User:VectorGraphics/Delkian scale: Difference between revisions
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''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see [[10L 2s]]. For normal diatonic tuning in 34edo, see [https://en.xen.wiki/w/34edo#Intervals 34edo] (internal link, I just don't know how to link to a specific section).'' | ''This is about the 34edo scale called "diatonic" in the fictional universe it's used in. For the MOS equivalent, see [[10L 2s]]. For normal diatonic tuning in 34edo, see [https://en.xen.wiki/w/34edo#Intervals 34edo] (internal link, I just don't know how to link to a specific section).'' | ||
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!Generic name (translated; in-universe) | !Generic name (translated; in-universe) | ||
!Specific name (translated; in-universe) | !Specific name (translated; in-universe) | ||
!Special name (in-universe) | |||
!Steps subtended | !Steps subtended | ||
!Size in 34-edosteps (34 edo) | !Size in 34-edosteps (34 edo) | ||
| Line 26: | Line 29: | ||
|unison | |unison | ||
|perfect unison | |perfect unison | ||
| | |||
|0 | |0 | ||
|0 | |0 | ||
| Line 34: | Line 38: | ||
| rowspan="2" |1st | | rowspan="2" |1st | ||
|minor 1st | |minor 1st | ||
|tertigrade | |||
|s | |s | ||
|2 | |2 | ||
| Line 40: | Line 45: | ||
|major minor 2nd | |major minor 2nd | ||
|major 1st | |major 1st | ||
|semigrade | |||
|L | |L | ||
|3 | |3 | ||
| Line 48: | Line 54: | ||
| rowspan="2" |2nd | | rowspan="2" |2nd | ||
|minor 2nd | |minor 2nd | ||
|greater digrade | |||
|L+s | |L+s | ||
|5 | |5 | ||
| Line 54: | Line 61: | ||
|major major 2nd | |major major 2nd | ||
|major 2nd | |major 2nd | ||
|lacuna | |||
|2L | |2L | ||
|6 | |6 | ||
| Line 62: | Line 70: | ||
| rowspan="2" |3rd | | rowspan="2" |3rd | ||
|minor 3rd | |minor 3rd | ||
|prequadrant | |||
|2L+s | |2L+s | ||
|8 | |8 | ||
| Line 68: | Line 77: | ||
|major minor 3rd | |major minor 3rd | ||
|major 3rd | |major 3rd | ||
|quadrant | |||
|3L | |3L | ||
|9 | |9 | ||
| Line 76: | Line 86: | ||
| rowspan="2" |4th | | rowspan="2" |4th | ||
|minor 4th | |minor 4th | ||
|terce | |||
|3L+s | |3L+s | ||
|11 | |11 | ||
| Line 82: | Line 93: | ||
|major major 3rd | |major major 3rd | ||
|major 4th | |major 4th | ||
|bilacuna | |||
|4L | |4L | ||
|12 | |12 | ||
| Line 90: | Line 102: | ||
| rowspan="2" |5th | | rowspan="2" |5th | ||
|perfect 5th | |perfect 5th | ||
|tersquance | |||
|4L+s | |4L+s | ||
|14 | |14 | ||
| Line 96: | Line 109: | ||
|augmented 4th | |augmented 4th | ||
|augmented 5th | |augmented 5th | ||
| | |||
|5L | |5L | ||
|15 | |15 | ||
| Line 104: | Line 118: | ||
| rowspan="3" |6th | | rowspan="3" |6th | ||
|diminished 6th | |diminished 6th | ||
| | |||
|4L+2s | |4L+2s | ||
|16 | |16 | ||
| Line 110: | Line 125: | ||
|perfect tritone | |perfect tritone | ||
|perfect 6th | |perfect 6th | ||
|median | |||
|5L+s | |5L+s | ||
|17 | |17 | ||
| Line 116: | Line 132: | ||
|augmented tritone | |augmented tritone | ||
|augmented 6th | |augmented 6th | ||
| | |||
|6L | |6L | ||
|18 | |18 | ||
| Line 124: | Line 141: | ||
| rowspan="2" |7th | | rowspan="2" |7th | ||
|diminished 7th | |diminished 7th | ||
| | |||
|5L+2s | |5L+2s | ||
|19 | |19 | ||
| Line 130: | Line 148: | ||
|perfect 5th | |perfect 5th | ||
|perfect 7th | |perfect 7th | ||
|sesquance | |||
|6L+s | |6L+s | ||
|20 | |20 | ||
| Line 138: | Line 157: | ||
| rowspan="2" |8th | | rowspan="2" |8th | ||
|minor 8th | |minor 8th | ||
|antibilacuna | |||
|6L+2s | |6L+2s | ||
|22 | |22 | ||
| Line 144: | Line 164: | ||
|major minor 6th | |major minor 6th | ||
|major 8th | |major 8th | ||
|bess | |||
|7L+s | |7L+s | ||
|23 | |23 | ||
| Line 152: | Line 173: | ||
| rowspan="2" |9th | | rowspan="2" |9th | ||
|minor 9th | |minor 9th | ||
|dodrant | |||
|7L+2s | |7L+2s | ||
|25 | |25 | ||
| Line 158: | Line 180: | ||
|major major 6th | |major major 6th | ||
|major 9th | |major 9th | ||
|postdodrant | |||
|8L+s | |8L+s | ||
|26 | |26 | ||
| Line 166: | Line 189: | ||
| rowspan="2" |10th | | rowspan="2" |10th | ||
|minor 10th | |minor 10th | ||
|antilacuna | |||
|8L+2s | |8L+2s | ||
|28 | |28 | ||
| Line 172: | Line 196: | ||
|major minor 7th | |major minor 7th | ||
|major 10th | |major 10th | ||
|greater antidigrade | |||
|9L+s | |9L+s | ||
|29 | |29 | ||
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| rowspan="2" |11th | | rowspan="2" |11th | ||
|minor 11th | |minor 11th | ||
|antisemigrade | |||
|9L+2s | |9L+2s | ||
|31 | |31 | ||
| Line 186: | Line 212: | ||
|major major 7th | |major major 7th | ||
|major 11th | |major 11th | ||
|antitertigrade | |||
|10L+s | |10L+s | ||
|32 | |32 | ||
| Line 194: | Line 221: | ||
|12th | |12th | ||
|perfect 12th | |perfect 12th | ||
|duplance | |||
|10L+2s | |10L+2s | ||
|34 | |34 | ||
| Line 200: | Line 228: | ||
=== Note names === | === Note names === | ||
There are 12 base notes: N, F, S, Z, G, X, V/L (in equal-tempered tuning, these are the same note), M, P, T, C, and W, and then back to N. These are consonants found in a language spoken in the fictional setting. There are two accidentals: - and +. + raises the pitch, and - lowers it, by one chroma. In-universe, this is analyzed as simply a small change in pitch, unlike our # and b, which are generalized based on fifth stacking. | There are 12 base notes: N, F, S, Z, G, X, V/L (in equal-tempered tuning, these are the same note), M, P, T, C, and W, and then back to N. These are consonants found in a language spoken in the fictional setting. There are two accidentals: - and +. + raises the pitch, and - lowers it, by one chroma. In-universe, this is analyzed as simply a small change in pitch, unlike our # and b, which are generalized based on fifth stacking. (Though this is due to the accidentals being a simplified version of a more complex accidental system used for notating JI) | ||
== Theory == | == Theory == | ||
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|sLLLLsLLLLLL | |sLLLLsLLLLLL | ||
|} | |} | ||
[[Category:Method]] | |||
[[Category:Approaches to tuning systems]] | |||
[[Category:Worldbuilding]] | |||