12edt
12edt divides 3, the tritave, into 12 equal parts of 158.496 cents each, corresponding to 7.571 edo, and can be used as a generator chain for hemikleismic temperament. From a no-twos point of view, it tempers out 49/45 and 27/25 in the 7-limit, and 1331/1125 and 1331/1225 in the 11-limit.
Interval table
| Steps | Cents | Hekts | Approximate ratios |
|---|---|---|---|
| 0 | 0 | 0 | 1/1 |
| 1 | 158.5 | 108.3 | 21/19, 23/21 |
| 2 | 317 | 216.7 | 6/5, 13/11, 17/14, 23/19 |
| 3 | 475.5 | 325 | 17/13 |
| 4 | 634 | 433.3 | 13/9, 19/13 |
| 5 | 792.5 | 541.7 | 11/7, 14/9 |
| 6 | 951 | 650 | 19/11 |
| 7 | 1109.5 | 758.3 | 17/9, 21/11 |
| 8 | 1268 | 866.7 | 19/9, 23/11 |
| 9 | 1426.5 | 975 | |
| 10 | 1585 | 1083.3 | 5/2 |
| 11 | 1743.5 | 1191.7 | 19/7 |
| 12 | 1902 | 1300 | 3/1 |
Prime harmonics
| Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +68.0 | +0.0 | -22.6 | +66.6 | +68.0 | -40.4 | +45.4 | +0.0 | -23.9 | -30.4 | -22.6 |
| Relative (%) | +42.9 | +0.0 | -14.2 | +42.0 | +42.9 | -25.5 | +28.7 | +0.0 | -15.1 | -19.2 | -14.2 | |
| Steps (reduced) |
8 (8) |
12 (0) |
15 (3) |
18 (6) |
20 (8) |
21 (9) |
23 (11) |
24 (0) |
25 (1) |
26 (2) |
27 (3) | |
Scala file
! C:\Cakewalk\scales\tritave-in-12.scl ! 3/1 in 12 12 ! 158.49625 316.99250 475.48875 633.98500 792.48125 950.97750 1109.47375 1267.97000 1426.46625 1584.96250 1743.45875 3/1
Exactly analogous to meantone
In octave land, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup - ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen-Pierce) and 12edt handles the 2.3.5.13.17.19 -- AND! it is a multiple of 4edt which is the simplest BP equal temperament. Now, exactly analogous to meantone, in which (3/2)^4=5/1, here (17/9)^4=(19/10)^4=13/1, tempering out the 171/170, 85293/83521 and 130321/130000 commas. In fact, even the MOS pattern is the same for this higher limit meantone! Relish the sweet 9:13:17 and 20:27:38 chords.
Another example of a macrodiatonic scale is hyperpyth which is found in the fifth harmonic and is based on the 5:9:13:(17):(21) chord.