List of xenharmonic music by community ratings
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This page aims to give easy access to the best xenharmonic music through a compilation of user ratings. Even though works should be analyzed and talked about in more nuanced terms than ratings, ratings are a valuable thing to keep track of.
Feel free to provide a work's tuning, link, or notes by editing that row on the main table. Xen Wiki articles are preferred to Bandcamp/similar links, which are preferred to YouTube links. Tunings marked "?" take more work to find. This page aims to be the best catalog of xenharmonic music, and as such it cannot be created by one person alone.
Ratings are compiled once a day at least. Entries are sorted in descending order of (per this 3blue1brown video)
$$ \frac{\text{sum of the ratings for that work} + 5}{\text{number of ratings} + 2} $$
The following table is created with this program. Remember that the table is sortable. When sorting a column with some elements that are identical, the rows with identical elements will be left in the order that they were previously; thus, to see, for example, the 22edo works by Byrnes sorted by RYM rating, they would be displayed in order by tapping the RYM rating column, then (in either order) the creator column and tuning column. Sorting the table by one column should not take more than 0.5 seconds.
Instructions for rating. By leaving a rating, you are contributing positively to people's ability to find enjoyable xen music.
Rate any xenharmonic work on this talk page from 0 to 5 in the same form as the examples there.
You may rate both larger projects and songs from those projects. If a song is part of a larger project, we ask that you name it as [LARGER PROJECT]: [SONG]. If the creator is a person posting music under their real name, please use the last name only unless there is a need for disambiguation between people with the same last name. If the creator has a xen wiki account, do not link that account in the Creator section. Feel free to write it in the Notes section. If you do not have an account, ping @hyperbolekillsme on the XA Discord with your ratings.
If you want to provide a work's tuning, notes, or link when you are the first person to rate a work, create a row at the bottom of this table similar to the other rows without filling in the "R" or "#" columns.
If one creator has multiple works, all of which are on YouTube and most of which are on Bandcamp, all the YouTube links should be in the Notes section.
Also feel free to edit the number in the "W" column. This is an integer which ranges between 0 to 5. Some works that demarcate the boundary between 1 and 2:
- Blackwood: 20edo etude - Byrnes: Operator
Some works that demarcate the boundary between 3 and 4:
- Costa: Syrinx for flute quartet
Further details about the program.
The program will not remove any row from the table unless it has the same creator and work name as a different row, in which case it will keep the row with the larger value in the last "number of voters" column. [Due to a bug, it keeps the first row it sees.]
It's safe to manually delete any row. It will be repopulated the next time the program runs if a user has rated it; but if that row had notes, tuning, or link information, that information will be lost. (You would want to do this if you want to remove or correct an entry that only you had rated.)
Everything is case sensitive. Eventually this might be fixed.
Eventually there might be a column with alternative links to the recommended one. This will not replace the recommended one's position or formatting, because on a phone, only the first three columns can be seen without horizontally scrolling.
RYM ratings averages, in addition to being averaged with 0 and 5, are altered in two ways: higher weight is given to raters who rate more albums from more people, and ratings are shifted to be closer to having mean 3, standard deviation 1.3.
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Todo: create bot create a bot to auto-update this table |
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Todo: update program fix the bugs detailed above. Feel free to edit the program yourself; it is linked and on the wiki |
In the following table:
- The "W" column measures (from 0 to 5) the degree of xenharmony.
- The "R" column is the rating of the work from the talk page and the "r" column from RYMers.
- The "C" column is the combined rating.
- The "N" column is the number of voters from the talk page and the "n" column from RYMers.
- The "s" column is the standard deviation of the RYMers' votes times 72.
- The "See" column is the main author of a work.
| Creator | Work | Tuning | W | Notes | R | N | r | n | s | C | See |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Sevish | Harmony Hacker: 4. Gleam | 22edo | 2 | 3.25 | 2 | 3.77 | 27 | 42 | 3.80 | ||
| Byrnes | Neutral Paradise: 8. Kaleidoscopic | JI | 12-note scale. | 3.17 | 1 | 3.62 | 11 | 45 | 3.72 | ||
| Sevish | Rhythm and Xen: 13. Desert Island Rain | 313edo | 2 | Barbados[9]. | 3.44 | 3 | 3.61 | 17 | 35 | 3.71 | |
| Byrnes | Micropangaea: 2. Siolas | JI | 0 | 12-note scale. Info here. | 3.67 | 9 | 46 | 3.67 | |||
| The Mercury Tree | Self Similar: 5. Stay the Corpse | 3.65 | 8 | 32 | 3.65 | ||||||
| Sevish | Rhythm and Xen: 11. Droplet | 53edo | 2 | Orwell[9]. | 3.38 | 3 | 3.47 | 20 | 40 | 3.58 | |
| The Mercury Tree | Self Similar: 8. Dark Triad | 3.57 | 5 | 32 | 3.57 | ||||||
| The Mercury Tree | Spidermilk: 2. Vestments | 17edo | 2.50 | 1 | 3.67 | 12 | 45 | 3.54 | |||
| Byrnes | Neutral Paradise: 4. Operator | JI | 1 | 12-note scale. One of very few Byrnes tracks with vocals. | 3.17 | 1 | 3.43 | 13 | 42 | 3.54 | |
| Blackwood | Etudes: 1. 16edo | 16edo | 2 | Original version | 3.50 | 3 | 2.93 | 3 | 15 | 3.53 | Blackwood |
| Byrnes | Neutral Paradise: 12. Llurion | 22edo | 2 | 3.17 | 1 | 3.40 | 10 | 28 | 3.53 | ||
| Zhea Erose | Wxtchcrxft | JI | 2 | 29-tone NEJI (/209 = 19 * 11), 8-tone nonoctave scale[1] | 3.52 | 47 | 32 | 3.52 | |||
| Sevish | Harmony Hacker: 7. Vidya | 10edo | 3.17 | 1 | 3.42 | 20 | 64 | 3.51 | |||
| Byrnes | Neutral Paradise: 3. Fluorescent City | 22edo | 1 | One of the louder and least guitar-heavy tracks from Byrnes, also featuring prominent vocals. | 3.17 | 1 | 3.36 | 11 | 42 | 3.49 | |
| Byrnes | Holocene Dream: 2. Out of the Sun | 27edo | 3.38 | 2 | 3.12 | 3 | 13 | 3.46 | |||
| The Mercury Tree | Self Similar: 3. Dreamwalking | 3.45 | 7 | 49 | 3.45 | ||||||
| Partch | 1. Daphne of the Dunes | 3.45 | 26 | 44 | 3.45 | ||||||
| Gann | Hyperchromatica | JI | 33-note 13-limit JI scale. Info here. | 3.43 | 164 | 35 | 3.43 | ||||
| Sevish | Rhythm and Xen: 7. Longwayaway People | 11edo | 3.17 | 1 | 3.33 | 16 | 31 | 3.43 | |||
| Zhea Erose | Sola | 3.43 | 18 | 39 | 3.43 | ||||||
| vivi mouse | [valentine's day] | other | Valentine. | 3.42 | 2 | 3.42 | |||||
| Byrnes | Micropangaea: 3. Fluorescent Desert | various | 14edo, 15edo. Info here | 3.42 | 6 | 44 | 3.42 | ||||
| Sevish | Rhythm and Xen: 2. Guano Sequence | 22edo | 2.17 | 1 | 3.58 | 19 | 28 | 3.41 | |||
| Sevish | Formless Shadows: 7. Star Nursery | 3.40 | 3 | 12 | 3.40 | ||||||
| Johnston | String Quartet No. 4 | JI | RI. | 3.40 | 3 | 3.40 | |||||
| Partch | And on the Seventh Day Petals Fell in Petaluma | 3.39 | 190 | 36 | 3.39 | ||||||
| The Mercury Tree | Self Similar: 2. Similar Self | 3.39 | 8 | 40 | 3.39 | ||||||
| Partch | Plectra and Percussion Dances: 1. Castor & Pollux - A Dance for the Twin Rhythms of Gemini | 3.39 | 6 | 23 | 3.39 | ||||||
| The Mercury Tree | Self Similar: 9. After the Incident | 3.38 | 6 | 24 | 3.38 | ||||||
| Catherino | Toward the Continuum | 3.38 | 21 | 33 | 3.38 | ||||||
| The Mercury Tree | Self Similar | 3.38 | 126 | 39 | 3.38 | ||||||
| The Mercury Tree | Self Similar: 1. Grown Apart | 3.38 | 11 | 26 | 3.38 | ||||||
| Sevish | Harmony Hacker | 3.37 | 360 | 31 | 3.37 | ||||||
| Byrnes | Neutral Paradise: 2. Hysteria | 22edo | 3.17 | 1 | 3.23 | 11 | 32 | 3.37 | |||
| Sevish | Morphable: 8. Saccades | *13edt | 2.67 | 1 | 3.44 | 4 | 33 | 3.37 | |||
| Sevish | Formless Shadows: 9. I Won't Forget | 3.37 | 3 | 25 | 3.37 | ||||||
| The Mercury Tree | Self Similar: 4. Recursed Images | 3.37 | 6 | 39 | 3.37 | ||||||
| Sevish | Rhythm and Xen: 3. Sleep Deprived Cooked Alive | 14edo | 2.17 | 1 | 3.53 | 18 | 35 | 3.37 | |||
| Sevish | Big Sway: 6. Bare Layers | ? | 2.50 | 1 | 3.51 | 5 | 51 | 3.35 | |||
| Byrnes | Neutral Paradise: 6. Paradise | 27edo | 3.17 | 1 | 3.21 | 12 | 37 | 3.35 | |||
| Byrnes | Micropangaea: 6. Zibra Island | other | Info here. | 3.35 | 5 | 30 | 3.35 | ||||
| The Mercury Tree | Spidermilk | 3.34 | 142 | 36 | 3.34 | ||||||
| Sevish | Morphable: 7. Smashing | 22edo | 2.17 | 1 | 3.66 | 5 | 17 | 3.33 | |||
| Grégoire Blanc | A microtonal teatime jam | 27edo | Accompanying video is very well-produced. | 3.33 | 2 | 3.33 | |||||
| Byrnes | Neutral Paradise: 1. Entrance | 22edo | 3.17 | 1 | 3.16 | 9 | 42 | 3.32 | |||
| The Mercury Tree | Spidermilk: 3. Arc of an Ilk | 17edo | 2.33 | 1 | 3.47 | 14 | 33 | 3.31 | |||
| The Mercury Tree | Spidermilk: 4. I'll Pay | 17edo | 2.83 | 1 | 3.27 | 9 | 36 | 3.30 | |||
| LΛMPLIGHT | Caftaphata | various | 41edo, JI, 12edo | 3.30 | 2 | 3.30 | |||||
| benyamind | Namoic: Chromacro | 17edo | 3.30 | 2 | 3.30 | ||||||
| Metaclown 2 | [Bean's Work (Instrumental)] | 31edo | "Bean is a dog who does lots of dog things - walkin', sniffin', snoozin'. She's very busy with it..." | 3.30 | 2 | 3.30 | |||||
| Abnormality | towerjamfight.mp3 | 31edo | Looping track for game jam. Drum-heavy variant of towerjamcalm.mp3 also in this list. | 3.30 | 3 | 3.30 | |||||
| Sevish | Rhythm and Xen | 3.30 | 225 | 36 | 3.30 | ||||||
| Byrnes | Holocene Dream: 7. Home | 27edo | 3.15 | 3 | 3.06 | 2 | 1 | 3.30 | |||
| Partch | Plectra and Percussion Dances | 3.29 | 69 | 29 | 3.29 | ||||||
| Sevish | Rhythm and Xen: 1. What Year is This? | 3.29 | 17 | 40 | 3.29 | ||||||
| Byrnes | Realism: 1. Sun and Shadows | 22edo | 3.17 | 1 | 3.01 | 4 | 20 | 3.28 | |||
| Sevish | Horixens: 7. Septillion Reptilians | 313edo | "Madagascar[9]" (should this be Barbados[9]?) ultrahard semiquartal | 3.00 | 1 | 3.04 | 1 | 0 | 3.28 | ||
| Byrnes | Micropangaea: 1. Trillopod | JI | 10-note scale. Info here. | 3.26 | 9 | 33 | 3.26 | ||||
| Byrnes | Holocene Dream: 1. Mesozoic | 27edo | 3.23 | 2 | 2.96 | 3 | 38 | 3.26 | |||
| Partch | U. S. Highball | 3.26 | 348 | 47 | 3.26 | ||||||
| benyamind | Namoic: Uradjinn | 22edo | 3.25 | 2 | 3.25 | ||||||
| Partch | 3. Castor & Pollux - A Dance for the Twin Rhythms of Gemini From Plectra & Percussion Dances | 3.25 | 22 | 32 | 3.25 | ||||||
| Byrnes | Holocene Dream | 3.24 | 36 | 37 | 3.24 | ||||||
| Byrnes | Neutral Paradise | 3.24 | 116 | 38 | 3.24 | ||||||
| Byrnes | Realism: 4. Droner | 22edo | 3.17 | 1 | 2.93 | 3 | 27 | 3.24 | |||
| Byrnes | Realism: 9. Wishbone | 22edo | 3.17 | 1 | 2.93 | 3 | 27 | 3.24 | |||
| Sevish | Bubble: 7. Some Things Must Reprise | 22edo | Very short. | 3.00 | 1 | 3.14 | 15 | 34 | 3.23 | ||
| Sevish | Morphable: 5. Rain Pitted 99 | JI | 4-note 3/2-equivalent scale. | 2.83 | 1 | 3.17 | 3 | 37 | 3.23 | ||
| Sevish | Rhythm and Xen: 12. Neon Tetra Elemental | 23edo | 2.17 | 1 | 3.40 | 16 | 46 | 3.23 | |||
| Byrnes | Neutral Paradise: 10. Light Tunnels | 22edo | 3.17 | 1 | 3.05 | 10 | 65 | 3.22 | |||
| Sevish | Horixens | 3.22 | 65 | 38 | 3.22 | ||||||
| Byrnes | Transfigured Earth I: Siolan Sands | 27edo | 3.17 | 1 | 2.64 | 2 | 0 | 3.21 | |||
| Sevish | Bubble: 1. Plot Hole | JI | Harmonics approximating 22edo | 3.00 | 1 | 3.13 | 18 | 27 | 3.21 | ||
| Sevish | Horixens: 5. Better Left Unanswered | 31edo | Meantone[19] | 3.17 | 1 | 2.78 | 1 | 0 | 3.21 | ||
| Sevish | Horixens: 4. Unreality | JI | 3.17 | 1 | 2.78 | 1 | 0 | 3.21 | |||
| Byrnes | Transfigured Earth I: Halfway | 27edo | 3.17 | 1 | 2.62 | 2 | 14 | 3.20 | |||
| Jumble | Hammock Hut | 25edo | Info/art and worldbuilding at YT. | 3.20 | 2 | 3.20 | |||||
| Spiral Garden | Spiral Garden: Aurora | 3.20 | 1 | 3.20 | |||||||
| Byrnes | Transfigured Earth I: Everything | ? | hkm believes this is 12edo trumpet (with commatic alterations) playing with 27edo guitars | 3.17 | 1 | 2.60 | 2 | 29 | 3.19 | ||
| The Mercury Tree | Spidermilk: 1. I Am a Husk | 17edo | 2.33 | 1 | 3.33 | 12 | 39 | 3.19 | |||
| Sevish | Bubble: 3. Some Things Must | 22edo | 2.83 | 1 | 3.15 | 18 | 32 | 3.19 | |||
| The Mercury Tree | Self Similar: 7. Self Similar | 3.19 | 5 | 12 | 3.19 | ||||||
| Byrnes | Neutral Paradise: 5. Electric Plains | 22edo | 3.17 | 1 | 3.03 | 12 | 51 | 3.18 | |||
| Sevish | Morphable: 6. Tritavium | JI | 11-note 3/1-equivalent scale. | 2.67 | 1 | 3.22 | 3 | 31 | 3.18 | ||
| Sevish | Bubble: 5. Starfish | various | 22edo, 7edo | 2.67 | 1 | 3.20 | 18 | 24 | 3.18 | ||
| The Mercury Tree | Spidermilk: 9. Disremembered | 17edo | 2.33 | 1 | 3.34 | 10 | 46 | 3.18 | |||
| Byrnes | Realism: 6. Unreachable Island | 22edo | 3.17 | 1 | 2.86 | 3 | 40 | 3.18 | |||
| Sintel | Top Ten most Epic fish of all time | various | Only movements "9. Hagfish," "6. Wobbegong," "5. Ghost Shark," and "1. Coelacanth" are xenharmonic. | 3.18 | 3 | 3.18 | |||||
| The Mercury Tree | Spidermilk: 10. Brake for Genius | 17edo | 2.50 | 1 | 3.27 | 9 | 43 | 3.18 | |||
| Sevish | Rhythm and Xen: 5. Moonopolis | 15edo | 3.17 | 1 | 3.05 | 15 | 45 | 3.18 | |||
| Gann | Custer and Sitting Bull | 3.18 | 73 | 43 | 3.18 | ||||||
| Sevish | Rhythm and Xen: 9. IT IS | 3.18 | 16 | 39 | 3.18 | ||||||
| Xotla Music | Equilibrate | 13edo | 3.17 | 2 | 3.17 | ||||||
| fesh | It's a long way down... do you want to jump?: VII. and all the harvest shall rot | 22edo | 3.17 | 2 | 3.17 | ||||||
| Sevish | Harmony Hacker: 8. Midnight Cascade | JI | young-lm_piano 12-note scale. | 2.83 | 1 | 3.14 | 20 | 57 | 3.17 | ||
| Abnormality | Moondust | 26edo | "Have to listen to it multiple times with openness." | 3.17 | 3 | 3.17 | |||||
| Sevish | Morphable: 3. Launch | 53edo | 2.67 | 1 | 3.21 | 3 | 23 | 3.17 | |||
| Greystar | Microtonal Nights: Kinder Radiance | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: 3. Chromawaves | 27edo | 3.17 | 1 | 3.17 | ||||||
| Xotla Music | Pico Metric: Dance of the Forest Lights | 15edo | 3.17 | 1 | 3.17 | ||||||
| Jumble | Waves | JI | Triple harmonic series scale. In "Train Horns for the Soul." Info/art at YT. | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: Crystal Cove, Pt 1 | 22edo | 3.17 | 1 | 3.17 | ||||||
| Jumble | BLASTOFF! | 321edo | 25:12 9L 8s. In "Train Horns for the Soul." Info/art at YT. | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Handfuls of Orange | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: She Spun Merry | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | ||||||
| E8 Heterotic | Elements: Lightning | 36edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Holocene Dream: 27EDO Etude | 27edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Reflection | ? | Diatonic-like scale. an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | 27th Eclipse | 27edo | 3.17 | 1 | 3.17 | ||||||
| Serafini | [Chameleons in the Sun] | other | Carlos gamma (octaveful) | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Koohnihn | ? | Diatonic-like scale. an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: 1. Murmurations | 27edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Sunspots | 27edo | YouTube link. | 3.17 | 1 | 3.17 | |||||
| Aura | Space Tour | 159edo | See also User:Aura #Experimental | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Black Stream | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Fades Again | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Drenched | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Colos Dread | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | Room Tapes: Ifs | 22edo | 3.17 | 1 | 3.17 | ||||||
| Greystar | Microtonal Nights: Dim Cold | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Sevish | Rhythm and Xen: It Is | JI | 10 and 12 note scales. | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Dec Solemn | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| benyamind | Namoic: The real doesn't fade | JI | "architect-ji+" 12-note mode 32 subset.[2] | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Fogged | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Acceptance | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Greystar | Microtonal Nights: Lost in Dreaming | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.17 | 1 | 3.17 | |||||
| Byrnes | 2227: 6. Glass Islands | 27edo | 3.17 | 1 | 3.17 | ||||||
| Blackwood | Fanfare In 19-note Equal Tuning | 19edo | 3.17 | 1 | 3.17 | ||||||
| Jumble | Buddleia | 7edo | 3.17 | 1 | 3.17 | ||||||
| Byrnes | Neutral Paradise: 11. Exit | JI | RI (13-limit). | 3.17 | 1 | 2.97 | 8 | 52 | 3.17 | ||
| Byrnes | Micropangaea | 3.16 | 120 | 39 | 3.16 | ||||||
| Sevish | Golden Hour | 3.15 | 36 | 31 | 3.15 | ||||||
| Sevish | Harmony Hacker: 2. Ask Yourself | various | Semaphore[11], supermariner[17], JI | 2.50 | 1 | 3.20 | 20 | 55 | 3.14 | ||
| Sevish | Formless Shadows: 4. Thundersnow | 3.14 | 3 | 23 | 3.14 | ||||||
| Sevish | Harmony Hacker: 1. Orbital | *13edt[3] | 3.00 | 1 | 3.06 | 20 | 62 | 3.13 | |||
| Blackwood | Etudes: 4. 23edo | 23edo | Original version | 2.92 | 2 | 2.99 | 3 | 0 | 3.13 | Blackwood | |
| benyamind | Namoic: Hereninging | 17edo | 3.12 | 2 | 3.12 | ||||||
| Byrnes | Room Tapes: 1. Geometric Shapes | 22edo | 3.17 | 1 | 2.72 | 2 | 68 | 3.12 | |||
| Catherino | Temporal Parallax | 3.12 | 5 | 30 | 3.12 | ||||||
| Sevish | Sean but Not Heard: 3. 20 200 2000 20000 | 3.12 | 1 | 0 | 3.12 | ||||||
| Sevish | Sean but Not Heard: 2. Sniping for Wallies | 3.12 | 1 | 0 | 3.12 | ||||||
| Sevish | Bubble: 2. You Tell Me | JI | Centaur 12-note scale | 3.00 | 1 | 3.03 | 18 | 33 | 3.12 | ||
| Sevish | Morphable | 3.12 | 50 | 33 | 3.12 | ||||||
| Sevish | Rhythm and Xen: 4. Spellbound | 22edo | Orwell[9]. | 2.33 | 1 | 3.22 | 16 | 43 | 3.12 | ||
| Byrnes | Neutral Paradise: 9. Electric Seven | 7edo | 3.17 | 1 | 2.93 | 10 | 49 | 3.11 | |||
| Zhea Erose | Eurybia | 3.11 | 14 | 49 | 3.11 | ||||||
| Sevish | Bubble: 4. Fuschiamarine | 7edo | 2.83 | 1 | 3.07 | 18 | 29 | 3.11 | |||
| Sevish | Big Sway: 5. Backtrace | ? | 2.83 | 1 | 3.01 | 3 | 24 | 3.10 | |||
| Byrnes | Micropangaea: 9. Glacial Reef | ? | 3.10 | 5 | 75 | 3.10 | |||||
| benyamind | A progression in 31-tone equal temperament | 31edo | 3.10 | 2 | 3.10 | ||||||
| Byrnes | Holocene Dream: 3. Eons | 27edo | 3.00 | 1 | 2.90 | 3 | 51 | 3.10 | |||
| Sevish | Morphable: 9. Rocko's Theme | 22edo | 2.33 | 1 | 3.30 | 4 | 20 | 3.10 | |||
| Sevish | Harmony Hacker: 9. So Thankful | 15edo | Blackwood[10]. | 2.50 | 1 | 3.15 | 17 | 69 | 3.10 | ||
| Catherino | Convergence | 3.09 | 4 | 28 | 3.09 | ||||||
| Byrnes | Holocene Dream: 4. Rhinosaur Beach | 27edo | 3.17 | 1 | 2.70 | 2 | 44 | 3.09 | |||
| Sevish | Morphable: 2. Everyone | JI | 4-note 3/2-equivalent scale. | 2.83 | 1 | 3.01 | 4 | 38 | 3.09 | ||
| Sevish | Harmony Hacker: 3. Same Old | JI | 2.50 | 1 | 3.13 | 20 | 57 | 3.09 | |||
| groundfault | A New Dusk: Superior Intermedial | various | 31edo, 27edo | 3.08 | 1 | 3.08 | |||||
| Blackwood | Etudes: 7. 17edo | 17edo | Original version | 2.91 | 3 | 2.99 | 3 | 0 | 3.08 | Blackwood | |
| Byrnes | Room Tapes: 6. Blurry Vision | 22edo | 2.67 | 1 | 3.10 | 2 | 22 | 3.08 | |||
| Osmium | Heartbeat | 28edo | User:Godtone | 3.07 | 1 | 3.07 | |||||
| Partch | And on the Seventh Day Petals Fell in Petaluma: 1. Verses 1 to 17 | 3.07 | 6 | 19 | 3.07 | ||||||
| Spiral Garden | Spiral Garden: Heirophony | 3.07 | 1 | 3.07 | |||||||
| jollybard | [pop song] | other | Joan | 3.07 | 1 | 3.07 | |||||
| Partch | Plectra and Percussion Dances: 3. Even Wild Horses - Dance Music for an Absent Drama | 3.07 | 6 | 44 | 3.07 | ||||||
| The Mercury Tree | Self Similar: 6. Binary | 3.06 | 5 | 40 | 3.06 | ||||||
| Partch | 2. Barstow - Eight Hitchhiker Inscriptions From a Highway Railing at Barstow, California | 3.06 | 24 | 56 | 3.06 | ||||||
| Partch | 1. The Rose | 3.06 | 1 | 0 | 3.06 | ||||||
| Partch | 3. The Waterfall | 3.06 | 1 | 0 | 3.06 | ||||||
| Byrnes | Holocene Dream: 8. Weird Mansion | 22edo | 3.00 | 1 | 2.79 | 2 | 3 | 3.06 | |||
| Byrnes | Realism: 2. Falling Man | 27edo | 3.17 | 1 | 2.70 | 3 | 23 | 3.05 | |||
| Sevish | Rhythm and Xen: 6. Chattering Circuits | 23edo | Mavila[5]. | 2.67 | 1 | 3.06 | 15 | 26 | 3.05 | ||
| Sevish | Harmony Hacker: 5. We Can't Be Blamed | 22edo | 2.33 | 1 | 3.14 | 19 | 51 | 3.05 | |||
| Byrnes | Transfigured Earth II: Blue Skies | 22edo | 3.00 | 1 | 2.61 | 1 | 0 | 3.05 | |||
| Byrnes | Holocene Dream: 5. Cambrian Explosion | 22edo | 3.00 | 1 | 2.78 | 2 | 63 | 3.05 | |||
| Gann | Hyperchromatica: 1. Andromeda Memories | JI | 33-note 13-limit JI scale. Info here. | 3.04 | 5 | 38 | 3.04 | ||||
| Blackwood | Fanfare in 19edo | 3.04 | 3 | 41 | 3.04 | ||||||
| Byrnes | Realism: 11. Under the Waves | 22edo | 2.83 | 1 | 2.93 | 3 | 27 | 3.04 | |||
| Sevish | Big Sway | 3.04 | 31 | 42 | 3.04 | ||||||
| Byrnes | Realism: 7. Melt | 22edo | 3.17 | 1 | 2.69 | 3 | 27 | 3.04 | |||
| Byrnes | Realism: 5. Lacuna | 3.04 | 4 | 19 | 3.04 | ||||||
| Byrnes | Transfigured Earth II: Alive | 27edo | 3.00 | 1 | 2.58 | 1 | 0 | 3.03 | |||
| dotuXil | Collected Refractions: Cheat Codes | 19edo | "Diatonic-focused." Information in booklet | 3.03 | 1 | 3.03 | |||||
| Blackwood | Etudes: 6. 15edo | 15edo | Original version | 2.92 | 3 | 2.87 | 3 | 15 | 3.03 | Blackwood | |
| The Mercury Tree | Spidermilk: 7. Kept Man | 17edo | 2.33 | 1 | 3.17 | 9 | 37 | 3.03 | |||
| Blackwood | Etudes | various | Original version | 2.81 | 1 | 2.92 | 4 | 42 | 3.03 | Blackwood | |
| Battaglia | [Comma pump in Hanson/Kleismic temperament, 34-equal] | 34edo | 3.02 | 2 | 3.02 | ||||||
| Serafini | [Do Androids Dream of 18ed2?] | 18edo | 3.02 | 2 | 3.02 | ||||||
| Byrnes | Holocene Dream: 10. Holocene | 27edo | 3.17 | 1 | 2.61 | 2 | 26 | 3.02 | |||
| Sevish | Formless Shadows | 3.02 | 26 | 39 | 3.02 | ||||||
| Partch | And on the Seventh Day Petals Fell in Petaluma: 2. Verses 17 to 34 | 3.02 | 5 | 6 | 3.02 | ||||||
| Byrnes | Transfigured Earth II: Groundswell | 22edo | 3.00 | 1 | 2.56 | 1 | 0 | 3.02 | |||
| Byrnes | Transfigured Earth II: Remote Caverns | 27edo | 3.00 | 1 | 2.56 | 1 | 0 | 3.02 | |||
| Sevish | Bubble | 3.02 | 142 | 43 | 3.02 | ||||||
| Byrnes | Room Tapes: 5. Slow Rotation | 22edo | 3.00 | 1 | 2.72 | 2 | 68 | 3.01 | |||
| Gann | Hyperchromatica: 10. Rings of Saturn | JI | 33-note 13-limit JI scale. Info here. | 3.01 | 2 | 40 | 3.01 | ||||
| Byrnes | Realism | 3.01 | 24 | 34 | 3.01 | ||||||
| Gann | Geometry | 3.01 | 9 | 24 | 3.01 | ||||||
| Sevish | Formless Shadows: 8. An Afternoon's Promise | 3.00 | 3 | 54 | 3.00 | ||||||
| Sevish | Harmony Hacker: 6. Freathy | other | Blackwood[10] in TOP tuning. | 2.33 | 1 | 3.08 | 20 | 63 | 3.00 | ||
| Sevish | Rhythm and Xen: What Year Is This? | various | 19edo, 12-note JI scale | 3.00 | 1 | 3.00 | |||||
| Barton | what_is_this.mp3 | 3.00 | 1 | 3.00 | |||||||
| Francium | Void: Make It Darker | 3.00 | 1 | 3.00 | |||||||
| Harrison | From Ancient Worlds | JI | 2.3.7 JI. full album; solo piano | 3.00 | 2 | 3.00 | |||||
| Greystar | Microtonal Nights: Glimpse | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| dotuXil | Collected Refractions: Enter Nil | 22edo | 3.00 | 2 | 3.00 | ||||||
| Nuorvala | Violin sonata | 22edo | Classical; violin and piano | 3.00 | 2 | 3.00 | |||||
| Jumble | Solar Guardian | 45edo | Info/art and worldbuilding at YT. | 3.00 | 1 | 3.00 | |||||
| Abnormality | Scatter Brain | 11edo | 3.00 | 2 | 3.00 | ||||||
| benyamind | Progression in 16-tone equal temperament | 3.00 | 1 | 3.00 | |||||||
| Erlich | Tibia | 3.00 | 1 | 3.00 | |||||||
| Aura | The Forgotten | 94edo | See also User:Aura #Videogame Compositions | 3.00 | 1 | 3.00 | |||||
| Greystar | Microtonal Nights: Swing Set | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Greystar | Microtonal Nights: Fros | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| benyamind | Namoic: The Soil | JI | "architect-ji (2nd gen)" mode 32 subset.[4] YouTube score video. | 3.00 | 1 | 3.00 | |||||
| Byrnes | 2227: 4. Pangaean Islands | 27edo | 3.00 | 1 | 3.00 | ||||||
| Greystar | Microtonal Nights: Sky Pearl | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Byrnes | 2227: Carpenteria, Pt 2 | 22edo | 3.00 | 1 | 3.00 | ||||||
| Greystar | Microtonal Nights: A Frail Path | ? | an "imperfect, improvised [take capturing] a moment," as are all the tracks on the album | 3.00 | 1 | 3.00 | |||||
| Bigwood | Nerozene: 22edo | 3.00 | 1 | 3.00 | |||||||
| Abnormality | Stardust | 22edo | "Intense in a way I don't really see in 12edo music." | 3.00 | 2 | 3.00 | |||||
| dotuXil | Collected Refractions: Icebound Gallery of Refractions | 35edo | Blackwood[10]. Information in booklet | 3.00 | 1 | 3.00 | |||||
| Byrnes | 2227: 5. Sensi Cathedrals | 27edo | 3.00 | 1 | 3.00 | ||||||
| benyamind | Namoic: Anahata | 34edo | 3.00 | 1 | 3.00 | ||||||
| Gann | Hyperchromatica: 4. Pavane for a Dead Planet | JI | 33-note 13-limit JI scale. Info here. | 3.00 | 4 | 48 | 3.00 | ||||
| Partch | King Oedipus: Fifth Chorus | 3.00 | 2 | 65 | 3.00 | ||||||
| Sevish | Bubble: 6. Dream Up | 22edo | Arbitrary 12-note scale outside of 22edo used by lead synth | 2.67 | 1 | 2.99 | 18 | 41 | 2.99 | ||
| Byrnes | Room Tapes: 7. Life After | 22edo | 2.67 | 1 | 2.98 | 2 | 13 | 2.99 | |||
| Gann | Custer and Sitting Bull: 2. Sitting Bull:_"Do You Know Who I Am?" | 2.98 | 4 | 32 | 2.98 | ||||||
| Gann | Custer and Sitting Bull: 1. Custer:_"If I Were an Indian..." | 2.98 | 4 | 32 | 2.98 | ||||||
| Partch | Plectra and Percussion Dances: 2. Ring Around the Moon - A Dance for Here and Now | 2.98 | 6 | 41 | 2.98 | ||||||
| Sevish | Sean but Not Heard: 4. Kowtow | 2.97 | 1 | 0 | 2.97 | ||||||
| Sevish | Sean but Not Heard: 5. The Entity Unmasked | 2.97 | 1 | 0 | 2.97 | ||||||
| Sevish | Formless Shadows: 1. Hexdeep | 2.97 | 3 | 55 | 2.97 | ||||||
| Sevish | Formless Shadows: 2. Garden of Light | 2.97 | 3 | 55 | 2.97 | ||||||
| Gann | Hyperchromatica: 2. Futility Row | JI | 33-note 13-limit JI scale. Info here. | 2.97 | 4 | 41 | 2.97 | ||||
| Partch | 3. Ulysses at the Edge | 2.97 | 3 | 5 | 2.97 | ||||||
| The Mercury Tree | Spidermilk: 11. Tides of the Spine | 17edo | 2.17 | 1 | 3.17 | 9 | 48 | 2.97 | |||
| Starshine | [Rin's UFO Ride] | 19edo | Semaphore[9] | 2.97 | 1 | 2.97 | |||||
| Sevish | Sean but not Heard: Marooned at Home | 2.97 | 1 | 2.97 | |||||||
| Byrnes | Room Tapes | 2.97 | 11 | 46 | 2.97 | ||||||
| Byrnes | Neutral Paradise: 7. Outside LA | 2.96 | 10 | 49 | 2.96 | ||||||
| Blackwood | Etudes: 11. 20edo | 20edo | Original version | 2.94 | 2 | 2.70 | 3 | 15 | 2.96 | Blackwood | |
| Sevish | Horixens: 2. Baobaoshuijiaojiao | Other | 12-note Marveldene. TE tuning. | 3.25 | 2 | 2.27 | 1 | 0 | 2.96 | ||
| Tapeworm Saga | Languor Study | 26edo | Orgone[11] | 2.96 | 3 | 2.96 | |||||
| Byrnes | Realism: 8. Indefinite Suspension | 22edo | 3.00 | 1 | 2.70 | 3 | 23 | 2.96 | |||
| Gann | Hyperchromatica: 17. Galactic Jamboree | JI | 33-note 13-limit JI scale. Info here. | 2.96 | 3 | 26 | 2.96 | ||||
| Byrnes | Micropangaea: 4. Vacant City | JI | 12-note scale. Info here. | 2.95 | 5 | 43 | 2.95 | ||||
| Gann | Hyperchromatica: 9. Busted Grooves | JI | 33-note 13-limit JI scale. Info here. | 2.95 | 2 | 5 | 2.95 | ||||
| Gann | Hyperchromatica: 3. Orbital Resonance | JI | 33-note 13-limit JI scale. Info here. | 2.95 | 3 | 20 | 2.95 | ||||
| vivi mouse | fog | 80edo | Echidna[22] | 2.95 | 2 | 2.95 | |||||
| Heathwaite | [Flarn Squared in 80edo] | 80edo | 2.95 | 2 | 2.95 | ||||||
| Gann | Custer and Sitting Bull: 4. Custer's Ghost to Sitting Bull | 2.95 | 4 | 28 | 2.95 | ||||||
| Wrenharmonic | Larger Than The Oceans | 53edo | 2.95 | 3 | 2.95 | ||||||
| The Mercury Tree | Spidermilk: 6. Superposition of Silhouettes | 17edo | 2.50 | 1 | 3.01 | 10 | 57 | 2.95 | |||
| Partch | King Oedipus: Antiphony | 2.94 | 2 | 80 | 2.94 | ||||||
| Sevish | Sean but Not Heard | 2.94 | 26 | 47 | 2.94 | ||||||
| martinsj013 | [Shall I Refuse My Dinner] | 10edo | Mainly using mosh | 2.93 | 1 | 2.93 | |||||
| Yuri Vinogradov | [20 EDO] | 20edo | "Piano miniature" | 2.93 | 1 | 2.93 | |||||
| Partch | King Oedipus: Oedipus Scene | 2.92 | 2 | 32 | 2.92 | ||||||
| Sheeran | Etudes | 2.92 | 4 | 42 | 2.92 | Blackwood | |||||
| dogwithabome | [to have my bones be one with the river] | 18edo | 2.92 | 1 | 2.92 | ||||||
| Gann | Custer and Sitting Bull: 3. Sun Dance / Battle of the Greasy-Grass River | 2.92 | 4 | 30 | 2.92 | ||||||
| Partch | 9. The Dreamer That Remains | 2.91 | 1 | 0 | 2.91 | ||||||
| Byrnes | 2227 | 2.91 | 18 | 47 | 2.91 | ||||||
| Domin | chair-2-3-11-19.mp3 | 2.90 | 1 | 2.90 | |||||||
| Microwave 64 | [Initialising] | 53edo | 2.90 | 1 | 2.90 | ||||||
| Sevish | Morphable: 1. The Mad Mile | 11edo | 2.33 | 1 | 3.10 | 3 | 41 | 2.90 | |||
| Byrnes | Micropangaea: 8. Fever Swimmer (Live in Studio) | 17edo | Played on 12edo guitar ensemble. Info here. | 2.90 | 5 | 49 | 2.90 | ||||
| Gann | Hyperchromatica: 6. Ride the Cosmos | JI | 33-note 13-limit JI scale. Info here. | 2.89 | 2 | 21 | 2.89 | ||||
| Gann | Hyperchromatica: 16. Liquid Mechanisms | JI | 33-note 13-limit JI scale. Info here. | 2.89 | 2 | 21 | 2.89 | ||||
| Gann | Hyperchromatica: 13. Spacecat | JI | 33-note 13-limit JI scale. Info here. | 2.89 | 2 | 21 | 2.89 | ||||
| Sevish | Horixens: 9. Horizons | 22edo | 3.00 | 1 | 2.52 | 1 | 0 | 2.89 | |||
| Byrnes | Room Tapes: 3. Cave Dance | 22edo | 3.17 | 1 | 2.41 | 2 | 56 | 2.89 | |||
| Blackwood | Etudes: 2. 18edo | 18edo | Original version | 2.61 | 2 | 2.99 | 3 | 0 | 2.88 | Blackwood | |
| Partch | U. S. Highball: 1. San Francisco to Sparks | 2.88 | 9 | 48 | 2.88 | ||||||
| Partch | 2. The Letter | 2.88 | 3 | 14 | 2.88 | ||||||
| Byrnes | Holocene Dream: 9. 27 Edo Etude | 2.88 | 2 | 21 | 2.88 | ||||||
| Byrnes | Transfigured Earth I: Unexpected Rain | 27edo | 2.83 | 1 | 2.60 | 2 | 0 | 2.88 | |||
| benyamind | Namoic: Dreamer | Various | 12edo, 31edo | 2.88 | 2 | 2.88 | |||||
| Byrnes | Transfigured Earth II: After the Rain | 22edo | 2.83 | 1 | 2.58 | 1 | 0 | 2.87 | |||
| Byrnes | Holocene Dream: 6. Weird Room | 27edo | 2.50 | 1 | 2.97 | 2 | 19 | 2.87 | |||
| Partch | The Bewitched: Scene 9. Background for a Political Soul Lost Among the Voteless Women of Paradise | 2.87 | 2 | 47 | 2.87 | ||||||
| groundfault | A New Dusk: The Lake Reflects a Black Sky | 2.87 | 1 | 2.87 | |||||||
| Heathwaite | Rubble: a Xenuke Unfolded | 2.87 | 1 | 2.87 | |||||||
| The Mercury Tree | Spidermilk: 5. Interglacial | 17edo | 2.50 | 1 | 2.93 | 7 | 56 | 2.86 | |||
| Jumble | Azure | 22edo | Custom scale. Ambient. In "Train Horns for the Soul." | 2.86 | 3 | 2.86 | |||||
| Sevish | Big Sway: 1. Zero Nothings | 22edo | 2.50 | 1 | 2.94 | 3 | 46 | 2.86 | |||
| Catherino | Polytonal Resonance | 2.85 | 2 | 22 | 2.85 | ||||||
| Catherino | Polychrome Impressions - emergence | 2.85 | 2 | 22 | 2.85 | ||||||
| Catherino | Spatial Harmonics | 2.85 | 2 | 22 | 2.85 | ||||||
| Sevish | Formless Shadows: 3. Formless Shadows | 2.85 | 3 | 38 | 2.85 | ||||||
| Abnormality | towerjamcalm.mp3 | 31edo | looping track for game jam | 2.85 | 3 | 2.85 | |||||
| Partch | King Oedipus: Introduction | 2.85 | 2 | 0 | 2.85 | ||||||
| Partch | The Bewitched: Scene 8. Background for the Apotheosis of a Court in Its Own Contempt | 2.85 | 2 | 0 | 2.85 | ||||||
| Partch | The Bewitched: Scene 4. Background for the Alchemy of a Soul Tormented by Contemporary Music | 2.85 | 2 | 0 | 2.85 | ||||||
| Sevish | Golden Hour: 10. The Mersh Tune | 2.83 | 1 | 2.57 | 1 | 0 | 2.84 | ||||
| Gann | Hyperchromatica: 15. Romance Postmoderne | JI | 33-note 13-limit JI scale. Info here. | 2.84 | 2 | 38 | 2.84 | ||||
| Gann | Hyperchromatica: 5. Star Dance | JI | 33-note 13-limit JI scale. Info here. | 2.84 | 2 | 38 | 2.84 | ||||
| Sevish | Horixens: 3. In the Zoon | 23edo | with stretched octaves | 2.67 | 1 | 2.78 | 1 | 0 | 2.83 | ||
| benyamind | Namoic: Aligned | JI | "pythagorean-like" tuning | 2.83 | 1 | 2.83 | |||||
| Jumble | Tyrian and Gold | 37edo | 7-note scale. Info/art at YT. | 2.83 | 1 | 2.83 | |||||
| Sevish | One With The Fractal: Cosmic Playtime | 26edo | 2.83 | 1 | 2.83 | ||||||
| Jumble | Adrift | various | In "Train Horns for the Soul." Info/art at YT. | 2.83 | 1 | 2.83 | |||||
| Sintel | Outer Gardens: Come into the world my Child | 2.83 | 1 | 2.83 | |||||||
| Jumble | Stingray | 22edo | Info/art at YT. | 2.83 | 1 | 2.83 | |||||
| Aura | Youthful Fun | 159edo | 2.83 | 1 | 2.83 | ||||||
| Byrnes | Neutral Paradise: Outside La | various | 22edo, JI | 2.83 | 1 | 2.83 | |||||
| Jumble | MILKY WAY! | 17edo | In "Train Horns for the Soul." Info/art and worldbuilding at YT. | 2.83 | 1 | 2.83 | |||||
| Gann | 5. So Many Little Dyings | 2.83 | 1 | 0 | 2.83 | ||||||
| Partch | U. S. Highball: 6. North Platte to Chicago | 2.82 | 8 | 59 | 2.82 | ||||||
| Sevish | Sean but Not Heard: 7. Detached and Distant | 2.82 | 1 | 0 | 2.82 | ||||||
| Sevish | Sean but Not Heard: 9. Faded Orange Glow | 2.82 | 1 | 0 | 2.82 | ||||||
| Sevish | Sean but Not Heard: 1. Lavender Fields | 2.82 | 1 | 0 | 2.82 | ||||||
| Sevish | Sean but Not Heard: 10. Spuffled Gnorclacks | 2.82 | 1 | 0 | 2.82 | ||||||
| Sevish | Rhythm and Xen: 14. Sleep Deprived Cooked Alive (Alternative Version) | 2.82 | 3 | 29 | 2.82 | ||||||
| Byrnes | Room Tapes: 4. Far Out | 22edo | 3.00 | 1 | 2.47 | 2 | 74 | 2.82 | |||
| Partch | King Oedipus: First Chorus | 2.81 | 2 | 62 | 2.81 | ||||||
| Partch | Come Away, Death (From December, 1942) | 2.81 | 2 | 62 | 2.81 | ||||||
| Costa | Danse-Etude | 17edo | 2.81 | 1 | 2.81 | ||||||
| Sevish | Big Sway: 2. Pwns | ? | 2.50 | 1 | 2.88 | 3 | 10 | 2.81 | |||
| Costa | Arabesque | 19edo | 2.80 | 2 | 2.80 | ||||||
| Partch | U. S. Highball: 3. Moleen to Rock Springs | 2.80 | 8 | 50 | 2.80 | ||||||
| Partch | Revelation in the Courthouse Park: End of Scene Four and Coda | 2.80 | 1 | 0 | 2.80 | ||||||
| Xotla Music | Brusselator Sprouts | 13edo | 2.80 | 2 | 2.80 | ||||||
| Partch | The Bewitched: Scene 1. Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall | 2.79 | 2 | 14 | 2.79 | ||||||
| Sevish | Morphable: 4. Yeah Groove | 26edo | 2.33 | 1 | 2.96 | 3 | 2 | 2.78 | |||
| Gann | Hyperchromatica: 7. Dark Forces Signify | JI | 33-note 13-limit JI scale. Info here. | 2.78 | 3 | 18 | 2.78 | ||||
| Gann | Hyperchromatica: 11. Pulsars | JI | 33-note 13-limit JI scale. Info here. | 2.78 | 2 | 3 | 2.78 | ||||
| Sevish | Big Sway: 4. Door Into Fantasy | JI | 2.83 | 1 | 2.60 | 3 | 30 | 2.78 | |||
| Gann | Hyperchromatica: 12. Neptune Night | JI | 33-note 13-limit JI scale. Info here. | 2.78 | 2 | 54 | 2.78 | ||||
| Catherino | Toward the Continuum, 2nd iteration | 2.77 | 4 | 12 | 2.77 | ||||||
| Sevish | Formless Shadows: 6. Never Coming Home | 2.77 | 3 | 30 | 2.77 | ||||||
| Sevish | Horixens: 1. Come on a Journey | JI | Mode 16 (3/2-equivalent) | 2.83 | 1 | 2.52 | 1 | 0 | 2.77 | ||
| Byrnes | Micropangaea: 5. Eboa Ocean | JI | 17-limit JI. Info here. | 2.76 | 5 | 64 | 2.76 | ||||
| Partch | U. S. Highball: 2. Sparks to Moleen | 2.76 | 8 | 45 | 2.76 | ||||||
| Sevish | Big Sway: 8. Oscid | ? | 2.50 | 1 | 2.84 | 2 | 4 | 2.76 | |||
| Partch | 7. Before the Cask of Wine | 2.76 | 1 | 0 | 2.76 | ||||||
| Partch | 5. I Am a Peach Tree | 2.76 | 1 | 0 | 2.76 | ||||||
| Partch | 2. The Wind | 2.76 | 1 | 0 | 2.76 | ||||||
| Partch | 8. The Street | 2.76 | 1 | 0 | 2.76 | ||||||
| Partch | U. S. Highball: 5. Little America to North Platte | 2.76 | 8 | 43 | 2.76 | ||||||
| Catherino | Slipstream | 2.76 | 2 | 40 | 2.76 | ||||||
| Partch | King Oedipus: Incidental Music | 2.76 | 2 | 76 | 2.76 | ||||||
| Blackwood | Suite: Vivo | 2.76 | 3 | 15 | 2.76 | ||||||
| Sevish | Golden Hour: 1. Islands | 2.76 | 2 | 14 | 2.76 | ||||||
| Blackwood | Suite: Prelude | 2.76 | 3 | 15 | 2.76 | ||||||
| Sevish | Golden Hour: 3. Dirty Drummer | 2.75 | 1 | 0 | 2.75 | ||||||
| Sevish | Golden Hour: 12. Ganymede | 2.75 | 1 | 0 | 2.75 | ||||||
| Sevish | Golden Hour: 14. Whitey | 2.75 | 1 | 0 | 2.75 | ||||||
| Sevish | Golden Hour: 6. Fifteen | 2.75 | 1 | 0 | 2.75 | ||||||
| Costa | Debussy's "Syrinx" arranged for flute quartet | 19edo | 2.74 | 3 | 2.74 | ||||||
| Partch | King Oedipus: Final Chorus and Coda | 2.74 | 2 | 29 | 2.74 | ||||||
| Gann | Hyperchromatica: 8. The Lessing Is Miracle | JI | 33-note 13-limit JI scale. Info here. | 2.74 | 3 | 16 | 2.74 | ||||
| Partch | U. S. Highball: 4. Rock Springs to Little America | 2.74 | 8 | 46 | 2.74 | ||||||
| Sevish | Rhythm and Xen: 8. Earthling | various | 2.33 | 1 | 2.81 | 15 | 47 | 2.74 | |||
| groundfault | A New Dusk: Rail Twinge | 2.73 | 1 | 2.73 | |||||||
| Gann | Hyperchromatica: 14. Reverse Gravity | JI | 33-note 13-limit JI scale. Info here. | 2.72 | 2 | 31 | 2.72 | ||||
| Partch | The Bewitched: Scene 3. Background for the Inspired Romancing of a Pathological Liar | 2.72 | 2 | 18 | 2.72 | ||||||
| Catherino | Heterodyne Horizon | 2.71 | 2 | 4 | 2.71 | ||||||
| Sevish | Big Sway: 3. Who Knows | ? | 2.50 | 1 | 2.76 | 3 | 22 | 2.71 | |||
| Sevish | Formless Shadows: 5. Big Numb | 2.71 | 3 | 23 | 2.71 | ||||||
| Byrnes | Realism: 3. Semantics | 2.70 | 3 | 23 | 2.70 | ||||||
| Blackwood | Suite: Sarabande | 2.70 | 3 | 41 | 2.70 | ||||||
| Byrnes | Holocene Dream: 11. Holocene Dream | 22edo | 3.00 | 1 | 2.34 | 2 | 91 | 2.70 | |||
| Gann | 6. Scenario | 2.69 | 1 | 0 | 2.69 | ||||||
| Blackwood | Etudes: 8. 22edo | 22edo | Original version | 2.59 | 2 | 2.70 | 3 | 31 | 2.69 | Blackwood | |
| Partch | King Oedipus: Herdsman Scene | 2.69 | 2 | 43 | 2.69 | ||||||
| Partch | Excerpts from Water! Water! and Rotate the Body in All its Planes | 2.68 | 6 | 49 | 2.68 | ||||||
| Sevish | Bubble: 8. Almighty Fractal | JI | 9:10:11:12 tetrachordal | 2.50 | 1 | 2.70 | 17 | 31 | 2.68 | ||
| Blackwood | Suite: Gavotte | 2.68 | 2 | 16 | 2.68 | ||||||
| The Mercury Tree | Spidermilk: 8. (Throw Up My) Hands | 2.67 | 10 | 66 | 2.67 | ||||||
| dotuXil | Collected Refractions: Odd Harmonic | *13edt | Information in booklet | 2.67 | 3 | 2.67 | |||||
| Sevish | Sean but Not Heard: 6. Marooned at Home | 2.67 | 1 | 0 | 2.67 | ||||||
| Sevish | Sean but Not Heard: 8. Sea Poem | 2.67 | 1 | 0 | 2.67 | ||||||
| Jumble | Windchimes | "Dappled scale." Very short. In "P'KOSMYR Vol. 1." | 2.67 | 1 | 2.67 | ||||||
| benyamind | Namoic: I still do | JI | Mode 24[5] | 2.67 | 1 | 2.67 | |||||
| Sintel | Top Ten most Epic fish of all time: Wobbegong | ? | 2.67 | 1 | 2.67 | ||||||
| Sevish | One With The Fractal: Day For Night | JI | 14-note 5/1-equivalent scale | 2.67 | 1 | 2.67 | |||||
| Jumble | Donut Depths | 11edo | 7-note 4/1-equivalent scale. In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Jumble | Sun Through The Window | 321edo | In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Byrnes | 2227: 7. Golden State Stare | 27edo | 2.67 | 1 | 2.67 | ||||||
| Sevish | One With The Fractal: Durationplex | other | "Golden ratio based - non-repeating scale of intervals 196.7c and 318.2c" | 2.67 | 1 | 2.67 | |||||
| Jumble | Rhododendron | "Dappled scale." In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | ||||||
| benyamind | Namoic: Woken Night | JI | Harmonic series[6]. Very short. | 2.67 | 1 | 2.67 | |||||
| Sevish | One With The Fractal: Wait What | JI | 12-note Mode 16 subset. | 2.67 | 1 | 2.67 | |||||
| Jumble | Forbidden Bay | 22edo | In "P'KOSMYR Vol. 1." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Mayone | Circulatione.mp3 | 2.67 | 1 | 2.67 | |||||||
| Sintel | Top Ten most Epic fish of all time: Ghost Shark | ? | 2.67 | 1 | 2.67 | ||||||
| Jumble | Archipelago Arpeggio | 45edo | 9-note scale. In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Jumble | Fallen Angel | 45edo | 9-note scale. In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Xotla Music | Pico Metric: Cretaceous Cosmos | 2.67 | 1 | 2.67 | |||||||
| Jumble | Aurora | 14edo | In "Train Horns for the Soul." Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| Xotla Music | Pico Metric: No Longer | 2.67 | 1 | 2.67 | |||||||
| Sintel | Top Ten most Epic fish of all time: Coelacanth | ? | 2.67 | 1 | 2.67 | ||||||
| Jumble | Lullaby For A Dead Planet | 834edo | 16-note scale. Info/art at YT. | 2.67 | 1 | 2.67 | |||||
| benyamind | Namoic: The Ambience | 31edo | 2.67 | 1 | 2.67 | ||||||
| Barton | jb_seventeen_pno.mp3 | 2.67 | 1 | 2.67 | |||||||
| Sevish | One With The Fractal: Don't Worry Too Much About It | 31edo | 2.67 | 1 | 2.67 | ||||||
| benyamind | Namoic: Haven Symphony | 31edo | 2.67 | 1 | 2.67 | ||||||
| Sintel | Top Ten most Epic fish of all time: Hagfish | ? | 2.67 | 1 | 2.67 | ||||||
| Jumble | Uncanny Valley | 22edo | Info/art and worldbuilding at YT. | 2.67 | 1 | 2.67 | |||||
| benyamind | Namoic: Xenzu Bean | JI | 12-note scale[7] | 2.67 | 1 | 2.67 | |||||
| Blackwood | Etudes: 9. 24edo | 24edo | Original version | 2.55 | 2 | 2.70 | 3 | 15 | 2.67 | Blackwood | |
| Sevish | Golden Hour: 11. Wicked Rhythm | 2.66 | 1 | 0 | 2.66 | ||||||
| Sevish | Golden Hour: 9. Callisto | 2.66 | 1 | 0 | 2.66 | ||||||
| Partch | Revelation in the Courthouse Park: End of Scene Three and all of Chorus Four | 2.66 | 1 | 0 | 2.66 | ||||||
| Partch | Revelation in the Courthouse Park: Chorus One | 2.66 | 1 | 0 | 2.66 | ||||||
| Partch | Revelation in the Courthouse Park: Chorus Three | 2.66 | 1 | 0 | 2.66 | ||||||
| Catherino | Requiem - 2020 | 2.66 | 1 | 0 | 2.66 | ||||||
| Catherino | duration | 2.65 | 1 | 0 | 2.65 | ||||||
| SunScent | [KYO/Punitive Life] | 31edo | 2.65 | 2 | 2.65 | ||||||
| Partch | King Oedipus: Jocasta Scene | 2.63 | 2 | 58 | 2.63 | ||||||
| Partch | King Oedipus: Opening Scene | 2.63 | 2 | 58 | 2.63 | ||||||
| Sevish | Rhythm and Xen: 10. Make a Dream | 11edo | 2.33 | 1 | 2.70 | 12 | 40 | 2.63 | |||
| Uncreative Name | Isles of Despair | 15edo | 2.62 | 2 | 2.62 | ||||||
| Jumble | Undiminished | 84edo | Custom scale | 2.62 | 2 | 2.62 | |||||
| SunScent | Mimicry Symdrome | 31edo | 2.62 | 2 | 2.62 | ||||||
| Partch | 6. A Midnight Farewell | 2.61 | 1 | 0 | 2.61 | ||||||
| Partch | King Oedipus: Exit Oedipus - Pantomime | 2.61 | 2 | 10 | 2.61 | ||||||
| Partch | The Bewitched: Scene 2. Background for the Permutation of Exercises in Harmony and Counterpoint | 2.61 | 2 | 10 | 2.61 | ||||||
| Tapeworm Saga | A quick quintet, music for 5 EWIs in 17edo | 17edo | 2.61 | 3 | 2.61 | ||||||
| Sevish | Big Sway: 7. There Is Something Else | ? | 2.33 | 1 | 2.76 | 3 | 22 | 2.61 | |||
| Byrnes | Micropangaea: 7. The Skies | 27edo | Technically not 27edo. Info here. | 2.60 | 5 | 54 | 2.60 | ||||
| Partch | King Oedipus: Instrumental Commentary | 2.59 | 2 | 36 | 2.59 | ||||||
| Partch | Ulysses Departs From the Edge of the World | 2.59 | 1 | 0 | 2.59 | ||||||
| Costa | Messaien's "O Sacrum Convivium" | 19edo | 2.59 | 2 | 2.59 | ||||||
| Byrnes | Transfigured Earth I: Sunlight | 27edo | 2.50 | 1 | 2.62 | 2 | 14 | 2.58 | |||
| Partch | Come Away, Death (Solo Version) | 2.58 | 2 | 73 | 2.58 | ||||||
| Xotla Music | Rive | 17edo | 2.58 | 3 | 2.58 | ||||||
| Sevish | Horixens: 6. Outside | JI | Harmonics 1-16. | 2.83 | 1 | 2.27 | 1 | 0 | 2.58 | ||
| Sevish | Golden Hour: 4. Tapestry | 2.57 | 1 | 0 | 2.57 | ||||||
| Sevish | Golden Hour: 8. Calabi-Yau Manifold | 2.57 | 1 | 0 | 2.57 | ||||||
| Sevish | Golden Hour: 15. Parliament of Moon | 2.57 | 1 | 0 | 2.57 | ||||||
| Sevish | Golden Hour: 5. Umbriel | 2.57 | 1 | 0 | 2.57 | ||||||
| E8 Heterotic | Glaukos Circuit | 29edo | pepperoni[?]. On the edge of being non-xenharmonic. | 2.56 | 3 | 2.56 | |||||
| Partch | King Oedipus: Second Chorus | 2.56 | 2 | 25 | 2.56 | ||||||
| Partch | The Bewitched: Scene 6. Background for the Euphoria on a Sausalito Stairway | 2.56 | 2 | 25 | 2.56 | ||||||
| Partch | King Oedipus: Fourth Chorus | 2.56 | 2 | 25 | 2.56 | ||||||
| Partch | By the Rivers of Babylon | 2.56 | 2 | 25 | 2.56 | ||||||
| Byrnes | Realism: 10. Space That Calls | 22edo | 2.50 | 1 | 2.56 | 3 | 58 | 2.55 | |||
| Blackwood | Etudes: 10. 14edo | 14edo | Original version | 2.21 | 2 | 2.93 | 3 | 15 | 2.54 | Blackwood | |
| Sevish | Horixens: 8. Streaming | 31edo | 2.50 | 1 | 2.52 | 1 | 0 | 2.52 | |||
| Partch | Revelation in the Courthouse Park: From Scene Two:_Hymn to Dionysus:_Glory to the Male Womb | 2.52 | 1 | 0 | 2.52 | ||||||
| Partch | The Bewitched: Prologue | 2.52 | 1 | 0 | 2.52 | ||||||
| Gann | Geometry: 1. Geometry (Homage to Schillinger) | 2.51 | 1 | 0 | 2.51 | ||||||
| Partch | King Oedipus: Messenger Scene | 2.50 | 2 | 40 | 2.50 | ||||||
| Partch | King Oedipus: Third Chorus | 2.50 | 2 | 40 | 2.50 | ||||||
| Sevish | Murmurations: 1. Murmurations | 2.50 | 1 | 0 | 2.50 | ||||||
| Xotla Music | Pico Metric: Dark Pillars | 2.50 | 1 | 2.50 | |||||||
| Jumble | My Secret World | 95edo | In "Train Horns for the Soul." Art at YT. | 2.50 | 1 | 2.50 | |||||
| Sintel | Diversion in 34 | 34edo | 2.50 | 3 | 2.50 | ||||||
| Jumble | Rose | 22edo | In "Train Horns for the Soul." | 2.50 | 1 | 2.50 | |||||
| Jumble | Ten Day Forecast | 321edo | Info/art and worldbuilding at YT. | 2.50 | 1 | 2.50 | |||||
| benyamind | Namoic: Sky Park | JI | "architect-ji (3rd gen)" 12-note scale[8] | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: Triple Trouble | JI | 9-note 3/1-repeating scale. | 2.50 | 1 | 2.50 | |||||
| Jumble | Patchouli | 25edo | Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Infinitone | Stranges | 53edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | 7 AM | JI | Multiple harmonic series. In "Train Horns for the Soul." | 2.50 | 1 | 2.50 | |||||
| Jumble | Revenge Bedtime Procrastination | 22edo | In "Train Horns for the Soul." Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: Soundways | 26edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Snowglobe | ? | Art at YT. | 2.50 | 1 | 2.50 | |||||
| benyamind | Namoic: The Ancients | 31edo | 2.50 | 1 | 2.50 | ||||||
| Jumble | Sunset Gold | 22edo | Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Jumble | Greige City | 321edo | 25:12 9L 8s. In "Train Horns for the Soul." | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: This Track | JI | 12-note 27/8-repeating scale. | 2.50 | 1 | 2.50 | |||||
| Jumble | Fishbowl | 45edo | Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: The Dreamer | JI | 12-note 27/8-repeating scale. | 2.50 | 1 | 2.50 | |||||
| benyamind | Namoic: From Worlds | Other | 15-note scale[9] | 2.50 | 1 | 2.50 | |||||
| Jumble | Puget Sound Asleep | 95edo | 9:4 3L 17s. In "Train Horns for the Soul." Info/art at YT. | 2.50 | 1 | 2.50 | |||||
| Sevish | One With The Fractal: Good Looking Aft | 22edo | 2.50 | 1 | 2.50 | ||||||
| benyamind | Namoic: Elix Chorale | 31edo | 2.50 | 1 | 2.50 | ||||||
| Xotla Music | Pico Metric: Whorl Winds | 2.50 | 1 | 2.50 | |||||||
| Jumble | Warp Drive | 14edo. | In "Train Horns for the Soul" and "P'KOSMYR Vol. 1." Art at YT. | 2.50 | 1 | 2.50 | |||||
| Jumble | Green Tea Spa | 7edo | In "P'KOSMYR Vol. 1." | 2.50 | 1 | 2.50 | |||||
| Partch | The Bewitched: Scene 10. Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails | 2.48 | 2 | 7 | 2.48 | ||||||
| Partch | The Bewitched: Scene 7. Background for the Transmutation of Detectives on the Trail of a Culprit | 2.48 | 2 | 7 | 2.48 | ||||||
| Partch | The Bewitched: Scene 5. Background for the Visions of a Defeated Basketball Team in the Shower Room | 2.48 | 2 | 7 | 2.48 | ||||||
| Catherino | Integrations | 2.48 | 1 | 0 | 2.48 | ||||||
| E8 Heterotic | No Threes for You | 34edo | 2.48 | 3 | 2.48 | ||||||
| E8 Heterotic | Ennead Dance | 17edo | Hard 4L5s | 2.48 | 2 | 2.48 | |||||
| Blackwood | Etudes: 12. 19edo | 19edo | Original version | 2.26 | 2 | 2.76 | 3 | 41 | 2.47 | Blackwood | |
| Partch | 4. The Intruder | 2.47 | 1 | 0 | 2.47 | ||||||
| Sevish | Murmurations | 2.46 | 27 | 47 | 2.46 | ||||||
| Partch | Revelation in the Courthouse Park: From Scene Two:_Hymn to Dionysus:_What the Majority Believes | 2.45 | 1 | 0 | 2.45 | ||||||
| Partch | Revelation in the Courthouse Park: From Scene One:_Hymn to Dionysus:_Holy Joy and Get Religion | 2.45 | 1 | 0 | 2.45 | ||||||
| Groundfault | A New Dusk | various | According to hkm, this sounds best on speakers or headphones with weak bass register. | 2.44 | 4 | 2.44 | |||||
| Partch | The Bewitched: Epilogue | 2.43 | 2 | 7 | 2.43 | ||||||
| Sevish | Golden Hour: 13. Light Cone | 2.40 | 1 | 0 | 2.40 | ||||||
| Sevish | Golden Hour: 7. Mako Haze | 2.40 | 1 | 0 | 2.40 | ||||||
| Partch | King Oedipus: Tiresias Scene (Conclusion) | 2.37 | 1 | 0 | 2.37 | ||||||
| Partch | King Oedipus: Creon Scene | 2.37 | 1 | 0 | 2.37 | ||||||
| Partch | Menuet (From Partita in G) | 2.37 | 1 | 0 | 2.37 | ||||||
| Partch | King Oedipus: Tiresias Scene (Beginning) | 2.37 | 1 | 0 | 2.37 | ||||||
| Costa | Enharmonic Study (31edo version) | 31edo | 2.35 | 2 | 2.35 | ||||||
| Takemitsu | Bryce | 2.33 | 1 | 2.33 | |||||||
| Xotla Music | Pico Metric: Light Pillars | 2.33 | 1 | 2.33 | |||||||
| Jumble | Sleep | other | Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Xotla Music | Pico Metric: Breeze of Frost | 2.33 | 1 | 2.33 | |||||||
| Jumble | Dappled | ? | In "P'KOSMYR Vol. 1." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Evening | other | In "P'KOSMYR Vol. 1." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Sintel | Outer Gardens: Gassy Webcap | 2.33 | 1 | 2.33 | |||||||
| Jumble | Infinity | 321edo | Custom scale. Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Couper | Dirge | 2.33 | 1 | 2.33 | |||||||
| Sevish | One With The Fractal: False Awakening | JI | 4-note 2/1-equivalent scale. | 2.33 | 1 | 2.33 | |||||
| dotuXil | Collected Refractions: Frost Battle | 10edo | Information in booklet | 2.33 | 1 | 2.33 | |||||
| Xotla Music | Pico Metric: An Other | 2.33 | 1 | 2.33 | |||||||
| Jumble | Harmonic Hangout | other | Multiple harmonic series. In "P'KOSMYR Vol. 1." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | UFO CRUISIN' | 22edo | In "Train Horns for the Soul." Art and worldbuidling at YT. | 2.33 | 1 | 2.33 | |||||
| Copland | Vitebsk | 2.33 | 1 | 2.33 | |||||||
| Sevish | One With The Fractal: Fusilification | 26edo | Very short. | 2.33 | 1 | 2.33 | |||||
| The Mercury Tree | Spidermilk: (Throw up My) Hands | 17edo | 2.33 | 1 | 2.33 | ||||||
| Sintel | Outer Gardens: Interlude (Live From the Attic) | 2.33 | 1 | 2.33 | |||||||
| Jumble | ANDROMEDA | 25edo | In "Train Horns for the Soul." Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Stained Glass | 22edo | According to Jumble, the "most beautiful piece of music [he's] ever written" so far. In "P'KOSMYR Vol. 1." Art at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | Sweet October | 45edo | In "Train Horns for the Soul." Art and worldbuilding at YT. | 2.33 | 1 | 2.33 | |||||
| Jumble | AQUARIUS | other | Godzilla[9]. Info/art at YT. | 2.33 | 1 | 2.33 | |||||
| Sevish | Golden Hour: 2. Sean's Bits | 2.31 | 1 | 0 | 2.31 | ||||||
| Partch | Introduction to "The Bewitched" | 2.30 | 1 | 0 | 2.30 | ||||||
| Partch | Introduction to King Oedipus | 2.30 | 1 | 0 | 2.30 | ||||||
| Hunt | Equal-Tempered Keyboard: Prelude in 14et | 14edo | 2.28 | 2 | 2.28 | ||||||
| Blackwood | Etudes: 3. 21edo | 21edo | Original version | 1.95 | 2 | 2.76 | 3 | 15 | 2.23 | Blackwood | |
| Jumble | First Street | 22edo | In "Train Horns for the Soul." Art and worldbuilding at YT. | 2.17 | 1 | 2.17 | |||||
| Sevish | One With The Fractal: Automaton | 22edo | 2.17 | 1 | 2.17 | ||||||
| Berio | E vò | 2.17 | 1 | 2.17 | |||||||
| Jumble | So Long, San Diego | 321edo | Custom scale. In "Train Horns for the Soul." Info/art at YT. | 2.17 | 1 | 2.17 | |||||
| Jumble | Brass | 22edo | Art at YT. | 2.17 | 1 | 2.17 | |||||
| Jumble | Autumn Aflame | 14edo | In "P'KOSMYR Vol. 1." Art at YT. "Some extremely cursed hold music for your interdimensional phone call." | 2.17 | 1 | 2.17 | |||||
| dotuXil | Collected Refractions: Waterpad | JI | Dekany 1 3 5 7 9. Information in booklet | 2.17 | 1 | 2.17 | |||||
| Jumble | BORROMEA! | 22edo | Info/art at YT. | 2.17 | 1 | 2.17 | |||||
| Xotla Music | Pico Metric: Surprise Me | 2.17 | 1 | 2.17 | |||||||
| Hovhaness | O Lord, Bless Thy Mountains | 2.17 | 1 | 2.17 | |||||||
| Jumble | 4/1 Equave Blues | ? | Art and worldbuilding at YT. | 2.17 | 1 | 2.17 | |||||
| Blackwood | Etudes: 5. 13edo | 13edo | 1.77 | 2 | 2.82 | 3 | 27 | 2.13 | Blackwood | ||
| dotuXil | Collected Refractions: A Multitude of New Colors | 14edo | Information in booklet | 2.13 | 2 | 2.13 | |||||
| Nørgård | String Quartet No 5 | 2.00 | 1 | 2.00 | |||||||
| dotuXil | Collected Refractions: Reconfiguration in Progress | 24edo | "Short experiment." Information in booklet | 2.00 | 1 | 2.00 | |||||
| Jumble | Interdimensional Radio | ? | Bohlen-Pierce. Art at YT. | 2.00 | 1 | 2.00 | |||||
| dotuXil | Collected Refractions: Porky Spaceflight | 22edo | Porcupine[8]. Information in booklet | 2.00 | 1 | 2.00 | |||||
| Boulez | Polyphonie X | 2.00 | 1 | 2.00 | |||||||
| Secor | 17WTjazz.mp3 | 2.00 | 1 | 2.00 | |||||||
| Jumble | RAY'S SECRET SOUND TEST! | 22edo | Art at YT. | 2.00 | 1 | 2.00 | |||||
| Costa | Short piece | 72edo | 1.96 | 2 | 1.96 | ||||||
| Jumble | CRASH LANDING! | other | 25:12 9L 8s <4/1>. Info/art at YT. | 1.83 | 1 | 1.83 | |||||
| Jumble | BUBBLEGUM POP | 22edo | Info/art at YT. | 1.83 | 1 | 1.83 | |||||
| Klein | Duo for violin and viola in the Quartertone System | 24edo | 1.83 | 1 | 1.83 | ||||||
| Heathwaite | [Rubble: a Xenuke Unfolded] | other | 8-tone subset of 13edo offset by 8:9:11:12. Improvisation. | 0.00 |
Last updated by hkm (talk) 05:16, 1 June 2025 (UTC).
* this asterisk is included for edts so that when sorting by tuning they do not appear with edos
References
- ↑ https://www.youtube.com/watch?v=a63V_fAPNaA
- ↑ https://www.youtube.com/watch?v=U-I0PVrmDsQ
- ↑ See Sevish's reply to henrikljungstrand in https://www.youtube.com/watch?v=MzgUkhViIFw
- ↑ https://www.youtube.com/watch?v=Mp6Bon9st_U
- ↑ https://www.youtube.com/watch?v=dYJPj-Gw0Rw
- ↑ https://www.youtube.com/watch?v=2bHhtcyDLck
- ↑ https://www.youtube.com/watch?v=0Cta7NT63j0
- ↑ https://www.youtube.com/watch?v=2YUBZnLScXU
- ↑ https://www.youtube.com/watch?v=0Cta7NT63j0