IFDO

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An IFDO (inverse-arithmetic frequency division of the octave), or UDO (utonal division of the octave) is a periodic tuning system which divides the octave according to the inverse-arithmetic progression of frequency.

The inverse-arithmetic progression is known in general mathematics as the harmonic progression, but it would have been confusing to name this tuning a "harmonic division of the octave" because this mathematical sense of harmonic conflicts with the relevant musical sense of harmonic: divisions according to the harmonic mean correspond to subharmonic sequences, which are the opposite of harmonic sequences. And so "inverse-arithmetic progression" was coined to avoid this conflict, as well as to point to its relationship with the arithmetic progression.

For example, in 12ifdo the first degree is 24/23, the second is 24/22 (12/11), and so on. For an IFDO system, the difference between inverse interval ratios is equal (they form an inverse-arithmetic progression), rather than their difference between interval ratios being equal as in AFDO systems (an arithmetic progression). All IFDOs are subsets of just intonation, and up to transposition, any IFDO is a superset of a smaller IFDO and a subset of a larger IFDO (i.e. n-ifdo is a superset of (n - 1)-ifdo and a subset of (n + 1)-ifdo for any integer n > 1).

When treated as a scale, the IFDO is equivalent to the undertone scale, also known as an aliquot scale[1]. However, an undertone scale often has an assumption of a tonic whereas an IFDO simply describes all the theoretically available pitch relations. Therefore, a passage built on 1/(12::22) could be said to be in Mode 12, but is technically covered by 11ifdo.

An IFDO is equivalent to a UDO (utonal division of the octave). It may also be called an n-ELDO (equal length division of the octave) since it includes the pitches found by dividing the length of a string or resonating chamber into n equal parts; however, this more general acronym is typically reserved for divisions of irrational intervals (unlike the octave) which are therefore not subsets of just intonation.

Formula

Within each period of n-ifdo, the frequency ratio c of the k-th step is

[math]\displaystyle c = (2n)/(2n - k)[/math]

Equal divisions of length

The equal division of length (EDL) is equivalent to the IFDO. However, n-edl corresponds to (n/2)-ifdo for any even number n. Therefore, EDL cannot be used to represent an odd-numbered IFDO.

n-edl divides a string length to n equal divisions, so we have n/2 divisions per octave. If the first division is l1 and the last, ln, we have:

l1 = l2 = l3 = … = ln

So the sum of divisions is l or the string length. Note that the number of divisions in octave is half of the string length. By dividing a string length of l to n divisions we have:

n:(n - 1):(n - 2):(n - 3):…:(n - m):…:1

where n - m is n/2.

For example, by dividing string length to 12 equal divisions we have a series as:

12:11:10:9:8:7:6:5:4:3:2:1

which shows 12-edl:

Edl1.jpg

12:12 means 12 from 12 divisions, 12:11 means 11 from 12 divisions and so on. Ratios as 12:11 shows active string length for each degree, which is vibrating. EDL system shows ascending trend of divisions sizes due to its inner structure and if compared with EDO:

Edl2.JPG

Relation to superparticular ratios

An IFDO has step sizes of superparticular ratios with decreasing numerators. For example, 5ifdo has step sizes 10/9, 9/8, 8/7, 7/6, and 6/5.

Relation to utonality and subharmonic series

We can consider an IFDO system as a utonal system. Utonality is a term introduced by Harry Partch to describe chords whose notes are the undertones (divisors) of a given fixed tone. Considering IFDO, a utonality is a collection of pitches which can be expressed in ratios that have the same numerators. For example, 7/4, 7/5, 7/6 form an utonality in which 7 as the numerator is called a "Numerary nexus".

Individual pages for IFDOs

By size

0…99
0 1 2 3 4 5 6 7 8 9
10 11 12 13 14 15 16 17 18 19
20 21 22 23 24 25 26 27 28 29
30 31 32 33 34 35 36 37 38 39
40 41 42 43 44 45 46 47 48 49
50 51 52 53 54 55 56 57 58 59
60 61 62 63 64 65 66 67 68 69
70 71 72 73 74 75 76 77 78 79
80 81 82 83 84 85 86 87 88 89
90 91 92 93 94 95 96 97 98 99
100…199
100 101 102 103 104 105 106 107 108 109
110 111 112 113 114 115 116 117 118 119
120 121 122 123 124 125 126 127 128 129
130 131 132 133 134 135 136 137 138 139
140 141 142 143 144 145 146 147 148 149
150 151 152 153 154 155 156 157 158 159
160 161 162 163 164 165 166 167 168 169
170 171 172 173 174 175 176 177 178 179
180 181 182 183 184 185 186 187 188 189
190 191 192 193 194 195 196 197 198 199

By prime family

Under-2: 2, 4, 8, 16, 32, 64, 128, 256, 512


Under-3: 3, 6, 12, 24, 48, 96, 192, 384


Under-5: 5, 10, 20, 40, 80, 160, 320


Under-7: 7, 14, 28, 56, 112, 224, 448


Under-11: 11, 22, 44, 88, 176, 352


Under-13: 13, 26, 52, 104, 208, 416


Under-17: 17, 34, 68, 136, 272, 544


Under-19: 19, 38, 76, 152, 304


Under-23: 23, 46, 92, 184, 368


Under-29: 29, 58, 116, 232, 464


Under-31: 31, 62, 124, 248, 496

By other properties

Prime: 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53, 59, 61, 67, 71, 73, 79, 83, 89, 97, 101, 103, 107, 109, 113, 127, 131, 137, 139, 149, 151, 157, 163, 167, 173, 179, 181, 191, 193, 197, 199, 211, 223, 227, 229, 233, 239, 241, 251, 257, 263, 269, 271


Semiprime: 4, 6, 9, 10, 14, 15, 21, 22, 25, 26, 33, 34, 35, 38, 39, 46, 49, 51, 55, 57, 58, 62, 65, 69, 74, 77, 82, 85, 86, 87, 91, 93, 94, 95, 106, 111, 115, 118, 119, 121, 122, 123, 129, 133, 134, 141, 142, 143, 145, 146, 155, 158, 159, 161, 166, 169, 177, 178, 183, 185, 187


Odd squarefree semiprime: 15, 21, 33, 35, 39, 51, 55, 57, 65, 69, 77, 85, 87, 91, 93, 95, 111, 115, 119, 123, 129, 133, 141, 143, 145, 155, 159, 161, 177, 183, 185, 187, 201, 203, 205, 209, 213, 215, 217, 219, 221, 235, 237, 247, 249, 253, 259, 265, 267, 287, 291, 295, 299, 301, 303


Prime powers (without primes): 4, 8, 9, 16, 25, 27, 32, 49, 64, 81, 121, 125, 128, 169, 243, 256, 289, 343, 361, 512, 529, 625, 729, 841, 961, 1024, 1331, 1369, 1681, 1849, 2048

See also

External links

Notes

  1. 1/1, The Journal of the Just Intonation Network, Volume 4, Number 1, Winter 1988, p.6, Michael Sloper.