Talk:Chords of pajara
Duplicate chords
Duplicate chords occur if and only if both 0 and 0' are present in the chord, as you get a different voicing that's taken as a distinct chord by swapping everything from each period to the other. In these cases, we need to decide what to do. I suggest the rule that the interval in the other period should follow the interval in the first period of the same step count, and we should only keep the first chord found in this order. —FloraC (talk) 06:47, 24 January 2026 (UTC)
Which chords exist
I think it doesn't have a page because jubilismic temperament is relatively inaccurate, but jubilismic chords actually exist, and I have an example: the 50/49 tempering of 1–6/5–7/5–12/7. This isn't an essentially just chord in the 7- or 9-odd-limit, as by this transversal, 7/5–12/7 is a 60/49 interval, which has an odd limit of 49. If the tritone were 10/7 instead, then 6/5–10/7 would be a 25/21 interval, which is also in a high odd limit.
Also, I found a chord essentially tempered by 7-limit pajara, that being the tempering of 1–10/9–5/4–7/5–14/9–7/4. The 1–5/4–14/9 part means that this chord must have 225/224 be tempered out. The interval between 7/4 and 10/9 (63/40 in JI) isn't a consonance even after marvel tempering, and since pajara maps it to 8/5 (and not any other consonance), the only option which pajara supports is to equate it to 8/5 by adding 64/63 to the essential tempering commas of that chord.
As for the others, I'm not quite sure. It would be better to complete the tables first, and remove the ones that don't exist.
Also, there's actually a tetrad in the 11-limit which is a plurichord, That being 7:9:10:11~1/(14:11:10:9).