61edt
Harmonics
| Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | -15.2 | +0.0 | +0.8 | -11.3 | -15.2 | -1.4 | -14.3 | +0.0 | +4.7 | -4.4 | +0.8 | -13.0 | +14.6 | -11.3 | +1.7 | -9.8 | -15.2 | -15.2 |
| Relative (%) | -48.7 | +0.0 | +2.7 | -36.3 | -48.7 | -4.6 | -46.0 | +0.0 | +15.0 | -14.2 | +2.7 | -41.8 | +46.7 | -36.3 | +5.3 | -31.3 | -48.7 | -48.9 | |
| Steps (reduced) |
38 (38) |
61 (0) |
77 (16) |
89 (28) |
99 (38) |
108 (47) |
115 (54) |
122 (0) |
128 (6) |
133 (11) |
138 (16) |
142 (20) |
147 (25) |
150 (28) |
154 (32) |
157 (35) |
160 (38) |
163 (41) | |
61edt provides a good tuning of mintaka temperament in the 3.7.11 subgroup, and contains an intersection of it with Bohlen-Pierce-Stearns, despite the 5th harmonic being rather far from accurate. Notably, the octave is almost halfway in between steps, and therefore this system minimizes the prospect of a shimmering octave appearing, although it has a good 4th harmonic.
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