User:Moremajorthanmajor/3L 2s (minor sixth-equivalent): Difference between revisions
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The generator range is 240 to 342.9 cents, placing it on the [[6/5|diatonic minor third]], usually representing a minor third of some type (like [[6/5]]). The bright (chroma-positive) generator is, however, its minor sixth complement (480 to 514.3 cents). | The generator range is 240 to 342.9 cents, placing it on the [[6/5|diatonic minor third]], usually representing a minor third of some type (like [[6/5]]). The bright (chroma-positive) generator is, however, its minor sixth complement (480 to 514.3 cents). | ||
Because this diatonic is a minor sixth-repeating scale, each tone has | Because this diatonic is a minor sixth-repeating scale, each tone has a minor sixth above it. The scale has one major chord, one minor chord and three diminished chords. This diatonic also has two diminished 7th chords, making it a warped melodic minor scale. | ||
[[Basic]] diatonic is in [[8ed8/5]], which is a very good minor sixth-based equal tuning similar to [[12edo]]. | [[Basic]] diatonic is in [[8ed8/5]], which is a very good minor sixth-based equal tuning similar to [[12edo]]. | ||
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[[3L 2s (11/7-equivalent)]] and [[3L 2s (π/2-equivalent)|3L 2s ([math]π[/math]/2-equivalent)]] - Neogothic tuning | [[3L 2s (11/7-equivalent)]] and [[3L 2s (π/2-equivalent)|3L 2s ([math]π[/math]/2-equivalent)]] - Neogothic tuning | ||
[[3L 2s (128/81-equivalent)]] - Pythagorean tuning | |||
[[3L 2s (8/5-equivalent)]] - idealized Meantone tuning | [[3L 2s (8/5-equivalent)]] - idealized Meantone tuning | ||
[[6L 4s (5/2-equivalent)]] - Annapolis Meantone tuning | [[6L 4s (5/2-equivalent)]] - Annapolis Meantone tuning | ||
[[6L 4s (81/32-equivalent)]] - Annapolis Pythagorean tuning | |||
[[6L 4s (28/11-equivalent)]] - Annapolis Neogothic tuning | [[6L 4s (28/11-equivalent)]] - Annapolis Neogothic tuning | ||
[[6L 4s (18/7-equivalent)]] - Annapolis Archytas tuning | [[6L 4s (18/7-equivalent)]] - Annapolis Archytas tuning | ||