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https://soundcloud.com/vale-10/
https://soundcloud.com/vale-10/


* fluffy blue alien foxcat who does stuff.
<big>'''Update 9 XI 02024: My disengagement from all spaces and endeavors affiliated with the "Xenharmonic Alliance" should be considered permanent and total.''' Do not send me requests, invites, questions, etc. over any medium.</big>
* nyan-binary (ey/em/eirs)
 
* primarily interested in Erv Wilson's work, [[primodality]], [[generalized overtone tuning]], and irregular temperaments
<big>If any of you have any actual interest in me as a person, I'm not exactly hard to find.
* diligently saving Vital store credit for the whole shebang so maybe there'll be more actual music here in the future
If you're more interested in ''truly'' liberating music and/or the people who make it, I ask that you start [https://sites.google.com/view/somulib/ here].
* loves u <3
Otherwise, let's agree to move on.</big>


=== Brainstorming/Documentation Subpages ===
=== Brainstorming/Documentation Subpages ===
[[User:Kaiveran/Temperament Proposal|Temperaments I've found]]
[[User:Kaiveran/Temperament Proposal|Temperaments I've found]]
[[User:Kaiveran/Wilmingen form|"Wilmingen" canonical form for temperament]]
[[User:Kaiveran/Splitting Commas|Random Splitting Commas]]
[[User:Kaiveran/OLITTA Distance|OLITTA Distance]]


=== Sandboxing Subpages ===
=== Sandboxing Subpages ===
(to come)
[[User:Kaiveran/Nupelog|Nupelog]]
 
=== Circulating Temperaments ===
(in rough order from wild to tame)
 
==== 12-tone ====
 
* [[Duallist12wt|duallist12wt]] (2/7-comma Superpyth between the black keys, with all others just north of 1/3-comma meantone)
* [[dualflux]] (like Duallist, but with slight variance for better septimal thirds)
* [[splitsynch]] (half the fifths are [[Erv Wilson|Wilson]]'s equal-beating meantone)
* [[goldland]] (phi-based well-tuning of [[Duodene]], after the late great [[Gene Ward Smith]])
* [[pepperidge]] (a more traditional approach containing both ~1/4 comma meantone and pure fifths)
* [[superfluid12wt]] (smoothly varying fifths symmetrical around 7\12; variance similar to [[cauldron]] but with the smoothness of a [[Young2|young]])
* [[mozart-lugheidh]] (an attempt at making a WT Mozart would love, with 7 ~1/6-comma meantone fifths)


=== [[User:Kaiveran/Scrapbook|Scrapbook]] ===
=== [[User:Kaiveran/Scrapbook|Scrapbook]] ===
Line 17: Line 36:
== Planned Pages ==
== Planned Pages ==


* Higher-Prime Biased Temperament Norm (B/D)
* <s>Higher-Prime Biased Temperament Norm (B/D)</s>
* Kaigi Signatures / Kaigi Notation (B/D)
* <s>Kaigi Signatures / Kaigi Notation (B/D)</s>
* Mt. Meru Scales (S)
* <s>Mt. Meru Scales (S)</s>
** incl. intersection with primodality
** <s>incl. intersection with primodality</s>
* a proper page for Nelindic / Pařízek Triharmonic (S)
* <s>Marwa Permutations (S)</s>
* Heterodyne (S)
** <s>incl. relation to tetrachordal scales,</s>
** <s>possible generalization?</s>
* <s>a proper page for Nelindic / Pařízek Triharmonic (S)</s>
* <s>Heterodyne (S)</s>


== A more general to-do list ==
== A more general to-do list ==
* more detailed cataloging and explanation of essentially tempered chords
* <s>more detailed cataloging and explanation of essentially tempered chords, particularly distinguishing the following relations:</s>
** particularly, drawing a distinction between:
**<s>'''dual identity,''' where ''a:b:c'' is also ''d:e:f'' but both interpretations close properly (like the [[rootsubminor triad]])</s>
***'''dual identity chords''' where ''a:b:c'' is also ''d:e:f'' but both interpretations close properly (like the [[rootsubminor triad]])
***<s>unexpected identities arising by inversion (as in [[the Biosphere]], where 6:7:9 inverts to 10:13:15) also fit here</s>
*** '''abnormal closure chords''', where a consistent set of member identities is possible, but tempering is required for them to close (like the [[Starling chords|starling tetrad]])
**<s>'''abnormal closure''', where a consistent set of member identities is possible, but tempering is required for them to close (like the [[Starling chords|starling tetrad]])</s>
*** not sure where unexpected identities arising by inversion (as in [[the Biosphere]], where 6:7:9 inverts to 10:13:15) fits here
* <s>being bullish on merging xenrhythm stuff into here</s>
* being bullish on merging xenrhythm stuff into here
** <s>it ain't gonna revive itself!</s>
** it ain't gonna revive itself!

Latest revision as of 06:19, 9 November 2024

https://soundcloud.com/vale-10/

Update 9 XI 02024: My disengagement from all spaces and endeavors affiliated with the "Xenharmonic Alliance" should be considered permanent and total. Do not send me requests, invites, questions, etc. over any medium.

If any of you have any actual interest in me as a person, I'm not exactly hard to find. If you're more interested in truly liberating music and/or the people who make it, I ask that you start here. Otherwise, let's agree to move on.

Brainstorming/Documentation Subpages

Temperaments I've found

"Wilmingen" canonical form for temperament

Random Splitting Commas

OLITTA Distance

Sandboxing Subpages

Nupelog

Circulating Temperaments

(in rough order from wild to tame)

12-tone

  • duallist12wt (2/7-comma Superpyth between the black keys, with all others just north of 1/3-comma meantone)
  • dualflux (like Duallist, but with slight variance for better septimal thirds)
  • splitsynch (half the fifths are Wilson's equal-beating meantone)
  • goldland (phi-based well-tuning of Duodene, after the late great Gene Ward Smith)
  • pepperidge (a more traditional approach containing both ~1/4 comma meantone and pure fifths)
  • superfluid12wt (smoothly varying fifths symmetrical around 7\12; variance similar to cauldron but with the smoothness of a young)
  • mozart-lugheidh (an attempt at making a WT Mozart would love, with 7 ~1/6-comma meantone fifths)

Scrapbook

Planned Pages

  • Higher-Prime Biased Temperament Norm (B/D)
  • Kaigi Signatures / Kaigi Notation (B/D)
  • Mt. Meru Scales (S)
    • incl. intersection with primodality
  • Marwa Permutations (S)
    • incl. relation to tetrachordal scales,
    • possible generalization?
  • a proper page for Nelindic / Pařízek Triharmonic (S)
  • Heterodyne (S)

A more general to-do list

  • more detailed cataloging and explanation of essentially tempered chords, particularly distinguishing the following relations:
    • dual identity, where a:b:c is also d:e:f but both interpretations close properly (like the rootsubminor triad)
      • unexpected identities arising by inversion (as in the Biosphere, where 6:7:9 inverts to 10:13:15) also fit here
    • abnormal closure, where a consistent set of member identities is possible, but tempering is required for them to close (like the starling tetrad)
  • being bullish on merging xenrhythm stuff into here
    • it ain't gonna revive itself!