Single-pitch tuning

From Xenharmonic Wiki
Revision as of 20:02, 11 January 2026 by Squib (talk | contribs) (In regular temperament theory: as a temperament of the empty subgroup)
Jump to navigation Jump to search
This page presents a topic of primarily mathematical interest.

While it is derived from sound mathematical principles, its applications in terms of utility for actual music may be limited, highly contrived, or as yet unknown.

Single-pitch tuning is a tuning system that contains only a single pitch, and no single interval above or below it. It contrasts 1edo because it does not even have octaves. It also contrasts unpitched tuning, where no recognizable pitches exist. Single-pitch tuning can be described in terms of various models of tuning.

In equal tunings

0edo 1edo →
Prime factorization n/a
Step size 0 ¢ 
Fifth 0\0 (0 ¢)
Semitones (A1:m2) 0:0 (0 ¢ : 0 ¢)
Consistency limit
Distinct consistency limit 1

Single-pitch tuning can be specified as 0 equal divisions of the octave (0edo), or 0 equal divisions of any finite interval.

The way to approach the idea of 0edo that leads to single-pitch tuning is to see what happens as n gets smaller in n-edo. At 1-edo you have one note per octave. At 0.5-edo you have 1/0.5 which is one note every two octaves. As n gets smaller, steps become sparser, and in the limit, the steps go to infinity and only one pitch is left. It is thus a degenerate case.

One musical application of 0edo is to use it with pure rhythm, or with change of timbre, though the latter can be disputed if harmonics are counted as distinct pitches. In the most purist sense, 0edo would be sonically similar to Morse code, only using one sinewave at a fixed frequency at different amplitudes with time.

An alternative interpretation is that given that n-edo means that you are dividing the octave into equal divisions with a logarithmic size of 1/n octaves, and that 1/0 is sometimes considered undefined, it would follow that 0edo would be similarly undefined and thus not a tuning system.

As a result of the step size of 0edo being infinite, the relative error of all intervals is zero.

In regular temperament theory

Single-pitch tuning corresponds to the regular temperament in any given subgroup where all primes in that subgroup are tempered out, resulting in a rank-0 temperament with no generator. The mapping for this is the 0-val, 0 0 … 0], or more precisely, the rank-0 matrix, [ ]. Since it maps all intervals to the same pitch, it tempers out all commas and is consistent in all limits.

Single-pitch tuning can also be considered a rank-0 temperament in the empty subgroup, which contains no primes. It tempers no commas and the pitch represents only the unison, so it is also empty-subgroup JI. (Tempering everything and tempering nothing are the same in this case, because there is nothing to temper.) This is closer to representing how single-pitch tuning is actually used, when it is used at all.

Both are examples of trivial temperaments.

Music

Cryptovolans, Reuben Gingrich
Elliott Carter
Herman Miller
No Clue Music
Chris Vaisvil