User:Kaiveran: Difference between revisions
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https://soundcloud.com/vale-10/ | https://soundcloud.com/vale-10/ | ||
<big>For a variety of reasons, '''I will no longer be actively participating in any Xenharmonic Alliance spaces.''' I may occasionally contribute on a strictly self-directed basis to the wiki, but I will no longer be responsive to any requests in this space, the FB group, the Discord, etc.</big> | |||
<big>What little time and energy I have these days will be focused [https://sites.google.com/view/xenavtonom/ elsewhere].</big> | |||
<big>Thanks for your understanding, and may a thousand musics flourish!</big> | |||
=== Brainstorming/Documentation Subpages === | === Brainstorming/Documentation Subpages === | ||
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* d[[Duallist12wt|uallist12wt]] (2/7-comma Superpyth between the black keys, with all others just north of 1/3-comma meantone) | * d[[Duallist12wt|uallist12wt]] (2/7-comma Superpyth between the black keys, with all others just north of 1/3-comma meantone) | ||
* [[goldland]] (well-tuning of [[Duodene]], after the late great [[Gene Ward Smith]]) | * [[dualflux]] (like Duallist, but with slight variance for better septimal thirds) | ||
*[[goldland]] (phi-based well-tuning of [[Duodene]], after the late great [[Gene Ward Smith]]) | |||
* [[splitsynch]] (half the fifths are [[Erv Wilson|Wilson]]'s equal-beating meantone) | |||
* [[pepperidge]] (a more traditional approach containing both ~1/4 comma meantone and pure fifths) | |||
* [[superfluid12wt]] (smoothly varying fifths symmetrical around 7\12; variance similar to [[cauldron]] but with the smoothness of a [[Young2|young]]) | * [[superfluid12wt]] (smoothly varying fifths symmetrical around 7\12; variance similar to [[cauldron]] but with the smoothness of a [[Young2|young]]) | ||
* [[mozart-lugheidh]] (an attempt at making a WT Mozart would love, with 7 ~1/6-comma meantone fifths) | * [[mozart-lugheidh]] (an attempt at making a WT Mozart would love, with 7 ~1/6-comma meantone fifths) | ||
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== Planned Pages == | == Planned Pages == | ||
* Higher-Prime Biased Temperament Norm (B/D) | * <s>Higher-Prime Biased Temperament Norm (B/D)</s> | ||
* Kaigi Signatures / Kaigi Notation (B/D) | * <s>Kaigi Signatures / Kaigi Notation (B/D)</s> | ||
* Mt. Meru Scales (S) | * <s>Mt. Meru Scales (S)</s> | ||
** incl. intersection with primodality | ** <s>incl. intersection with primodality</s> | ||
* Marwa Permutations (S) | * <s>Marwa Permutations (S)</s> | ||
** incl. relation to tetrachordal scales, | ** <s>incl. relation to tetrachordal scales,</s> | ||
** possible generalization? | ** <s>possible generalization?</s> | ||
* a proper page for Nelindic / Pařízek Triharmonic (S) | * <s>a proper page for Nelindic / Pařízek Triharmonic (S)</s> | ||
* Heterodyne (S) | * <s>Heterodyne (S)</s> | ||
== A more general to-do list == | == A more general to-do list == | ||
* more detailed cataloging and explanation of essentially tempered chords, particularly distinguishing the following relations: | * <s>more detailed cataloging and explanation of essentially tempered chords, particularly distinguishing the following relations:</s> | ||
**'''dual identity,''' where ''a:b:c'' is also ''d:e:f'' but both interpretations close properly (like the [[rootsubminor triad]]) | **<s>'''dual identity,''' where ''a:b:c'' is also ''d:e:f'' but both interpretations close properly (like the [[rootsubminor triad]])</s> | ||
***unexpected identities arising by inversion (as in [[the Biosphere]], where 6:7:9 inverts to 10:13:15) also fit here | ***<s>unexpected identities arising by inversion (as in [[the Biosphere]], where 6:7:9 inverts to 10:13:15) also fit here</s> | ||
**'''abnormal closure''', where a consistent set of member identities is possible, but tempering is required for them to close (like the [[Starling chords|starling tetrad]]) | **<s>'''abnormal closure''', where a consistent set of member identities is possible, but tempering is required for them to close (like the [[Starling chords|starling tetrad]])</s> | ||
* being bullish on merging xenrhythm stuff into here | * <s>being bullish on merging xenrhythm stuff into here</s> | ||
** it ain't gonna revive itself! | ** <s>it ain't gonna revive itself!</s> |
Revision as of 06:40, 11 July 2024
https://soundcloud.com/vale-10/
For a variety of reasons, I will no longer be actively participating in any Xenharmonic Alliance spaces. I may occasionally contribute on a strictly self-directed basis to the wiki, but I will no longer be responsive to any requests in this space, the FB group, the Discord, etc.
What little time and energy I have these days will be focused elsewhere.
Thanks for your understanding, and may a thousand musics flourish!
Brainstorming/Documentation Subpages
"Wilmingen" canonical form for temperament
Sandboxing Subpages
Circulating Temperaments
(in rough order from wild to tame)
12-tone
- duallist12wt (2/7-comma Superpyth between the black keys, with all others just north of 1/3-comma meantone)
- dualflux (like Duallist, but with slight variance for better septimal thirds)
- goldland (phi-based well-tuning of Duodene, after the late great Gene Ward Smith)
- splitsynch (half the fifths are Wilson's equal-beating meantone)
- pepperidge (a more traditional approach containing both ~1/4 comma meantone and pure fifths)
- superfluid12wt (smoothly varying fifths symmetrical around 7\12; variance similar to cauldron but with the smoothness of a young)
- mozart-lugheidh (an attempt at making a WT Mozart would love, with 7 ~1/6-comma meantone fifths)
Scrapbook
Planned Pages
Higher-Prime Biased Temperament Norm (B/D)Kaigi Signatures / Kaigi Notation (B/D)Mt. Meru Scales (S)incl. intersection with primodality
Marwa Permutations (S)incl. relation to tetrachordal scales,possible generalization?
a proper page for Nelindic / Pařízek Triharmonic (S)Heterodyne (S)
A more general to-do list
more detailed cataloging and explanation of essentially tempered chords, particularly distinguishing the following relations:dual identity, where a:b:c is also d:e:f but both interpretations close properly (like the rootsubminor triad)unexpected identities arising by inversion (as in the Biosphere, where 6:7:9 inverts to 10:13:15) also fit here
abnormal closure, where a consistent set of member identities is possible, but tempering is required for them to close (like the starling tetrad)
being bullish on merging xenrhythm stuff into hereit ain't gonna revive itself!