Pitch class: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Fredg999 (talk | contribs)
m Used Wikipedia template, misc. edits
Fredg999 (talk | contribs)
m Added 1 See also link, misc. edits
Line 6: Line 6:
In terms of frequencies expressed in [[Hertz]], assuming a base frequency for middle C of 262 Hz, this would be {... 65.5, 131, 262, 524, 1028 ...}. In terms of midi note numbers, we can write it as {... 36, 48, 60, 72, 84 ...}.
In terms of frequencies expressed in [[Hertz]], assuming a base frequency for middle C of 262 Hz, this would be {... 65.5, 131, 262, 524, 1028 ...}. In terms of midi note numbers, we can write it as {... 36, 48, 60, 72, 84 ...}.


In a [[nonoctave]] xenharmonic system, an interval other than the octave might be used to define equivalence. For example, in [[Bohlen-Pierce]] tuning and other [[edt|equal divisions per tritave]], all pitches separated by a whole number of tritaves (3/1) may be considered equivalent.
In a [[nonoctave]] xenharmonic system, an interval other than the octave might be used to define [[equivalence]]. For example, in [[Bohlen-Pierce]] tuning and other [[edt|equal divisions per tritave]], all pitches separated by a whole number of tritaves (3/1) may be considered equivalent.
 
== See also ==
* [[Periodic scale]]


[[Category:Theory]]
[[Category:Theory]]

Revision as of 15:31, 26 July 2022

English Wikipedia has an article on:

A pitch class is a set (equivalence class) of all pitches that are a whole number of octaves (2/1) apart, e.g., the pitch class C consists of the Cs in all octaves. Thus the pitch class "C" is the set

[math]\displaystyle{ {..., C_{-2}, C_{-1}, C_0, C_1, C_2 ...} }[/math]

In terms of frequencies expressed in Hertz, assuming a base frequency for middle C of 262 Hz, this would be {... 65.5, 131, 262, 524, 1028 ...}. In terms of midi note numbers, we can write it as {... 36, 48, 60, 72, 84 ...}.

In a nonoctave xenharmonic system, an interval other than the octave might be used to define equivalence. For example, in Bohlen-Pierce tuning and other equal divisions per tritave, all pitches separated by a whole number of tritaves (3/1) may be considered equivalent.

See also