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{{Wikipedia|Mode (music)#Modern modes}} | {{Wikipedia|Mode (music)#Modern modes}} | ||
In the modern western understanding of scales, a '''mode''' (or '''rotation''') of a [[periodic scale]] is an ordering of the scale's | In the modern western understanding of scales, a '''mode''' (or '''rotation''') of a [[periodic scale]] is an ordering of the scale's [[pitch class]]es determined by choosing one of the pitch classes as the starting/ending point. The chosen pitch class is the '''tonal center''' of the mode. Together, a tonal center and a mode form a '''key'''. | ||
Modes are mostly used in the context of tonal or modal music, i.e. as opposed to atonal music, since their definition implies a tonal center. | |||
== Examples == | |||
The [[5L 2s|diatonic]] scale has seven different modes. The following table shows the modes of the diatonic scale built on the white keys (C-D-E-F-G-A-B) and in the key of D. The modes can be sorted according to their tonal center (sort by note names (white keys)) or their position in the [[circle of fifths]] (sort by step pattern) | |||
{| class="wikitable sortable" | |||
|+ Modes of the diatonic scale | |||
|- | |||
! Name !! Step pattern !! Note names<br>(white keys) !! Note names<br>(in D) | |||
|- | |||
| Ionian (major) || LLsLLLs || C D E F G A B (C) || D E F# G A B C# (D) | |||
|- | |||
| Dorian || LsLLLsL || D E F G A B C (D) || D E F G A B C (D) | |||
|- | |||
| Phrygian || sLLLsLL || E F G A B C D (E) || D Eb F G A Bb C (D) | |||
|- | |||
| Lydian || LLLsLLs || F G A B C D E (F) || D E F# G# A B C# (D) | |||
|- | |||
| Mixolydian || LLsLLsL || G A B C D E F (G) || D E F# G A B C (D) | |||
|- | |||
| Aeolian (natural minor) || LsLLsLL || A B C D E F G (A) || D E F G A Bb C (D) | |||
|- | |||
| Locrian || sLLsLLL || B C D E F G A (B) || D Eb F G Ab Bb C (D) | |||
|} | |||
== Properties == | == Properties == | ||
A scale has as many modes as the number of tones that it contains within a period. For example: | A scale has as many modes as the number of tones that it contains within a period. For example: | ||
* the diatonic scale has 7 modes, because it has 7 tones per period of 1 octave; | * the diatonic scale has 7 different modes, because it has 7 tones per period of 1 octave, and 7 possible keys as well; | ||
* the octatonic [[diminished scale]] only has 2 modes, because it has 2 tones per period of 1/4 octave. | * the octatonic [[diminished scale]] only has 2 different modes, because it has 2 tones per period of 1/4 octave, but it has 8 possible keys, since any of the 8 pitch classes of the scale can be chosen as the tonal center. | ||
In an [[equal-step tuning]], any mode of any [[support]]ed scale can be built on any tone of the chosen tuning, i.e. it is possible to transpose to any key while keeping the same scale and mode. | {{Wikipedia|Key (music)#Key coloration}} | ||
In an [[equal-step tuning]], any mode of any [[support]]ed scale can be built on any tone of the chosen tuning, i.e. it is possible to transpose to any key while keeping the same scale and mode. In unequal tunings, each key can have a different scale pattern, therefore different but somewhat similar-sounding modes, which leads to a phenomenon called ''key coloration''. | |||
== Mathematical definition == | |||
{{Main|Periodic scale#Rotations}} | |||
== See also == | == See also == | ||
Revision as of 15:52, 26 July 2022
In the modern western understanding of scales, a mode (or rotation) of a periodic scale is an ordering of the scale's pitch classes determined by choosing one of the pitch classes as the starting/ending point. The chosen pitch class is the tonal center of the mode. Together, a tonal center and a mode form a key.
Modes are mostly used in the context of tonal or modal music, i.e. as opposed to atonal music, since their definition implies a tonal center.
Examples
The diatonic scale has seven different modes. The following table shows the modes of the diatonic scale built on the white keys (C-D-E-F-G-A-B) and in the key of D. The modes can be sorted according to their tonal center (sort by note names (white keys)) or their position in the circle of fifths (sort by step pattern)
| Name | Step pattern | Note names (white keys) |
Note names (in D) |
|---|---|---|---|
| Ionian (major) | LLsLLLs | C D E F G A B (C) | D E F# G A B C# (D) |
| Dorian | LsLLLsL | D E F G A B C (D) | D E F G A B C (D) |
| Phrygian | sLLLsLL | E F G A B C D (E) | D Eb F G A Bb C (D) |
| Lydian | LLLsLLs | F G A B C D E (F) | D E F# G# A B C# (D) |
| Mixolydian | LLsLLsL | G A B C D E F (G) | D E F# G A B C (D) |
| Aeolian (natural minor) | LsLLsLL | A B C D E F G (A) | D E F G A Bb C (D) |
| Locrian | sLLsLLL | B C D E F G A (B) | D Eb F G Ab Bb C (D) |
Properties
A scale has as many modes as the number of tones that it contains within a period. For example:
- the diatonic scale has 7 different modes, because it has 7 tones per period of 1 octave, and 7 possible keys as well;
- the octatonic diminished scale only has 2 different modes, because it has 2 tones per period of 1/4 octave, but it has 8 possible keys, since any of the 8 pitch classes of the scale can be chosen as the tonal center.
In an equal-step tuning, any mode of any supported scale can be built on any tone of the chosen tuning, i.e. it is possible to transpose to any key while keeping the same scale and mode. In unequal tunings, each key can have a different scale pattern, therefore different but somewhat similar-sounding modes, which leads to a phenomenon called key coloration.