8afdo: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
CompactStar (talk | contribs)
No edit summary
Inthar (talk | contribs)
Scales: Remove unsourced claim
 
(26 intermediate revisions by 5 users not shown)
Line 1: Line 1:
{{Infobox ADO|steps=8}}
{{Infobox AFDO|steps=8}}
'''8ado''' is the [[ADO|arithmetic equal division of the octave]] into eight parts of 1/8 each. Because 8 is a power of 2, 8ado corresponds to the 1st to 8th harmonics octave-reduced. 8ado is a highly effective scale and contains many commonly-used intervals such as [[9/8]], [[5/4]], [[3/2]], [[7/4]], [[15/8]], and [[2/1]] and the 4:5:6 major triad.
 
'''8afdo''' ([[AFDO|arithmetic frequency division of the octave]]), or '''8odo''' ([[otonal division]] of the octave), divides the octave into eight parts of 1/8 each. It is a superset of [[7afdo]] and a subset of [[9afdo]]. As a scale it may be known as [[Harmonic mode|mode 8 of the harmonic series]] or the [[Overtone scale #Over-n scales|Over-8]] scale. [[Dante Rosati]] calls this the "Diatonic harmonic series scale". Because 8 is a power of 2, 8afdo corresponds to the 8th to 16th harmonics octave-reduced. 8afdo is a highly effective scale. Above its root it contains many commonly-used intervals such as [[9/8]], [[5/4]], [[3/2]], [[7/4]], [[15/8]], and [[2/1]].
 
The smallest [[edo]] that maintains 25% or lower relative error on all intervals of 8afdo is [[87edo]].
 
== Intervals ==
== Intervals ==
{| class="wikitable center-all"
{| class="wikitable center-all"
Line 6: Line 10:
! Cents
! Cents
! Ratio
! Ratio
! Decimal
! Interval name
! Interval name
! Audio
! Audio
Line 12: Line 17:
| 0
| 0
| [[1/1]]
| [[1/1]]
| 1.0000
| perfect unison
| perfect unison
|
|
|-
|-
| 1
| 1
| 203.9
| 203.91
| [[9/8]]
| [[9/8]]
| major second
| 1.1250
| whole tone
| [[File:Jid_9_8_pluck_adu_dr220.mp3]]
| [[File:Jid_9_8_pluck_adu_dr220.mp3]]
|-
|-
| 2
| 2
| 386.3
| 386.31
| [[5/4]]
| [[5/4]]
| 1.2500
| just major third
| just major third
| [[File:Jid_5_4_pluck_adu_dr220.mp3]]
| [[File:Jid_5_4_pluck_adu_dr220.mp3]]
|-
|-
| 3
| 3
| 551.3
| 551.32
| [[11/8]]
| [[11/8]]
| 1.3750
| undecimal superfourth
| undecimal superfourth
| [[File:Jid_11_8_pluck_adu_dr220.mp3]]
| [[File:Jid_11_8_pluck_adu_dr220.mp3]]
|-
|-
| 4
| 4
| 702.0
| 701.96
| [[3/2]]
| [[3/2]]
| 1.5000
| just perfect fifth
| just perfect fifth
| [[File:Jid_3_2_pluck_adu_dr220.mp3]]
| [[File:Jid_3_2_pluck_adu_dr220.mp3]]
|-
|-
| 5
| 5
| 840.5
| 840.53
| [[13/8]]
| [[13/8]]
| 1.6250
| lesser tridecimal neutral sixth
| lesser tridecimal neutral sixth
| [[File:Jid_13_8_pluck_adu_dr220.mp3]]
| [[File:Jid_13_8_pluck_adu_dr220.mp3]]
|-
|-
| 6
| 6
| 968.8
| 968.83
| [[7/4]]
| [[7/4]]
| 1.7500
| harmonic seventh
| harmonic seventh
| [[File:Jid_7_4_pluck_adu_dr220.mp3]]
| [[File:Jid_7_4_pluck_adu_dr220.mp3]]
|-
|-
| 7
| 7
| 1088.3
| 1088.27
| [[15/8]]
| [[15/8]]
| 1.8750
| just major seventh
| just major seventh
| [[File:Jid_15_8_pluck_adu_dr220.mp3]]
| [[File:Jid_15_8_pluck_adu_dr220.mp3]]
|-
|-
| 8
| 8
| 1200.0
| 1200.00
| [[2/1]]
| [[2/1]]
| 2.0000
| perfect octave
| perfect octave
| [[File:Jid_2_1_pluck_adu_dr220.mp3]]
| [[File:Jid_2_1_pluck_adu_dr220.mp3]]
|}
|}


[[Category:ADO]]
== Scales ==
{{Idiosyncratic terms|Most of these names were coined, and are solely used, by [[Budjarn Lambeth]] - however he was only the first to ''name'' many of these scales, others have probably already ''used'' them before him.}}
* 8:9:10:12:13:16 Metamorphic
* 8:9:10:12:14:16 [[Otonalpentad]] (aka "rotated [[5afdo]]", aka "springwater")
* 8:9:10:12:15:16 Ionosphere
* 8:9:11:12:13:16 Upwelling (clashes with some timbres, be careful with instrumentation)
* 8:9:11:12:14:16 Undercurrent
* 8:10:11:12:14:16 Ultraviolet
 
== Music ==
; [[Dante Rosati]]
* [https://www.youtube.com/watch?v=FlwN7qSGz9U ''Paracelsus for Diatonic Harmonic Guitar'']
* [https://www.youtube.com/watch?v=U6ElPRoIZak ''No Snow for Diatonic Harmonic Guitar'']
 
== See also ==
* [[16afdo]]
* [[32afdo]]

Latest revision as of 14:38, 23 April 2026

← 7afdo 8afdo 9afdo →
Prime factorization 23
Fifth 12/8 (701.955c)

8afdo (arithmetic frequency division of the octave), or 8odo (otonal division of the octave), divides the octave into eight parts of 1/8 each. It is a superset of 7afdo and a subset of 9afdo. As a scale it may be known as mode 8 of the harmonic series or the Over-8 scale. Dante Rosati calls this the "Diatonic harmonic series scale". Because 8 is a power of 2, 8afdo corresponds to the 8th to 16th harmonics octave-reduced. 8afdo is a highly effective scale. Above its root it contains many commonly-used intervals such as 9/8, 5/4, 3/2, 7/4, 15/8, and 2/1.

The smallest edo that maintains 25% or lower relative error on all intervals of 8afdo is 87edo.

Intervals

# Cents Ratio Decimal Interval name Audio
0 0 1/1 1.0000 perfect unison
1 203.91 9/8 1.1250 whole tone
2 386.31 5/4 1.2500 just major third
3 551.32 11/8 1.3750 undecimal superfourth
4 701.96 3/2 1.5000 just perfect fifth
5 840.53 13/8 1.6250 lesser tridecimal neutral sixth
6 968.83 7/4 1.7500 harmonic seventh
7 1088.27 15/8 1.8750 just major seventh
8 1200.00 2/1 2.0000 perfect octave

Scales

This article or section contains multiple idiosyncratic terms. Such terms are used by only a few people and are not regularly used within the community.

Terms: Most of these names were coined, and are solely used, by Budjarn Lambeth - however he was only the first to name many of these scales, others have probably already used them before him.

  • 8:9:10:12:13:16 Metamorphic
  • 8:9:10:12:14:16 Otonalpentad (aka "rotated 5afdo", aka "springwater")
  • 8:9:10:12:15:16 Ionosphere
  • 8:9:11:12:13:16 Upwelling (clashes with some timbres, be careful with instrumentation)
  • 8:9:11:12:14:16 Undercurrent
  • 8:10:11:12:14:16 Ultraviolet

Music

Dante Rosati

See also