS generator chains separated by the period).
An example of something that is not a cluster temperament is amity, because although the amity generator is within 4 cents of 2\7, making amity[7] near equal, amity is too complex of a temperament and most of the intervals differing by a chroma do not represent simple JI intervals at all. For example, the list of amity "thirds" includes ...6/5 (339.5) (363.2) 5/4... where the intervals given in cents are not representable as simple JI intervals (243/200 and 100/81 are about as simple as you can get).
Another way to describe this property is that the chroma of the near-equal MOS is a kind of "super-comma", a set of many useful commas that are tempered to become the same, non-vanishing, interval. It should be obvious that "cluster temperament" is a vague, qualitative phrase and not mathematically well-defined.
Rather than simply denoting one of a list of rank-2 temperaments, the phrase "cluster scale" is also associated with a compositional philosophy. It is often said that temperaments such as slendric are melodically "bad" or have "bad MOS structure", because some MOS (in this case slendric[5]) is "too equal" and the next higher MOSes are "too unequal". But this can be thought of as a feature rather than a bug. Rather than forcing them into the MOS framework, one can think of cluster scales as having two hierarchical levels of melodic structure: the "step" (a step of the quasi-equal MOS), and the "chroma", and a chroma is so much smaller than a step that the steps seldom go out of order no matter how many chromas are involved.
Examples of cluster MOSes
Parasoft smitonic is a cluster MOS.
Examples of cluster temperaments
Slendric
Main article: Slendric
Chroma: 49/48 ~ 64/63
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" |
|---|---|---|---|---|
| 1 | 9/8 | 8/7 | 7/6 | 32/27 |
| 2 | 9/7 | 21/16 | 4/3 | |
| 3 | 3/2 | 32/21 | 14/9 | |
| 4 | 27/16 | 12/7 | 7/4 | 16/9 |
Slendric has two quite different extensions that are both also cluster scales:
Mothra
Main article: Mothra
Chroma: 33/32 ~ 36/35 ~ 49/48 ~ 55/54 ~ 56/55 ~ 64/63
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" | ||
|---|---|---|---|---|---|---|
| 1 | 12/11 | 10/9~9/8 | 8/7 | 7/6 | 6/5 | 11/9 |
| 2 | 5/4 | 14/11~9/7 | 21/16 | 4/3 | 11/8 | 7/5 |
| 3 | 10/7 | 16/11 | 3/2 | 32/21 | 14/9~11/7 | 8/5 |
| 4 | 18/11 | 5/3 | 12/7 | 7/4 | 16/9~9/5 | 11/6 |
Rodan
Main article: Rodan
Chroma: 49/48 ~ 55/54 ~ 56/55 ~ 64/63 ~ 81/80 ~ 99/98
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" | ||||
|---|---|---|---|---|---|---|---|---|
| 1 | 12/11 | 10/9 | 9/8 | 8/7 | 7/6 | 32/27 | 6/5 | 11/9 |
| 2 | 5/4 | 14/11 | 9/7 | 21/16 | 4/3 | 27/20 | 11/8 | 7/5 |
| 3 | 10/7 | 16/11 | 40/27 | 3/2 | 32/21 | 14/9 | 11/7 | 8/5 |
| 4 | 18/11 | 5/3 | 27/16 | 12/7 | 7/4 | 16/9 | 9/5 | 11/6 |
Modus (of the tetracot family)
Main article: Tetracot and Modus
Chroma: 40/39 ~ 45/44 ~ 55/54 ~ 65/64 ~ 66/65 ~ 81/80 ~ 121/120
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" |
|---|---|---|---|---|
| 1 | 16/15 | 13/12~12/11 | 11/10~10/9 | 9/8 |
| 2 | 13/11~32/27 | 6/5 | 11/9~16/13 | 5/4 |
| 3 | 13/10 | 4/3 | 27/20~15/11 | 11/8~18/13 |
| 4 | 13/9~16/11 | 22/15~40/27 | 3/2 | 20/13 |
| 5 | 8/5 | 13/8~18/11 | 5/3 | 27/16~22/13 |
| 6 | 16/9 | 9/5~20/11 | 11/6~24/13 | 15/8 |
Miracle
Main article: Miracle
Chroma: 45/44 ~ 49/48 ~ 50/49 ~ 55/54 ~ 56/55 ~ 64/63
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" | ||
|---|---|---|---|---|---|---|
| 1 | 22/21~21/20 | 16/15~15/14 | 12/11 | 10/9 | ||
| 2 | 11/10 | 9/8 | 8/7 | 7/6 | 32/27 | |
| 3 | 6/5 | 11/9 | 5/4 | 14/11 | ||
| 4 | 9/7 | 21/16 | 4/3 | |||
| 5 | 11/8 | 7/5 | 10/7 | 16/11 | ||
| 6 | 3/2 | 32/21 | 14/9 | |||
| 7 | 11/7 | 8/5 | 18/11 | 5/3 | ||
| 8 | 27/16 | 12/7 | 7/4 | 16/9 | 20/11 | |
| 9 | 9/5 | 11/6 | 15/8 | 21/11 |
Porcupine
Main article: Porcupine
Chroma: 22/21 ~ 25/24 ~ 26/25* ~ 33/32 ~ 36/35 ~ 45/44 ~ 81/80
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" |
|---|---|---|---|---|
| 1 | 21/20~16/15 | 12/11~11/10~10/9 | 9/8~8/7 | 13/11* |
| 2 | 7/6 | 6/5~11/9 | 5/4 | 9/7~13/10* |
| 3 | 14/11 | 4/3 | 11/8 | 10/7~13/9* |
| 4 | 7/5~18/13* | 16/11 | 3/2 | 11/7 |
| 5 | 14/9~20/13* | 8/5 | 5/3~18/11 | 12/7 |
| 6 | 22/13* | 7/4~16/9 | 9/5~11/6 | 40/21~15/8 |
- * 13-limit porcupinefish interpretation
Valentino
Chroma: 49/48 ~ 51/50 ~ 52/51 ~ 55/54 ~ 56/55 ~ 64/63 ~ 65/64 ~ 77/75 ~ 85/84 ~ 119/117 ~ 128/125 ~ 143/140
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" | ||
|---|---|---|---|---|---|---|
| 1 | 36/35 | 21/20~25/24 | 17/16~16/15 | 13/12 | ||
| 2 | 14/13 | 12/11~11/10 | 10/9 | 17/15 | 20/17 | |
| 3 | 9/8 | 8/7 | 7/6 | 32/27 | ||
| 4 | 13/11 | 6/5 | 11/9~17/14 | |||
| 5 | 16/13~21/17 | 5/4 | 14/11 | 13/10 | 27/20 | |
| 6 | 9/7 | 21/16~17/13 | 4/3 | 34/25 | ||
| 7 | 27/20 | 11/8~15/11 | 7/5 | 17/12 | ||
| 8 | 24/17 | 10/7 | 16/11~22/15 | 40/27 | ||
| 9 | 25/17 | 3/2 | 26/17~32/21 | 14/9 | ||
| 10 | 40/27 | 20/13 | 11/7 | 8/5 | 13/8~34/21 | |
| 11 | 18/11~28/17 | 5/3 | 22/13 | |||
| 12 | 27/16 | 12/7 | 7/4 | 16/9 | ||
| 13 | 17/10 | 30/14 | 9/5 | 11/6~20/11 | 13/7 | |
| 14 | 24/13 | 15/8 | 40/21~48/25 | 35/18 |
2.3.5.11.13 hitchcock
Unlike amity itself, this 2.3.5.11.13 amity extension is a cluster temperament because the intervals between 6/5 and 5/4 are mapped to 11/9 and 16/13.
| Steps | "Diminished" | "Minor" | "Major" | "Augmented" | ||
|---|---|---|---|---|---|---|
| 1 | 13/12 | 12/11~11/10 | 10/9 | 9/8 | ||
| 2 | 13/11 | 6/5 | 11/9 | 16/13 | 5/4 | |
| 3 | 13/10 | 4/3 | 27/20 | 11/8 | 18/13 | |
| 4 | 13/9 | 16/11 | 40/27 | 3/2 | 20/13 | |
| 5 | 8/5 | 13/8 | 18/11 | 5/3 | 22/13 | |
| 6 | 16/9 | 9/5 | 11/6 | 24/13 |