24edo chord names: Difference between revisions
added dim and aug triads, also some 9th chords |
m Text replacement - "Ups and Downs Notation" to "Ups and downs notation" |
||
| (4 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and | Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord. | ||
Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. | Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! colspan="2" | | ! colspan="2" | Thirds → | ||
! vm3 | ! vm3 | ||
! m3 | ! m3 | ||
| Line 14: | Line 14: | ||
! ~4 | ! ~4 | ||
|- | |- | ||
! | ! colspan="2" | Triads with P5 | ||
| Cvm | | Cvm | ||
| Cm | | Cm | ||
| Line 24: | Line 23: | ||
| C~4 | | C~4 | ||
|- | |- | ||
!v5 | ! rowspan="4" | Other<br />triads | ||
|Cvm(v5) | ! v5 | ||
|Cm(v5) | | Cvm(v5) | ||
|C~(v5) | | Cm(v5) | ||
|C(v5) | | C~(v5) | ||
|C^(v5) | | C(v5) | ||
|C4(v5) | | C^(v5) | ||
|C~4(v5) | | C4(v5) | ||
| C~4(v5) | |||
|- | |- | ||
!d5 | ! d5 | ||
|Cvd | | Cvd | ||
|Cd | | Cd | ||
|C^d | | C^d | ||
|C(b5) | | C(b5) | ||
|C^(b5) | | C^(b5) | ||
|C4(b5) | | C4(b5) | ||
|C~4(b5) | | C~4(b5) | ||
|- | |- | ||
!^5 | ! ^5 | ||
|''(^G^)'' | | ''(^G^)'' | ||
|Cm(^5) | | Cm(^5) | ||
|C~(^5) | | C~(^5) | ||
|C(^5) | | C(^5) | ||
|C^(^5) | | C^(^5) | ||
|C4(^5) | | C4(^5) | ||
|C~4(^5) | | C~4(^5) | ||
|- | |- | ||
!a5 | ! a5 | ||
|Cvm(#5) | | Cvm(#5) | ||
|''(Ab)'' | | ''(Ab)'' | ||
|Cva | | Cva | ||
|Ca | | Ca | ||
|C^a | | C^a | ||
|''(Fm)'' | | ''(Fm)'' | ||
|C~4(#5) | | C~4(#5) | ||
|- | |- | ||
! rowspan="7" |Tetrads | ! rowspan="7" |Tetrads<br />with | ||
with | |||
P5 | P5 | ||
| Line 82: | Line 81: | ||
| C~4,6 | | C~4,6 | ||
|- | |- | ||
! ^M6 | ! ^M6<br />vm7 | ||
vm7 | | (Cvm^6)<br />Cvm7 | ||
| (Cvm^6) | | Cm^6<br />Cmv7 | ||
Cvm7 | | C~^6<br />C~v7 | ||
| Cm^6 | | C,^6<br />C,v7 | ||
Cmv7 | | C^6<br />(C^v7) | ||
| C~^6 | | C4^6<br />C4v7 | ||
C~v7 | | C~4^6<br />C~4v7 | ||
| C,^6 | |||
C,v7 | |||
| C^6 | |||
(C^v7) | |||
| C4^6 | |||
C4v7 | |||
| C~4^6 | |||
C~4v7 | |||
|- | |- | ||
! m7 | ! m7 | ||
| Line 138: | Line 129: | ||
A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6. | A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6. | ||
See also | == See also == | ||
* [[15edo chord names]] | * [[15edo chord names]] | ||
* [[19edo chord names]] | * [[19edo chord names]] | ||