128/75: Difference between revisions
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Created page with "{{Infobox Interval | JI glyph = | Ratio = 128/75 | Monzo = 7 -1 -2 | Cents = 925.41757 | Name = classic diminished seventh | Color name = | FJS name = | Sound = }} '''128/..." |
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'''128/75''' is the classic ([[5-limit]]) diminished seventh. While many would perhaps not think much of this interval, it does indeed serve as a diminished seventh in the 5-limit chord 1/1-32/25-36/25-128/75, which can serve as an unexpected method of tonicizing the note located at [[25/16]] below the root. | '''128/75''' is the classic ([[5-limit]]) diminished seventh. While many would perhaps not think much of this interval, it does indeed serve as a diminished seventh in the 5-limit chord 1/1-32/25-36/25-128/75, which can serve as an unexpected method of tonicizing the note located at [[25/16]] below the root. That said, in the same way that 75/64 can also be considered a diminished third, 128/75 can also be considered an augmented sixth. | ||
== See also == | == See also == | ||
* [[75/64]] – its [[octave complement]] | * [[75/64]] – its [[octave complement]] | ||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
Revision as of 23:31, 6 November 2021
| Interval information |
reduced subharmonic
128/75 is the classic (5-limit) diminished seventh. While many would perhaps not think much of this interval, it does indeed serve as a diminished seventh in the 5-limit chord 1/1-32/25-36/25-128/75, which can serve as an unexpected method of tonicizing the note located at 25/16 below the root. That said, in the same way that 75/64 can also be considered a diminished third, 128/75 can also be considered an augmented sixth.