User:Contribution/Exploring Selected Modes in 12-EDO

From Xenharmonic Wiki
Jump to navigation Jump to search

Commas

Distinctly tempered out commas

12edo is distinctly consistent in the 5-odd-limit. It distinctly tempers out precisely 14 commas—ratios that vanish through a series of intervals in the distinct consistency odd-limit where each note is distinct, with the sole exception of the last note, which matches the first.

All commas vanishing in 12-tet throughout series of 5-odd-limit intervals with all notes distinct
Ratio Factorization Cents Limit - Cents 1 / Factorization 1 / Ratio
81/80 2-4 • 34 • 5-1 21.506 5 -21.506 24 • 3-4 • 51 80/81
128/125 27 • 5-3 41.059 5 -41.059 2-7 • 53 125/128
648/625 23 • 34 • 5-4 62.565 5 -62.565 2-3 • 3-4 • 54 625/648
2048/2025 211 • 3-4 • 5-2 19.553 5 -19.553 2-11 • 34 • 52 2025/2048
6561/6250 2-1 • 38 • 5-5 84.071 5 -84.071 21 • 3-8 • 55 6250/6561
32805/32768 2-15 • 38 • 51 1.954 5 -1.954 215 • 3-8 • 5-1 32768/32805
82944/78125 210 • 34 • 5-7 103.624 5 -103.624 2-10 • 3-4 • 57 78125/82944
262144/253125 218 • 3-4 • 5-5 60.611 5 -60.611 2-18 • 34 • 55 253125/262144
531441/500000 2-5 • 312 • 5-6 105.578 5 -105.578 25 • 3-12 • 56 500000/531441
531441/524288 2-19 • 312 23.460 3 -23.460 219 • 3-12 524288/531441
2125764/1953125 22 • 312 • 5-9 146.637 5 -146.637 2-2 • 3-12 • 59 1953125/2125764
10616832/9765625 217 • 34 • 5-10 144.683 5 -144.683 2-17 • 3-4 • 510 9765625/10616832
33554432/31640625 225 • 3-4 • 5-8 101.670 5 -101.670 2-25 • 34 • 58 31640625/33554432
53747712/48828125 213 • 38 • 5-11 166.189 5 -166.189 2-13 • 3-8 • 511 48828125/53747712

Other tempered out commas

12edo remains consistent within the 9-odd-limit. Therefore, it's worthwhile to explore ratios tempered out in the 7-limit, particularly those with simple factorizations that facilitate quick harmonic operations.

7-limit commas vanishing in 12-tet within three 9-odd-limit intervals
Ratio Factorization Cents Limit - Cents 1 / Factorization 1 / Ratio
36/35 22 • 32 • 5-1 • 7-1 48.770 7 -48.770 2-2 • 3-2 • 51 • 71 35/36
50/49 21 • 52 • 7-2 34.976 7 -34.976 2-1 • 5-2 • 72 49/50
64/63 26 • 3-2 • 7-1 27.264 7 -27.264 2-6 • 32 • 71 63/64
126/125 21 • 32 • 5-3 • 71 13.795 7 -13.795 2-1 • 3-2 • 53 • 7-1 125/126
225/224 2-5 • 32 • 52 • 7-1 7.712 7 -7.712 25 • 3-2 • 5-2 • 71 224/225
256/245 28 • 5-1 • 7-2 76.034 7 -76.034 2-8 • 51 • 72 245/256
360/343 23 • 32 • 51 • 7-3 83.746 7 -83.746 2-3 • 3-2 • 5-1 • 73 343/360
405/392 2-3 • 34 • 51 • 7-2 56.482 7 -56.482 23 • 3-4 • 5-1 • 72 392/405
729/686 2-1 • 36 • 7-3 105.252 7 -105.252 21 • 3-6 • 73 686/729
729/700 2-2 • 36 • 5-2 • 7-1 70.277 7 -70.277 22 • 3-6 • 52 • 71 700/729

MOS series

Due to the octave equivalence principle inherent in odd-limits, the 5-odd-limit contains only two primes: 3 and 5. As a result, every ratio distinctly tempered in 12-tet possess at least one rank-2 MOS series of 5-odd-limit intervals that tempers them out.

All MOS series of 5-odd-limit intervals tempering out ratios in 12-tet
Perfect circle Ratio Plagal circle
3-4 • 51 9 5 5 5 81/80 7 7 7 3 34 • 5-1
5 5 4 5 5 7 7 8 7 7
9 8 9 8 9 8 9 3 4 3 4 3 4 3
5-3 8 8 8 128/125 4 4 4 53
3 5 3 5 3 5 7 9 7 9 7 9
3-4 • 54 9 9 9 9 648/625 3 3 3 3 34 • 5-4
4 5 4 5 4 5 4 5 7 8 7 8 7 8 7 8
3-4 • 5-2 5 8 5 5 8 5 2048/2025 7 4 7 7 4 7 34 • 52
3 5 5 5 3 5 5 5 7 7 7 9 7 7 7 9
8 9 8 9 8 8 9 8 9 8 4 3 4 3 4 4 3 4 3 4
3-8 • 55 9 9 5 9 9 5 9 5 6561/6250 7 3 7 3 3 7 3 3 38 • 5-5
9 8 9 9 9 8 9 9 9 8 9 3 4 3 3 3 4 3 3 3 4 3
3-8 • 5-1 5 5 5 5 8 5 5 5 5 32805/32768 7 7 7 7 4 7 7 7 7 38 • 51
3 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 9
3-4 • 57 9 4 9 4 9 4 9 82944/78125 3 8 3 8 3 8 3 34 • 5-7
9 9 9 7 9 9 7 9 9 7 5 3 3 5 3 3 5 3 3 3
4 5 4 4 5 4 5 4 4 5 4 8 7 8 8 7 8 7 8 8 7 8
3-4 • 5-5 8 5 8 5 8 5 8 5 8 262144/253125 4 7 4 7 4 7 4 7 4 34 • 55
3-12 • 56 9 5 9 5 9 5 9 5 9 5 9 5 531441/500000 7 3 7 3 7 3 7 3 7 3 7 3 312 • 5-6
3-12 5 5 5 5 5 5 5 5 5 5 5 5 531441/524288 7 7 7 7 7 7 7 7 7 7 7 7 312
3-12 • 59 9 9 9 5 9 9 9 5 9 9 9 5 2125764/1953125 7 3 3 3 7 3 3 3 7 3 3 3 312 • 5-9
3-4 • 510 4 9 4 9 4 4 9 4 9 4 10616832/9765625 8 3 8 3 8 8 3 8 3 8 34 • 5-10
3-4 • 5-8 8 8 5 8 8 5 8 8 5 8 8 5 33554432/31640625 7 4 4 7 4 4 7 4 4 7 4 4 34 • 58
3-8 • 511 9 4 9 9 9 4 9 9 9 4 9 53747712/48828125 3 8 3 3 3 8 3 3 3 8 3 38 • 5-11

Modes

Modes of limited transposition

Modes of limited transposition with at least 6 notes
Period Mode Distinctly tempered commas
1\12 1 1 1 1 1 1 1 1 1 1 1 1 All commas (see above)
2\12 2 2 2 2 2 2 None (128/125 for its truncation)
3\12 1 2 1 2 1 2 1 2 648/625
4\12 3 1 3 1 3 1 128/125
2 1 1 2 1 1 2 1 1
6\12 1 2 3 1 2 3 648/625
1 3 2 1 3 2
1 4 1 1 4 1 2048/2025
1 1 2 2 1 1 2 2 81/80, 648/625, 2048/2025
1 3 1 1 1 3 1 1 81/80, 128/125, 2048/2025
1 1 2 1 1 1 1 2 1 1 81/80, 128/125, 648/625, 2048/2025, 6561/6250, 82944/78125, 10616832/9765625

Modes based on the circle of 3-odd-limit

Circle of fourths and fifths with altered notes
Alteration Modes Distinctly tempered commas
Penta MOS 2 2 3 2 3 81/80
Penta dom 3 3 2 2 2 None
Penta app 2 2 2 4 2 None
Ion MOS 2 2 1 2 2 2 1 81/80
Ion b3 2 1 2 2 2 2 1 81/80, 648/625
Ion b6 2 2 1 2 1 3 1 81/80, 128/125, 648/625
Ion b3 b6 2 1 2 2 1 3 1 81/80, 128/125, 648/625
Ion b2 1 3 1 2 2 2 1 128/125
Ion b2 b3 1 2 2 2 2 2 1 None
Ion b2 b6 1 3 1 2 1 3 1 128/125
Ion b2 b3 b6 1 2 2 2 1 3 1 128/125
Diaschisma 2 2 1 2 1 1 2 1 81/80, 128/125, 648/625, 2048/2025
Schisma 2 2 1 1 1 2 1 1 1 81/80, 128/125, 648/625, 2048/2025, 6561/6250, 32805/32768

Pajara and Blues scales

Pajara
Truncation Modes Distinctly tempered commas
Pajara[10] 1 1 1 1 1 2 1 1 1 2 81/80, 128/125, 648/625, 2048/2025, 6561/6250, 32805/32768, 82944/78125, 262144/253125
Pajara[8] 1 1 1 1 3 1 1 3 81/80, 648/625, 2048/2025
Pajara[8] mod 1 1 1 2 2 1 2 2 81/80
Pajara[6] 1 1 1 4 1 4 None
Penta MOS with added notes
Added notes Modes Distinctly tempered commas
None 2 2 3 2 3 81/80
b3 2 1 1 3 2 3 81/80
#1 1 1 2 3 2 3
#5/b6 2 2 3 1 1 3 648/625, 2048/2025
#1 b3 1 1 1 1 3 2 3 81/80
b3 #5/b6 2 1 1 3 1 1 3 81/80, 648/625, 2048/2025
#1 #5/b6 1 1 2 3 1 1 3
#1 b3 #5/b6 1 1 1 1 3 1 1 3 81/80, 648/625, 2048/2025

Scales notes

Diatonic modes & alterations
Ion MOS Ion b3 Ion b6 Ion b3 b6 Ion b2 Ion b2 b3 Ion b2 b6 Ion b2 b3 b6
Db Eb F Gb Ab Bb C Db Eb Fb Gb Ab Bb C C# D# E F# G# A# B# C# D# E F# G# A B# C# D E# F# G# A# B# C# D E F# G# A# B# C# D E# F# G# A B# C# D E F# G# A B#
F# G# A# B C# D# E# F# G# A B C# D# E# F# G# A# B C# D E# F# G# A B C# D E# F# G A# B C# D# E# F# G A B C# D# E# F# G A# B C# D E# F# G A B C# D E#
B C# D# E F# G# A# B C# D E F# G# A# B C# D# E F# G A# B C# D E F# G A# B C D# E F# G# A# B C D E F# G# A# B C D# E F# G A# B C D E F# G A#
E F# G# A B C# D# E F# G A B C# D# E F# G# A B C D# E F# G A B C D# E F G# A B C# D# E F G A B C# D# E F G# A B C D# E F G A B C D#
A B C# D E F# G# A B C D E F# G# A B C# D E F G# A B C D E F G# A Bb C# D E F# G# A Bb C D E F# G# A Bb C# D E F G# A Bb C D E F G#
D E F# G A B C# D E F G A B C# D E F# G A Bb C# D E F G A Bb C# D Eb F# G A B C# D Eb F G A B C# D Eb F# G A Bb C# D Eb F G A Bb C#
G A B C D E F# G A Bb C D E F# G A B C D Eb F# G A Bb C D Eb F# G Ab B C D E F# G Ab Bb C D E F# G Ab B C D Eb F# G Ab Bb C D Eb F#
C D E F G A B C D Eb F G A B C D E F G Ab B C D Eb F G Ab B C Db E F G A B C Db Eb F G A B C Db E F G Ab B C Db Eb F G Ab B
F G A Bb C D E F G Ab Bb C D E F G A Bb C Db E F G Ab Bb C Db E F Gb A Bb C D E F Gb Ab Bb C D E F Gb A Bb C Db E F Gb Ab Bb C Db E
Bb C D Eb F G A Bb C Db Eb F G A Bb C D Eb F Gb A Bb C Db Eb F Gb A Bb Cb D Eb F G A Bb Cb Db Eb F G A Bb Cb D Eb F Gb A Bb Cb Db Eb F Gb A
Eb F G Ab Bb C D Eb F Gb Ab Bb C D Eb F G Ab Bb Cb D Eb F Gb Ab Bb Cb D Eb Fb G Ab Bb C D Eb Fb Gb Ab Bb C D Eb Fb G Ab Bb Cb D Eb Fb Gb Ab Bb Cb D
Ab Bb C Db Eb F G Ab Bb Cb Db Eb F G Ab Bb C Db Eb Fb G G# A# B C# D# E Fx Ab Bbb C Db Eb F G Ab Bbb Cb Db Eb F G Ab Bbb C Db Eb Fb G G# A B C# D# E Fx
Pentatonic modes & diatonic extended
Penta MOS Penta dom Penta app 2 2 1 1 1 2 1 1 1 2 2 1 2 1 1 2 1
F# G# A# C# D# E# G# B C# D# F# G# A# B# E F# G# A# B B# C# D# E E# F# G# A# B C# D D# E#
B C# D# F# G# A# C# E F# G# B C# D# E# A B C# D# E E# F# G# A A# B C# D# E F# G G# A#
E F# G# B C# D# F# A B C# E F# G# A# D E F# G# A A# B C# D D# E F# G# A B C C# D#
A B C# E F# G# B D E F# A B C# D# G A B C# D D# E F# G G# A B C# D E F F# G#
D E F# A B C# E G A B D E F# G# C D E F# G G# A B C C# D E F# G A Bb B C#
G A B D E F# A C D E G A B C# F G A B C C# D E F F# G A B C D Eb E F#
C D E G A B D F G A C D E F# Bb C D E F F# G A Bb B C D E F G Ab A B
F G A C D E G Bb C D F G A B Eb F G A Bb B C D Eb E F G A Bb C Db D E
Bb C D F G A C Eb F G Bb C D E Ab Bb C D Eb E F G Ab A Bb C D Eb F Gb G A
Eb F G Bb C D F Ab Bb C Eb F G A Db Eb F G Ab A Bb C Db D Eb F G Ab Bb Cb C D
Ab Bb C Eb F G Bb Db Eb F Ab Bb C D Gb Ab Bb C Db D Eb F Gb G Ab Bb C Db Eb Fb F G
Db Eb F Ab Bb C Eb Gb Ab Bb Db Eb F G Cb Db Eb F Gb G Ab Bb Cb C C# D# E# F# G# A A# B#
Modes of limited transposition
2 2 2 2 2 2 1 2 1 2 1 2 1 2 1 2 3 1 2 3 1 3 2 1 3 2 2 1 1 2 1 1 2 1 1 3 1 3 1 3 1 1 1 2 1 1 1 1 2 1 1 1 3 1 1 1 3 1 1 1 1 2 2 1 1 2 2 1 4 1 1 4 1 1 1 1 1 1 1 1 1 1 1 1 1
C D E F# G# Bb C Db Eb E F# G A Bb C Db Eb F# G A C Db E F# G Bb C D Eb E F# G Ab Bb B C Eb E G Ab B C Db D E F F# G Ab Bb B C Db E F F# G Bb B C Db D E F# G Ab Bb C Db F F# G B C Db D Eb E F F# G Ab A Bb B
C# Eb F G A B C# D E F G Ab Bb B C# D E G Ab Bb C# D F G Ab B C# D# E F G G# A B C C# E F G# A C C# D Eb F F# G Ab A B C C# D F F# G Ab B C C# D Eb F G Ab A B C# D F# G Ab C
D Eb F F# G# A B C D Eb F G# A B D Eb F# G# A C D E F F# G# A Bb C C# D F F# A Bb C# D Eb E F# G G# A Bb C C# D Eb F# G G# A C C# D Eb E F# G# A Bb C D Eb G G# A C#
D# E F# A Bb C D# E G A Bb C# Eb F F# G A Bb B C# D Eb F# G Bb B D D# E F G G# A Bb B C# D D# E G G# A Bb C# D D# E F G A Bb B C# D# E G# A Bb D
E F G A# B C# E F G# A# B D E F F# G# A A# B C D D# E F G# A A# B D D# E F F# G# A# B C D E F A A# B D#
F Gb Ab B C D F Gb A B C Eb F Gb G A Bb B C Db Eb E F Gb A Bb B C Eb E F Gb G A B C Db Eb F Gb Bb B C E
Pajara modes
1 1 1 1 1 2 1 1 1 2 1 1 1 1 3 1 1 3 1 1 1 2 2 1 2 2 1 1 1 4 1 4
F# G G# A A# B C# D D# E F# G G# A A# C# D D# F# G G# A B C# D E F# G G# A C# D
B C C# D D# E F# G G# A B C C# D D# F# G G# B C C# D E F# G A B C C# D F# G
E F F# G G# A B C C# D E F F# G G# B C C# E F F# G A B C D E F F# G B C
A Bb B C C# D E F F# G A Bb B C C# E F F# A Bb B C D E F G A Bb B C E F
D Eb E F F# G A Bb B C D Eb E F F# A Bb B D Eb E F G A Bb C D Eb E F A Bb
G Ab A Bb B C D Eb E F G Ab A Bb B D Eb E G Ab A Bb C D Eb F G Ab A Bb D Eb
C Db D Eb E F G Ab A Bb C Db D Eb E G Ab A C Db D Eb F G Ab Bb C Db D Eb G Ab
F Gb G Ab A Bb C Db D Eb F Gb G Ab A C Db D F Gb G Ab Bb C Db Eb F Gb G Ab C Db
Bb Cb C Db D Eb F Gb G Ab Bb Cb C Db D F Gb G Bb Cb C Db Eb F Gb Ab Bb Cb C Db F Gb
Eb Fb F Gb G Ab Bb Cb C Db Eb Fb F Gb G Bb Cb C Eb Fb F Gb Ab Bb Cb Db Eb Fb F Gb Bb Cb
G# A A# B B# C# D# E E# F# G# A A# B B# D# E E# G# A A# B C# D# E F# G# A A# B D# E
C# D D# E E# F# G# A A# B C# D D# E E# G# A A# C# D D# E F# G# A B C# D D# E G# A

File:12edo modes.pdf

Modes series

Modes of limited transposition

Period Mode Perfect circle Ratio Plagal circle
1\12 1 Too many (967 perfect circles, 967 plagal circles)
2\12 2 None
3\12 1 2 3-4 • 54 4 5 4 5 4 5 4 5 648/625 7 8 7 8 7 8 7 8 34 • 5-4
9 7 9 5 9 7 9 5 7 3 5 3 7 3 5 3
4 9 8 9 4 9 8 9 3 4 3 8 3 4 3 8
4 5 4 5 9 7 9 5 7 3 5 3 7 8 7 8
4 9 8 9 4 5 4 5 7 8 7 8 3 4 3 8
4 9 8 9 9 7 9 5 7 3 5 3 3 4 3 8
5 9 7 9 9 8 9 4 8 3 4 3 3 5 3 7
4\12 3 1 5-3 3 5 3 5 3 5 128/125 7 9 7 9 7 9 53
8 7 8 8 9 8 4 3 4 4 5 4
3 5 3 8 9 8 4 3 4 9 7 9
8 7 8 5 3 5 7 9 7 4 5 4
2 1 1 3 8 8 9 4 9 8 8 3 9 4 4 3 8 3 4 4 9
7 8 8 5 4 5 8 8 7 5 4 4 7 8 7 4 4 5
3 8 8 9 4 5 8 8 7 5 4 4 7 8 3 4 4 9
7 8 8 5 4 9 8 8 3 9 4 4 3 8 7 4 4 5
5 8 8 7 4 7 8 8 5 7 4 4 5 8 5 4 4 7
9 8 8 3 4 3 8 8 9 3 4 4 9 8 9 4 4 3
5 8 8 7 4 3 8 8 9 3 4 4 9 8 5 4 4 7
9 8 8 3 4 7 8 8 5 7 4 4 5 8 9 4 4 3
7 8 8 9 8 9 8 8 7 5 4 4 3 4 3 4 4 5
9 8 8 7 8 7 8 8 9 3 4 4 5 4 5 4 4 3
7 8 8 9 5 3 5 8 7 5 4 7 9 7 3 4 4 5
9 8 8 7 3 5 3 8 9 3 4 9 7 9 5 4 4 3
7 8 5 3 5 9 8 8 7 5 4 4 3 7 9 7 4 5
9 8 3 5 3 7 8 8 9 3 4 4 5 9 7 9 4 3
6\12 1 2 3 3-4 • 54 9 4 5 9 4 5 648/625 7 8 3 7 8 3 34 • 5-4
1 3 2 4 9 5 4 9 5 7 3 8 7 3 8
1 4 1 3-4 • 5-2 5 8 5 5 8 5 2048/2025 7 4 7 7 4 7 34 • 52
1 3 1 1 3-4 • 51 8 5 8 5 4 9 4 5 81/80 7 8 3 8 7 4 7 4 34 • 5-1
5-3 8 7 3 7 8 5 5 5 128/125 7 7 7 4 5 9 5 4 53
3-4 • 5-2 5 3 5 5 5 3 5 5 2048/2025 7 7 9 7 7 7 9 7 34 • 52
8 9 8 5 8 9 8 5 7 4 3 4 7 4 3 4
8 9 8 5 5 3 5 5 7 7 9 7 7 4 3 4
1 1 2 2 3-4 • 51 5 8 8 9 5 4 4 5 81/80 7 8 8 7 3 4 4 7 34 • 5-1
5 4 4 5 9 8 8 5 7 4 4 3 7 8 8 7
3-4 • 54 5 4 4 5 5 4 4 5 648/625 7 8 8 7 7 8 8 7 34 • 5-4
3-4 • 5-2 5 8 8 9 9 8 8 5 2048/2025 7 4 4 3 3 4 4 7 34 • 52
5 8 8 9 5 8 8 9 3 4 4 7 3 4 4 7
9 8 8 5 9 8 8 5 7 4 4 3 7 4 4 3
1 1 2 1 1 Too many (130 perfect circles, 130 plagal circles)

Modes based on the circle of 3-odd-limit

Mode Perfect circle Ratio Plagal circle
2 2 3 2 3 3-4 • 51 5 5 4 5 5 81/80 7 7 8 7 7 34 • 5-1
5 9 8 9 5 7 3 4 3 7
2 2 3 3 2 ; 2 2 2 4 2 None
2 2 1 2 2 2 1 3-4 • 51 5 4 5 8 5 4 5 81/80 7 8 7 4 7 8 7 34 • 5-1
5 4 5 9 5 3 5 7 9 7 3 7 8 7
5 3 5 9 5 4 5 7 8 7 3 7 9 7
9 8 9 8 9 8 9 3 4 3 4 3 4 3
9 8 5 4 5 8 9 3 4 7 8 7 4 3
9 8 9 5 3 5 9 3 7 9 7 3 4 3
9 5 3 5 9 8 9 3 4 3 7 9 7 3
9 8 5 4 5 9 8 4 3 7 8 7 4 3
8 9 5 4 5 8 9 3 4 7 8 7 3 4
2 1 2 2 2 2 1 3-4 • 51 8 9 9 8 9 9 8 81/80 4 3 3 4 3 3 4 34 • 5-1
8 9 5 4 5 9 8 4 3 7 8 7 3 4
3-4 • 54 4 4 9 5 4 5 5 648/625 7 7 8 7 3 8 8 34 • 5-4
5 5 4 5 9 4 4 8 8 3 7 8 7 7
4 4 5 9 8 9 9 3 3 4 3 7 8 8
9 9 8 9 5 4 4 8 8 7 3 4 3 3
2 2 1 2 1 3 1 3-4 • 51 8 8 9 9 9 8 9 81/80 3 4 3 3 3 4 4 34 • 5-1
5 5 9 9 9 8 3 9 4 3 3 3 7 7
5 8 9 9 9 5 3 9 7 3 3 3 4 7
9 9 5 4 5 8 8 4 4 7 8 7 3 3
8 8 5 9 5 4 9 3 8 7 3 7 4 4
5-3 7 3 5 5 5 3 8 128/125 4 9 7 7 7 9 5 53
8 5 3 3 3 5 9 3 7 9 9 9 7 4
3-4 • 54 4 4 9 9 9 8 5 648/625 7 4 3 3 3 8 8 34 • 5-4
4 7 9 9 9 5 5 7 7 3 3 3 5 8
5 9 5 4 5 4 4 8 8 7 8 7 3 7
5 9 5 9 7 9 4 8 3 5 3 7 3 7
4 5 9 9 8 9 4 8 3 4 3 3 7 8
2 1 2 2 1 3 1 3-4 • 51 9 8 9 9 9 8 8 81/80 4 4 3 3 3 4 3 34 • 5-1
3 8 9 9 9 5 5 7 7 3 3 3 4 9
3 5 9 9 9 8 5 7 4 3 3 3 7 9
8 8 5 4 5 9 9 3 3 7 8 7 4 4
9 4 5 9 5 8 8 4 4 7 3 7 8 3
5-3 8 3 5 5 5 3 7 128/125 5 9 7 7 7 9 4 53
9 5 3 3 3 5 8 4 7 9 9 9 7 3
3-4 • 54 5 8 9 9 9 4 4 648/625 8 8 3 3 3 4 7 34 • 5-4
5 5 9 9 9 7 4 8 5 3 3 3 7 7
4 4 5 4 5 9 5 7 3 7 8 7 8 8
4 9 7 9 5 9 5 7 3 7 3 5 3 8
4 9 8 9 9 5 4 8 7 3 3 4 3 8
1 3 1 2 2 2 1 5-3 8 7 7 8 5 5 8 128/125 4 7 7 4 5 5 4 53
8 3 7 8 5 9 8 4 3 7 4 5 9 4
1 2 2 2 2 2 1 None
1 3 1 2 1 3 1 5-3 5 8 7 8 7 8 5 128/125 7 4 5 4 5 4 7 53
7 8 5 8 9 8 3 9 4 3 4 7 4 5
3 8 9 8 5 8 7 5 4 7 4 3 4 9
5 8 3 4 3 8 5 7 4 9 8 9 4 7
5 5 8 7 3 5 3 9 7 9 5 4 7 7
3 5 3 7 8 5 5 7 7 4 5 9 7 9
1 2 2 2 1 3 1 5-3 8 5 5 8 7 7 8 128/125 4 5 5 4 7 7 4 53
8 9 5 8 7 3 8 4 9 5 4 7 3 4
2 2 1 2 1 1 2 1 Too many (41 perfect circles, 41 plagal circles)
2 2 1 1 1 2 1 1 1 Too many (70 perfect circles, 70 plagal circles)

Pajara and Blues scales

Mode Perfect circle Ratio Plagal circle
2 2 3 2 3 3-4 • 51 5 5 4 5 5 81/80 7 7 8 7 7 34 • 5-1
5 9 8 9 5 7 3 4 3 7
2 1 1 3 2 3 3-4 • 51 5 5 5 8 9 4 81/80 8 3 4 7 7 7 34 • 5-1
1 1 2 3 2 3 4 9 8 5 5 5 7 7 7 4 3 8
2 2 3 1 1 3 3-4 • 54 5 9 4 4 9 5 648/625 7 3 8 8 3 7 34 • 5-4
3-4 • 5-2 5 5 8 8 5 5 2048/2025 7 7 4 4 7 7 34 • 52
1 1 1 1 3 2 3 3-4 • 51 5 8 9 4 9 8 5 81/80 7 4 3 8 3 4 7 34 • 5-1
2 1 1 3 1 1 3 3-4 • 51 5 5 5 8 5 4 4 81/80 8 8 7 4 7 7 7 34 • 5-1
3-4 • 54 5 9 4 7 9 9 5 648/625 7 3 3 5 8 3 7 34 • 5-4
3-4 • 5-2 5 5 3 5 8 5 5 2048/2025 7 7 4 7 9 7 7 34 • 52
5 5 8 9 8 8 5 7 4 4 3 4 7 7
5 8 8 9 5 5 8 4 7 7 3 4 4 7
1 1 2 3 1 1 3 3-4 • 51 4 4 5 8 5 5 5 81/80 7 7 7 4 7 8 8 34 • 5-1
3-4 • 54 5 9 9 7 4 9 5 648/625 7 3 8 5 3 3 7 34 • 5-4
3-4 • 5-2 5 5 8 5 3 5 5 2048/2025 7 7 9 7 4 7 7 34 • 52
5 8 8 9 8 5 5 7 7 4 3 4 4 7
8 5 5 9 8 8 5 7 4 4 3 7 7 4
1 1 1 1 1 2 1 1 1 2 Too many (356 perfect circles, 356 plagal circles)
1 1 1 1 3 1 1 3 3-4 • 51 5 8 9 4 4 5 8 5 81/80 7 4 7 8 8 3 4 7 34 • 5-1
5 8 5 4 4 9 8 5 7 4 3 8 8 7 4 7
3-4 • 54 5 9 9 7 7 9 9 5 648/625 7 3 3 5 5 3 3 7 34 • 5-4
3-4 • 5-2 5 3 5 5 5 5 3 5 2048/2025 7 9 7 7 7 7 9 7 34 • 52
8 9 8 5 5 8 9 8 4 3 4 7 7 4 3 4
5 3 5 5 5 8 9 8 4 3 4 7 7 7 9 7
8 9 8 5 5 5 3 5 7 9 7 7 7 4 3 4
5 5 8 5 5 9 8 3 9 4 3 7 7 4 7 7
3 8 9 5 5 8 5 5 7 7 4 7 7 3 4 9
1 1 1 2 2 1 2 2 3-4 • 51 5 4 9 8 9 8 9 8 81/80 4 3 4 3 4 3 8 7 34 • 5-1
4 5 8 9 8 9 8 9 3 4 3 4 3 4 7 8
3 5 5 4 5 4 5 5 7 7 8 7 8 7 7 9
3 5 5 9 7 9 5 5 7 7 3 5 3 7 7 9
3 5 5 4 9 8 9 5 7 3 4 3 8 7 7 9
3 5 9 8 9 4 5 5 7 7 8 3 4 3 7 9
3 5 9 4 5 8 9 5 7 3 4 7 8 3 7 9
3 5 9 8 5 4 9 5 7 3 8 7 4 3 7 9
7 9 5 8 9 8 5 9 3 7 4 3 4 7 3 5
9 8 5 4 5 4 5 8 4 7 8 7 8 7 4 3
9 4 5 8 5 4 5 8 4 7 8 7 4 7 8 3
9 8 5 4 5 8 5 4 8 7 4 7 8 7 4 3
1 1 1 4 1 4 None
Retrieved from "https://en.xen.wiki/index.php?title=User:Contribution/Exploring_Selected_Modes_in_12-EDO&oldid=148100"