User:Moremajorthanmajor/7L 3s (15/7-equivalent)

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Lua error in Module:MOS at line 46: attempt to index local 'equave' (a nil value).

7L 3s refers to the structure of moment of symmetry scales built from a 10-tone chain of neutral or major thirds (assuming a period of an octave up to 10/9edo):

L s L L L s L L s L

Graham Breed has a page on his website dedicated to 7+3 scales. He proposes calling the large step "t" for "tone", lowercase because the large step is a narrow neutral tone, and the small step "q" for "quartertone", because the small step is often close to a quartertone. (Note that the small step is not a quartertone in every instance of 7+3, so do not take that "q" literally.) Thus we have:

t q t t t q t t q t

Names

This MOS is called Greater dicoid (from dicot, an exotemperament) in TAMNAMS.

Intervals

The generator (g) will fall between 343 cents (2\7 - two degrees of 7edo and 400 cents (3\9 - three degrees of 9edo), hence a neutral or major third.

2g, then, will fall between 686 cents (4\7) and 800 cents (2\3), the range of diatonic fifths.

The "large step" will fall between 171 cents (1\7) and 120 cents (1\10), ranging from a submajor second to a sinaic.

The "small step" will fall between 0 cents and 120 cents, sometimes sounding like a minor second, and sometimes sounding like a quartertone or smaller microtone.

The most frequent interval, then is the neutral third (and its inversion, the neutral sixth), followed by the perfect fourth and fifth. Thus, 7+3 combines the familiar sound of perfect fifths and fourths with the unfamiliar sounds of neutral intervals. They are compatible with Arabic and Turkish scales, but not with traditional Western ones.

Note: In TAMNAMS, a k-step interval class in dicoid may be called a "k-step", "k-mosstep", or "k-dicostep". 1-indexed terms such as "mos(k+1)th" are discouraged for non-diatonic mosses.

# generators up Notation (1/1 = 0) name In L's and s's # generators up Notation of 15/7 inverse name In L's and s's
The 10-note MOS has the following intervals (from some root):
0 0 perfect unison 0 0 0 perfect 10-step 7L+3s
1 7 perfect 7-step 5L+2s -1 3 perfect 3-step 2L+1s
2 4 major 4-step 3L+1s -2 6 minor 6-step 4L+2s
3 1 major (1-)step 1L -3 9v minor 9-step 6L+3s
4 8 major 8-step 6L+2s -4 2v minor 2-step 1L+1s
5 5 major 5-step 4L+1s -5 5v minor 5-step 3L+2s
6 2 major 2-step 2L -6 8v minor 8-step 5L+3s
7 9 major 9-step 7L+2s -7 1v minor (1-)step 1s
8 6^ major 6-step 5L+1s -8 4v minor 4-step 2L+2s
9 3^ augmented 3-step 3L -9 7v diminished 7-step 4L+3s
10 0^ augmented unison 1L-1s -10 0v diminished 10-step 6L+4s
11 7^ augmented 7-step 6L+1s -11 3v diminished 3-step 1L+2s
The chromatic 17-note MOS (either 7L 10s, 10L 7s, or 17edIX) also has the following intervals (from some root):
12 4^ augmented 4-step 4L -12 6v diminished 6-step 3L+3s
13 1^ augmented (1-)step 2L-1s -13 9w diminished 9-step 5L+4s
14 8^ augmented 8-step 8L+1s -14 2w diminished 2-step 2s
15 5^ augmented 5-step 5L -15 5w diminished 5-step 2L+3s
16 2^ augmented 2-step 3L-1s -16 8w diminished 8-step 4L+4s

Scale tree

The generator range reflects two extremes: one where L = s (3\10), and another where s = 0 (2\7). Between these extremes, there is an infinite continuum of possible generator sizes. By taking freshman sums of the two edges (adding the numerators, then adding the denominators), we can fill in this continuum with compatible edos, increasing in number of tones as we continue filling in the in-betweens. Thus, the smallest in-between edIX would be (3+2)\(10+7) = 5\17 – five degrees of 17edIX:

Generator Normalized Cents Śata L s L/s Comments
Chroma-positive Chroma-negative Chroma-positive Chroma-negative
7\10 933.333 400.000 1190.000 510.000 1 1 1.000
40\57 923.077 392.307 1192.982 507.018 6 5 1.200 Restles↑
73\104 922.105 391.579 1193.269 506.731 11 9 1.222
33\47 920.930 390.698 1193.617 506.383 5 4 1.250
59\84 919.481 389.610 1194.048 505.952 9 7 1.286
85\121 918.919 389.189 1194.215 505.785 13 10 1.000
26\37 917.647 388.235 1194.595 505.405 4 3 1.333
71\101 916.129 387.097 1195.050 504.950 11 8 1.375
45\64 915.254 386.441 1195.3125 504.6875 7 5 1.400 Beatles
64\91 914.286 385.714 1195.604 504.396 10 7 1.428
19\27 912.000 384.000 1196.296 503.704 3 2 1.500 L/s = 3/2, suhajira/ringo
126\179 910.843 383.133 1196.648 503.352 20 13 1.538
107\152 910.638 382.988 1196.711 503.289 17 11 1.545
88\125 910.345 382.759 1196.800 503.200 14 9 1.556
69\98 909.890 382.418 1196.938 503.062 11 7 1.571
50\71 909.091 381.818 1197.183 502.817 8 5 1.600
81\115 908.411 381.308 1197.391 502.609 13 8 1.625 Golden suhajira
31\44 907.317 380.489 1197.727 502.273 5 3 1.667
74\105 906.122 379.592 1198.095 501.905 12 7 1.714
43\61 905.263 378.947 1198.361 501.639 7 4 1.750
55\78 904.110 378.082 1198.561 501.439 9 5 1.800
67\95 903.371 377.528 1198.947 501.053 11 6 1.833
79\112 902.857 377.143 1199.107 500.803 13 7 1.857
91\129 902.479 376.860 1199.224 500.776 15 8 1.875
12\17 900.000 375.000 1200.000 500.000 2 1 2.000 Basic Greater dicoid
(Generators smaller than this are proper)
898.013 373.510 1200.625 499.375 19 9 2.111
897.778 373.333 1200.699 499.301 17 8 2.125
89\126 897.479 373.109 1200.793 499.207 15 7 2.143
77\109 897.087 372.816 1200.917 499.083 13 6 2.167
65\92 896.552 372.414 1201.087 498.913 11 5 2.200
53\75 895.775 371.831 1201.333 498.667 9 4 2.250
41\58 894.545 370.909 1201.724 498.276 7 3 2.333
70\99 893.617 370.213 1202.020 497.979 12 5 2.400 Hemif/hemififths
29\41 892.307 369.231 1202.439 497.561 5 2 2.500 Mohaha/neutrominant
75\106 891.089 368.317 1202.830 497.170 13 5 2.600 Hemif/salsa/karadeniz
46\65 890.322 367.742 1203.077 496.923 8 3 2.667 Mohaha/mohamaq
63\89 889.412 367.059 1203.371 496.629 11 4 2.750
80\113 888.889 366.667 1203.540 496.460 14 5 2.800
17\24 886.957 365.213 1204.167 495.833 3 1 3.000 L/s = 3/1
90\127 885.246 363.934 1204.724 495.276 16 5 3.200
73\103 884.848 363.636 1204.854 495.146 13 4 3.250
56\79 884.210 363.158 1205.063 494.937 10 3 3.333
39\55 883.018 362.264 1205.455 494.545 7 2 3.500
61\86 881.928 361.446 1205.814 494.186 11 3 3.667
22\31 880.000 360.000 1206.452 493.548 4 1 4.000 Mohaha/migration/mohajira
93\131 878.740 359.055 1206.870 493.130 17 4 4.250
71\100 878.351 358.762 1207.000 493.000 13 3 4.333
49\69 877.612 358.209 1207.246 492.754 9 2 4.500
76\107 876.923 357.692 1207.477 492.523 14 3 4.667
27\38 875.676 356.757 1207.895 492.105 5 1 5.000
59\83 874.074 355.556 1208.434 491.566 11 2 5.500
32\45 872.727 354.545 1208.889 491.111 6 1 6.000 Mohaha/ptolemy
5\7 857.143 342.857 1214.286 485.714 1 0 → inf

The scale produced by stacks of 5\17 is the 17edIX neutral scale. Between 11/38 and 16/55, with 9/31 in between, is the mohajira/mohaha/mohoho range, where mohaha and mohoho use the MOS as the chromatic scale of a chromatic pair.

Other compatible edIXs include: 37edIX, 27edIX, 44edIX, 41edIX, 24edIX, 31edIX.

You can also build this scale by stacking neutral thirds that are not members of edIXs – for instance, frequency ratios 11:9, 5:4, 21:17, 16:13 – or the square root of 3:2 or 11:7 (a bisected just perfect fifth or undecimal subminor sixth).

Rank-2 temperaments

7-note subsets

If you stop the chain at 7 tones, you have a heptatonic scale of the form 3L 4s:

L s s L s L s

The large steps here consist of t+s of the 10-tone system, and the small step is the same as t. Graham proposes calling the large step here T for "tone," uppercase because it is a wider tone than t. Thus, we have:

T t t T t T t

This scale (and its rotations) is not the only possible heptatonic scale. Graham also gives us:

T t t T t t T

which is not a complete moment of symmetry scale in itself, but a subset of one.

Tetrachordal structure

Due to the frequency of perfect fourths and fifths in this scale, it can also be analyzed as a tetrachordal scale. The perfect fourth can be traversed by 3 t's and a q, or 2 t's and a T.

I (  - Andrew Heathwaite) offer "a" to refer to a step of 2t (for "augmented second")

Thus, the possible tetrachords are:

T t t

t T t

t t T

a q t

a t q

t a q

t q a

q a t

q t a