41edo chord names

Various 41edo chords, named via ups and downs. A comma is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven".

	vm3	m3	^m3	~3	vM3	M3	^M3	v4	P4	^4	~4
triad	Cvm	Cm	C^m	C~	Cv	C	C^	Cv4	C4	C^4	C~4
~6	Cvm~6	Cm~6	C^m~6	C~6	Cv,~6	C,~6	C^,~6	Cv4~6	C4~6	C^4~6	C~4~6
vM6	Cvm6	Cmv6	C^mv6	C~v6	Cv6	C,v6	C^v6	Cv4v6	C4v6	C^4v6	C~4v6
M6	Cvm,6	Cm6	C^m,6	C~,6	Cv,6	C6	C^,6	Cv4,6	C4,6	C^4,6	C~4,6
^M6	Cvm^6	Cm^6	C^m6	C~^6	Cv^6	C,^6	C^6	Cv4^6	C4^6	C^4^6	C~4^6
vm7	Cvm7	Cmv7	C^mv7	C~v7	Cv7	C,v7	C^v7	Cv4v7	C4v7	C^4v7	C~4v7
m7	Cvm,7	Cm7	C^m,7	C~,7	Cv,7	C7	C^,7	Cv4,7	C4,7	C^4,7	C~4,7
^m7	Cvm^7	Cm^7	C^m7	C~^7	Cv^7	C,^7	C^7	Cv4^7	C4^7	C^4^7	C~4^7
~7	Cvm~7	Cm~7	C^m~7	C~7	Cv,~7	C,~7	C^,~7	Cv4~7	C4~7	C^4~7	C~4~7
vM7	CvmvM7 (CvmM?)	CmvM7	C^mvM7	C~vM7	CvM7	C,vM7	C^vM7	Cv4vM7	C4vM7	C^4vM7	C~4vM7
M7	CvmM7	CmM7 (CmM?)	C^mM7	C~M7	Cv,M7	CM7	C^,M7	Cv4M7	C4M7	C^4M7	C~4M7
^M7	Cvm^M7	Cm^M7	C^m^M7 (C^mM?)	C~^M7	Cv^M7	C,^M7	C^M7	Cv4^M7	C4^M7	C^4^M7	C~4^M7

A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a Kite guitar by bending the upminor 3rd up slightly more than half a fret.