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Wikispaces>TallKite **Imported revision 602955968 - Original comment: ** |
Wikispaces>TallKite **Imported revision 602956382 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-01-02 06: | : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-01-02 06:39:27 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>602956382</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=Intervals= | =Intervals= | ||
|| degree || solfege || cents || approximate ratios ||||= [[xenharmonic/Ups and Downs Notation|ups and downs ]][[xenharmonic/Ups and Downs Notation|notation]] || generator for || | || degree || solfege || cents || approximate ratios ||||||= [[xenharmonic/Ups and Downs Notation|ups and downs ]][[xenharmonic/Ups and Downs Notation|notation]] || generator for || | ||
|| 0 || do || 0.00 || 1/1 ||= P1 ||= D || || | || 0 || do || 0.00 || 1/1 ||= P1 ||= unison ||= D || || | ||
|| 1 || di || 22.64 || 81/80, 64/63, 50/49 ||= ^1 ||= D^ || || | || 1 || di || 22.64 || 81/80, 64/63, 50/49 ||= ^1 ||= up unison ||= D^ || || | ||
|| 2 || daw || 45.28 || 49/48, 36/35, 33/32, 128/125 ||= ^^1, vvm2 ||= D^^, Ebvv || [[xenharmonic/Quartonic|Quartonic]] || | || 2 || daw || 45.28 || 49/48, 36/35, 33/32, 128/125 ||= ^^1, | ||
|| 3 || ro || 67.92 || 27/26, 26/25, 25/24, 22/21 ||= vm2 ||= Ebv || || | vvm2 ||= double-up unison, | ||
|| 4 || rih || 90.57 || 21/20, 256/243 ||= m2 ||= Eb || || | double-down min 2nd ||= D^^, | ||
|| 5 || ra || 113.21 || 16/15, 15/14 ||= ^m2 ||= Eb^ || || | Ebvv || [[xenharmonic/Quartonic|Quartonic]] || | ||
|| 6 || ru || 135.85 || 14/13, 13/12, 27/25 ||= v~2 ||= Eb^^ || || | || 3 || ro || 67.92 || 27/26, 26/25, 25/24, 22/21 ||= vm2 ||= downminor 2nd ||= Ebv || || | ||
|| 7 || ruh || 158.49 || 12/11, 11/10, 800/729 ||= ^~2 ||= Evv || [[xenharmonic/Hemikleismic|Hemikleismic]] || | || 4 || rih || 90.57 || 21/20, 256/243 ||= m2 ||= minor 2nd ||= Eb || || | ||
|| 8 || reh || 181.13 || 10/9 ||= vM2 ||= Ev || || | || 5 || ra || 113.21 || 16/15, 15/14 ||= ^m2 ||= upminor 2nd ||= Eb^ || || | ||
|| 9 || re || 203.77 || 9/8 ||= M2 ||= E || || | || 6 || ru || 135.85 || 14/13, 13/12, 27/25 ||= v~2 ||= down-mid 2nd ||= Eb^^ || || | ||
|| 10 || ri || 226.42 || 8/7, 256/225 ||= ^M2 ||= E^ || || | || 7 || ruh || 158.49 || 12/11, 11/10, 800/729 ||= ^~2 ||= up-mid 2nd ||= Evv || [[xenharmonic/Hemikleismic|Hemikleismic]] || | ||
|| 11 || raw || 249.06 || 15/13, 144/125 ||= ^^M2, vvm3 ||= E^^, vvF || [[xenharmonic/Hemischis|Hemischis]] || | || 8 || reh || 181.13 || 10/9 ||= vM2 ||= downmajor 2nd ||= Ev || || | ||
|| 12 || ma || 271.70 || 7/6, 75/64 ||= vm3 ||= vF || [[xenharmonic/Orwell|Orwell]] || | || 9 || re || 203.77 || 9/8 ||= M2 ||= major 2nd ||= E || || | ||
|| 13 || meh || 294.34 || 13/11, 32/27 ||= m3 ||= F || || | || 10 || ri || 226.42 || 8/7, 256/225 ||= ^M2 ||= upmajor 2nd ||= E^ || || | ||
|| 14 || me || 316.98 || 6/5 ||= ^m3 ||= F^ || [[xenharmonic/Hanson|Hanson]]/[[xenharmonic/Catakleismic|Catakleismic]] || | || 11 || raw || 249.06 || 15/13, 144/125 ||= ^^M2, | ||
|| 15 || mu || 339.62 || 11/9, 243/200 ||= v~3 ||= F^^ || [[xenharmonic/Amity|Amity]]/[[xenharmonic/Hitchcock|Hitchcock]] || | vvm3 ||= double-up major 2nd, | ||
|| 16 || muh || 362.26 || 16/13, 100/81 ||= ^~3 ||= F#vv || || | double-down min 3rd ||= E^^, | ||
|| 17 || mi || 384.91 || 5/4 ||= vM3 ||= F#v || || | vvF || [[xenharmonic/Hemischis|Hemischis]] || | ||
|| 18 || maa || 407.55 || 81/64 ||= M3 ||= F# || || | || 12 || ma || 271.70 || 7/6, 75/64 ||= vm3 ||= downminor 3rd ||= vF || [[xenharmonic/Orwell|Orwell]] || | ||
|| 19 || mo || 430.19 || 9/7, 14/11 ||= ^M3 ||= F#^ || [[Hamity]] || | || 13 || meh || 294.34 || 13/11, 32/27 ||= m3 ||= minor 3rd ||= F || || | ||
|| 20 || maw || 452.83 || 13/10, 125/96 ||= ^^M3, | || 14 || me || 316.98 || 6/5 ||= ^m3 ||= upminor 3rd ||= F^ || [[xenharmonic/Hanson|Hanson]]/[[xenharmonic/Catakleismic|Catakleismic]] || | ||
|| 15 || mu || 339.62 || 11/9, 243/200 ||= v~3 ||= downmid 3rd ||= F^^ || [[xenharmonic/Amity|Amity]]/[[xenharmonic/Hitchcock|Hitchcock]] || | |||
|| 16 || muh || 362.26 || 16/13, 100/81 ||= ^~3 ||= upmid 3rd ||= F#vv || || | |||
|| 17 || mi || 384.91 || 5/4 ||= vM3 ||= downmajor 3rd ||= F#v || || | |||
|| 18 || maa || 407.55 || 81/64 ||= M3 ||= major 3rd ||= F# || || | |||
|| 19 || mo || 430.19 || 9/7, 14/11 ||= ^M3 ||= upmajor 3rd ||= F#^ || [[Hamity]] || | |||
|| 20 || maw || 452.83 || 13/10, 125/96 ||= ^^M3, | |||
vv4 ||= double-up major 3rd, | |||
double-down 4th ||= F#^^, | |||
Gvv || || | |||
|| 21 || fe || 475.47 || 21/16, 675/512, 320/243 ||= v4 ||= down 4th ||= Gv || [[xenharmonic/Vulture|Vulture]]/[[xenharmonic/Buzzard|Buzzard]] || | |||
|| 22 || fa || 498.11 || 4/3 ||= P4 ||= perfect 4th ||= G || || | |||
|| 23 || fih || 520.75 || 27/20 ||= ^4 ||= up 4th ||= G^ || || | |||
|| 24 || fu || 543.40 || 11/8, 15/11 ||= ^^4 ||= double-up 4th ||= G^^ || || | |||
|| 25 || fuh || 566.04 || 18/13 ||= vvA4, | |||
vd5 ||= double-down aug 4th, | |||
downdim 5th ||= G#vv, | |||
Abv || [[xenharmonic/Tricot|Tricot]] || | |||
|| 26 || fi || 588.68 || 7/5, 45/32 ||= vA4, | |||
d5 ||= downaug 4th, | |||
dim 5th ||= G#v, | |||
Ab || || | |||
|| 27 || se || 611.32 || 10/7, 64/45 ||= A4, | |||
^d5 ||= aug 4th, | |||
updim 5th ||= G#, | |||
Ab^ || || | |||
|| 28 || suh || 633.96 || 13/9 ||= ^A4, | |||
^^d5 ||= upaug 4th, | |||
double-up dim 5th ||= G#^, | |||
Ab^^ || || | |||
|| 29 || su || 656.60 || 16/11, 22/15 ||= vv5 ||= double-down 5th ||= Avv || || | |||
|| 30 || sih || 679.25 || 40/27 ||= v5 ||= down 5th ||= Av || || | |||
|| 31 || sol || 701.89 || 3/2 ||= P5 ||= perfect 5th ||= A || [[xenharmonic/Helmholtz|Helmholtz]]/[[xenharmonic/Garibaldi|Garibaldi]] || | |||
|| 32 || si || 724.53 || 32/21, 243/160, 1024/675 ||= ^5 ||= up 5th ||= A^ || || | |||
|| 33 || saw || 747.17 || 20/13, 192/125 ||= ^^5, | |||
vvm6 ||= double-up 5th, | |||
double-down minor 6th ||= A^^, | |||
Bbvv || || | |||
|| 34 || lo || 769.81 || 14/9, 25/16, 11/7 ||= vm6 ||= downminor 6th ||= Bbv || || | |||
|| 35 || leh || 792.45 || 128/81 ||= m6 ||= minor 6th ||= Bb || || | |||
|| 36 || le || 815.09 || 8/5 ||= ^m6 ||= upminor 6th ||= Bb^ || || | |||
|| 37 || lu || 837.74 || 13/8, 81/50 ||= v~6 ||= downmid 6th ||= Bb^^ || || | |||
|| 38 || luh || 860.38 || 18/11, 400/243 ||= ^~6 ||= upmid 6th ||= Bvv || || | |||
|| 39 || la || 883.02 || 5/3 ||= vM6 ||= downmajor 6th ||= Bv || || | |||
|| 40 || laa || 905.66 || 22/13, 27/16 ||= M6 ||= major 6th ||= B || || | |||
|| 41 || lo || 928.30 || 12/7 ||= ^M6 ||= upmajor 6th ||= B^ || || | |||
|| 42 || law || 950.94 || 26/15, 125/72 ||= ^^M6 | |||
vvm7 ||= double-up major 6th, | |||
double-down minor 7th ||= B^^, | |||
Cvv || || | |||
|| 43 || ta || 973.58 || 7/4 ||= vm7 ||= downminor 7th ||= Cv || || | |||
|| 44 || teh || 996.23 || 16/9 ||= m7 ||= minor 7th ||= C || || | |||
|| 45 || te || 1018.87 || 9/5 ||= ^m7 ||= upminor 7th ||= C^ || || | |||
|| 46 || tu || 1041.51 || 11/6, 20/11, 729/400 ||= v~7 ||= downmid 7th ||= C^^ || || | |||
|| 47 || tuh || 1064.15 || 13/7, 24/13, 50/27 ||= ^~7 ||= upmid 7th ||= C#vv || || | |||
|| 48 || ti || 1086.79 || 15/8 ||= vM7 ||= downmajor 7th ||= C#v || || | |||
|| 49 || tih || 1109.43 || 40/21, 243/128 ||= M7 ||= major 7th ||= C# || || | |||
|| 50 || to || 1132.08 || 48/25, 27/14 ||= ^M7 ||= upmajor 7th ||= C#^ || || | |||
|| 51 || taw || 1154.72 || 125/64 ||= ^^M7, | |||
vv8 ||= double-up major 7th, | |||
double-down 8ve ||= C#^^, | |||
Dvv || || | |||
|| 52 || da || 1177.36 || 160/81 ||= v8 ||= down 8ve ||= Dv || || | |||
|| 53 || do || 1200 || 2/1 ||= P8 ||= perfect 8ve ||= D || || | |||
The distance from C to C# is 5 keys or frets or EDOsteps, and one up equals one fifth of a sharp. Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[xenharmonic/Ups and Downs Notation#Chord%20names%20in%20other%20EDOs|Ups and Downs Notation - Chord names in other EDOs]]. | |||
=Compositions= | =Compositions= | ||
Line 215: | Line 249: | ||
<td>approximate ratios<br /> | <td>approximate ratios<br /> | ||
</td> | </td> | ||
<td colspan=" | <td colspan="3" style="text-align: center;"><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation">ups and downs </a><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation">notation</a><br /> | ||
</td> | </td> | ||
<td>generator for<br /> | <td>generator for<br /> | ||
Line 230: | Line 264: | ||
</td> | </td> | ||
<td style="text-align: center;">P1<br /> | <td style="text-align: center;">P1<br /> | ||
</td> | |||
<td style="text-align: center;">unison<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">D<br /> | <td style="text-align: center;">D<br /> | ||
Line 246: | Line 282: | ||
</td> | </td> | ||
<td style="text-align: center;">^1<br /> | <td style="text-align: center;">^1<br /> | ||
</td> | |||
<td style="text-align: center;">up unison<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">D^<br /> | <td style="text-align: center;">D^<br /> | ||
Line 261: | Line 299: | ||
<td>49/48, 36/35, 33/32, 128/125<br /> | <td>49/48, 36/35, 33/32, 128/125<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^^1, vvm2<br /> | <td style="text-align: center;">^^1, <br /> | ||
vvm2<br /> | |||
</td> | |||
<td style="text-align: center;">double-up unison,<br /> | |||
double-down min 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">D^^, Ebvv<br /> | <td style="text-align: center;">D^^,<br /> | ||
Ebvv<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Quartonic">Quartonic</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Quartonic">Quartonic</a><br /> | ||
Line 278: | Line 321: | ||
</td> | </td> | ||
<td style="text-align: center;">vm2<br /> | <td style="text-align: center;">vm2<br /> | ||
</td> | |||
<td style="text-align: center;">downminor 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Ebv<br /> | <td style="text-align: center;">Ebv<br /> | ||
Line 294: | Line 339: | ||
</td> | </td> | ||
<td style="text-align: center;">m2<br /> | <td style="text-align: center;">m2<br /> | ||
</td> | |||
<td style="text-align: center;">minor 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Eb<br /> | <td style="text-align: center;">Eb<br /> | ||
Line 310: | Line 357: | ||
</td> | </td> | ||
<td style="text-align: center;">^m2<br /> | <td style="text-align: center;">^m2<br /> | ||
</td> | |||
<td style="text-align: center;">upminor 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Eb^<br /> | <td style="text-align: center;">Eb^<br /> | ||
Line 326: | Line 375: | ||
</td> | </td> | ||
<td style="text-align: center;">v~2<br /> | <td style="text-align: center;">v~2<br /> | ||
</td> | |||
<td style="text-align: center;">down-mid 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Eb^^<br /> | <td style="text-align: center;">Eb^^<br /> | ||
Line 342: | Line 393: | ||
</td> | </td> | ||
<td style="text-align: center;">^~2<br /> | <td style="text-align: center;">^~2<br /> | ||
</td> | |||
<td style="text-align: center;">up-mid 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Evv<br /> | <td style="text-align: center;">Evv<br /> | ||
Line 358: | Line 411: | ||
</td> | </td> | ||
<td style="text-align: center;">vM2<br /> | <td style="text-align: center;">vM2<br /> | ||
</td> | |||
<td style="text-align: center;">downmajor 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Ev<br /> | <td style="text-align: center;">Ev<br /> | ||
Line 374: | Line 429: | ||
</td> | </td> | ||
<td style="text-align: center;">M2<br /> | <td style="text-align: center;">M2<br /> | ||
</td> | |||
<td style="text-align: center;">major 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">E<br /> | <td style="text-align: center;">E<br /> | ||
Line 390: | Line 447: | ||
</td> | </td> | ||
<td style="text-align: center;">^M2<br /> | <td style="text-align: center;">^M2<br /> | ||
</td> | |||
<td style="text-align: center;">upmajor 2nd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">E^<br /> | <td style="text-align: center;">E^<br /> | ||
Line 405: | Line 464: | ||
<td>15/13, 144/125<br /> | <td>15/13, 144/125<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^^M2, vvm3<br /> | <td style="text-align: center;">^^M2,<br /> | ||
vvm3<br /> | |||
</td> | |||
<td style="text-align: center;">double-up major 2nd,<br /> | |||
double-down min 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">E^^, vvF<br /> | <td style="text-align: center;">E^^,<br /> | ||
vvF<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Hemischis">Hemischis</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Hemischis">Hemischis</a><br /> | ||
Line 422: | Line 486: | ||
</td> | </td> | ||
<td style="text-align: center;">vm3<br /> | <td style="text-align: center;">vm3<br /> | ||
</td> | |||
<td style="text-align: center;">downminor 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">vF<br /> | <td style="text-align: center;">vF<br /> | ||
Line 438: | Line 504: | ||
</td> | </td> | ||
<td style="text-align: center;">m3<br /> | <td style="text-align: center;">m3<br /> | ||
</td> | |||
<td style="text-align: center;">minor 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F<br /> | <td style="text-align: center;">F<br /> | ||
Line 454: | Line 522: | ||
</td> | </td> | ||
<td style="text-align: center;">^m3<br /> | <td style="text-align: center;">^m3<br /> | ||
</td> | |||
<td style="text-align: center;">upminor 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F^<br /> | <td style="text-align: center;">F^<br /> | ||
Line 470: | Line 540: | ||
</td> | </td> | ||
<td style="text-align: center;">v~3<br /> | <td style="text-align: center;">v~3<br /> | ||
</td> | |||
<td style="text-align: center;">downmid 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F^^<br /> | <td style="text-align: center;">F^^<br /> | ||
Line 486: | Line 558: | ||
</td> | </td> | ||
<td style="text-align: center;">^~3<br /> | <td style="text-align: center;">^~3<br /> | ||
</td> | |||
<td style="text-align: center;">upmid 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F#vv<br /> | <td style="text-align: center;">F#vv<br /> | ||
Line 502: | Line 576: | ||
</td> | </td> | ||
<td style="text-align: center;">vM3<br /> | <td style="text-align: center;">vM3<br /> | ||
</td> | |||
<td style="text-align: center;">downmajor 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F#v<br /> | <td style="text-align: center;">F#v<br /> | ||
Line 518: | Line 594: | ||
</td> | </td> | ||
<td style="text-align: center;">M3<br /> | <td style="text-align: center;">M3<br /> | ||
</td> | |||
<td style="text-align: center;">major 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F#<br /> | <td style="text-align: center;">F#<br /> | ||
Line 534: | Line 612: | ||
</td> | </td> | ||
<td style="text-align: center;">^M3<br /> | <td style="text-align: center;">^M3<br /> | ||
</td> | |||
<td style="text-align: center;">upmajor 3rd<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F#^<br /> | <td style="text-align: center;">F#^<br /> | ||
Line 549: | Line 629: | ||
<td>13/10, 125/96<br /> | <td>13/10, 125/96<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^^M3, vv4<br /> | <td style="text-align: center;">^^M3,<br /> | ||
<br /> | |||
vv4<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">F#^^, Gvv<br /> | <td style="text-align: center;">double-up major 3rd,<br /> | ||
double-down 4th<br /> | |||
</td> | |||
<td style="text-align: center;">F#^^,<br /> | |||
Gvv<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 566: | Line 652: | ||
</td> | </td> | ||
<td style="text-align: center;">v4<br /> | <td style="text-align: center;">v4<br /> | ||
</td> | |||
<td style="text-align: center;">down 4th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Gv<br /> | <td style="text-align: center;">Gv<br /> | ||
Line 582: | Line 670: | ||
</td> | </td> | ||
<td style="text-align: center;">P4<br /> | <td style="text-align: center;">P4<br /> | ||
</td> | |||
<td style="text-align: center;">perfect 4th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G<br /> | <td style="text-align: center;">G<br /> | ||
Line 598: | Line 688: | ||
</td> | </td> | ||
<td style="text-align: center;">^4<br /> | <td style="text-align: center;">^4<br /> | ||
</td> | |||
<td style="text-align: center;">up 4th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G^<br /> | <td style="text-align: center;">G^<br /> | ||
Line 614: | Line 706: | ||
</td> | </td> | ||
<td style="text-align: center;">^^4<br /> | <td style="text-align: center;">^^4<br /> | ||
</td> | |||
<td style="text-align: center;">double-up 4th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G^^<br /> | <td style="text-align: center;">G^^<br /> | ||
Line 629: | Line 723: | ||
<td>18/13<br /> | <td>18/13<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">vvA4, vd5<br /> | <td style="text-align: center;">vvA4,<br /> | ||
vd5<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G#vv, Abv<br /> | <td style="text-align: center;">double-down aug 4th, <br /> | ||
downdim 5th<br /> | |||
</td> | |||
<td style="text-align: center;">G#vv,<br /> | |||
Abv<br /> | |||
</td> | </td> | ||
<td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Tricot">Tricot</a><br /> | <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Tricot">Tricot</a><br /> | ||
Line 645: | Line 744: | ||
<td>7/5, 45/32<br /> | <td>7/5, 45/32<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">vA4, d5<br /> | <td style="text-align: center;">vA4,<br /> | ||
d5<br /> | |||
</td> | |||
<td style="text-align: center;">downaug 4th,<br /> | |||
dim 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G#v, Ab<br /> | <td style="text-align: center;">G#v,<br /> | ||
Ab<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 661: | Line 765: | ||
<td>10/7, 64/45<br /> | <td>10/7, 64/45<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">A4, ^d5<br /> | <td style="text-align: center;">A4,<br /> | ||
^d5<br /> | |||
</td> | |||
<td style="text-align: center;">aug 4th,<br /> | |||
updim 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G#, Ab^<br /> | <td style="text-align: center;">G#,<br /> | ||
Ab^<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 677: | Line 786: | ||
<td>13/9<br /> | <td>13/9<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^A4, ^^d5<br /> | <td style="text-align: center;">^A4,<br /> | ||
<br /> | |||
^^d5<br /> | |||
</td> | |||
<td style="text-align: center;">upaug 4th,<br /> | |||
double-up dim 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">G#^, Ab^^<br /> | <td style="text-align: center;">G#^,<br /> | ||
Ab^^<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 694: | Line 809: | ||
</td> | </td> | ||
<td style="text-align: center;">vv5<br /> | <td style="text-align: center;">vv5<br /> | ||
</td> | |||
<td style="text-align: center;">double-down 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Avv<br /> | <td style="text-align: center;">Avv<br /> | ||
Line 710: | Line 827: | ||
</td> | </td> | ||
<td style="text-align: center;">v5<br /> | <td style="text-align: center;">v5<br /> | ||
</td> | |||
<td style="text-align: center;">down 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Av<br /> | <td style="text-align: center;">Av<br /> | ||
Line 726: | Line 845: | ||
</td> | </td> | ||
<td style="text-align: center;">P5<br /> | <td style="text-align: center;">P5<br /> | ||
</td> | |||
<td style="text-align: center;">perfect 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">A<br /> | <td style="text-align: center;">A<br /> | ||
Line 742: | Line 863: | ||
</td> | </td> | ||
<td style="text-align: center;">^5<br /> | <td style="text-align: center;">^5<br /> | ||
</td> | |||
<td style="text-align: center;">up 5th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">A^<br /> | <td style="text-align: center;">A^<br /> | ||
Line 757: | Line 880: | ||
<td>20/13, 192/125<br /> | <td>20/13, 192/125<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^^5, vvm6<br /> | <td style="text-align: center;">^^5,<br /> | ||
<br /> | |||
vvm6<br /> | |||
</td> | |||
<td style="text-align: center;">double-up 5th,<br /> | |||
double-down minor 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">A^^, Bbvv<br /> | <td style="text-align: center;">A^^,<br /> | ||
Bbvv<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 774: | Line 903: | ||
</td> | </td> | ||
<td style="text-align: center;">vm6<br /> | <td style="text-align: center;">vm6<br /> | ||
</td> | |||
<td style="text-align: center;">downminor 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Bbv<br /> | <td style="text-align: center;">Bbv<br /> | ||
Line 790: | Line 921: | ||
</td> | </td> | ||
<td style="text-align: center;">m6<br /> | <td style="text-align: center;">m6<br /> | ||
</td> | |||
<td style="text-align: center;">minor 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Bb<br /> | <td style="text-align: center;">Bb<br /> | ||
Line 806: | Line 939: | ||
</td> | </td> | ||
<td style="text-align: center;">^m6<br /> | <td style="text-align: center;">^m6<br /> | ||
</td> | |||
<td style="text-align: center;">upminor 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Bb^<br /> | <td style="text-align: center;">Bb^<br /> | ||
Line 822: | Line 957: | ||
</td> | </td> | ||
<td style="text-align: center;">v~6<br /> | <td style="text-align: center;">v~6<br /> | ||
</td> | |||
<td style="text-align: center;">downmid 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Bb^^<br /> | <td style="text-align: center;">Bb^^<br /> | ||
Line 838: | Line 975: | ||
</td> | </td> | ||
<td style="text-align: center;">^~6<br /> | <td style="text-align: center;">^~6<br /> | ||
</td> | |||
<td style="text-align: center;">upmid 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Bvv<br /> | <td style="text-align: center;">Bvv<br /> | ||
Line 854: | Line 993: | ||
</td> | </td> | ||
<td style="text-align: center;">vM6<br /> | <td style="text-align: center;">vM6<br /> | ||
</td> | |||
<td style="text-align: center;">downmajor 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Bv<br /> | <td style="text-align: center;">Bv<br /> | ||
Line 870: | Line 1,011: | ||
</td> | </td> | ||
<td style="text-align: center;">M6<br /> | <td style="text-align: center;">M6<br /> | ||
</td> | |||
<td style="text-align: center;">major 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">B<br /> | <td style="text-align: center;">B<br /> | ||
Line 886: | Line 1,029: | ||
</td> | </td> | ||
<td style="text-align: center;">^M6<br /> | <td style="text-align: center;">^M6<br /> | ||
</td> | |||
<td style="text-align: center;">upmajor 6th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">B^<br /> | <td style="text-align: center;">B^<br /> | ||
Line 901: | Line 1,046: | ||
<td>26/15, 125/72<br /> | <td>26/15, 125/72<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^^M6, | <td style="text-align: center;">^^M6 <br /> | ||
vvm7<br /> | |||
</td> | |||
<td style="text-align: center;">double-up major 6th,<br /> | |||
double-down minor 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">B^^, Cvv<br /> | <td style="text-align: center;">B^^,<br /> | ||
Cvv<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 918: | Line 1,068: | ||
</td> | </td> | ||
<td style="text-align: center;">vm7<br /> | <td style="text-align: center;">vm7<br /> | ||
</td> | |||
<td style="text-align: center;">downminor 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Cv<br /> | <td style="text-align: center;">Cv<br /> | ||
Line 934: | Line 1,086: | ||
</td> | </td> | ||
<td style="text-align: center;">m7<br /> | <td style="text-align: center;">m7<br /> | ||
</td> | |||
<td style="text-align: center;">minor 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C<br /> | <td style="text-align: center;">C<br /> | ||
Line 950: | Line 1,104: | ||
</td> | </td> | ||
<td style="text-align: center;">^m7<br /> | <td style="text-align: center;">^m7<br /> | ||
</td> | |||
<td style="text-align: center;">upminor 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C^<br /> | <td style="text-align: center;">C^<br /> | ||
Line 966: | Line 1,122: | ||
</td> | </td> | ||
<td style="text-align: center;">v~7<br /> | <td style="text-align: center;">v~7<br /> | ||
</td> | |||
<td style="text-align: center;">downmid 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C^^<br /> | <td style="text-align: center;">C^^<br /> | ||
Line 982: | Line 1,140: | ||
</td> | </td> | ||
<td style="text-align: center;">^~7<br /> | <td style="text-align: center;">^~7<br /> | ||
</td> | |||
<td style="text-align: center;">upmid 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C#vv<br /> | <td style="text-align: center;">C#vv<br /> | ||
Line 998: | Line 1,158: | ||
</td> | </td> | ||
<td style="text-align: center;">vM7<br /> | <td style="text-align: center;">vM7<br /> | ||
</td> | |||
<td style="text-align: center;">downmajor 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C#v<br /> | <td style="text-align: center;">C#v<br /> | ||
Line 1,014: | Line 1,176: | ||
</td> | </td> | ||
<td style="text-align: center;">M7<br /> | <td style="text-align: center;">M7<br /> | ||
</td> | |||
<td style="text-align: center;">major 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C#<br /> | <td style="text-align: center;">C#<br /> | ||
Line 1,030: | Line 1,194: | ||
</td> | </td> | ||
<td style="text-align: center;">^M7<br /> | <td style="text-align: center;">^M7<br /> | ||
</td> | |||
<td style="text-align: center;">upmajor 7th<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C#^<br /> | <td style="text-align: center;">C#^<br /> | ||
Line 1,045: | Line 1,211: | ||
<td>125/64<br /> | <td>125/64<br /> | ||
</td> | </td> | ||
<td style="text-align: center;">^^M7, vv8<br /> | <td style="text-align: center;">^^M7,<br /> | ||
<br /> | |||
vv8<br /> | |||
</td> | |||
<td style="text-align: center;">double-up major 7th,<br /> | |||
double-down 8ve<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">C#^^, Dvv<br /> | <td style="text-align: center;">C#^^,<br /> | ||
Dvv<br /> | |||
</td> | </td> | ||
<td><br /> | <td><br /> | ||
Line 1,062: | Line 1,234: | ||
</td> | </td> | ||
<td style="text-align: center;">v8<br /> | <td style="text-align: center;">v8<br /> | ||
</td> | |||
<td style="text-align: center;">down 8ve<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">Dv<br /> | <td style="text-align: center;">Dv<br /> | ||
Line 1,078: | Line 1,252: | ||
</td> | </td> | ||
<td style="text-align: center;">P8<br /> | <td style="text-align: center;">P8<br /> | ||
</td> | |||
<td style="text-align: center;">perfect 8ve<br /> | |||
</td> | </td> | ||
<td style="text-align: center;">D<br /> | <td style="text-align: center;">D<br /> | ||
Line 1,086: | Line 1,262: | ||
</table> | </table> | ||
<br /> | The distance from C to C# is 5 keys or frets or EDOsteps, and one up equals one fifth of a sharp. Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation#Chord%20names%20in%20other%20EDOs">Ups and Downs Notation - Chord names in other EDOs</a>.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:8:&lt;h1&gt; --><h1 id="toc4"><a name="Compositions"></a><!-- ws:end:WikiTextHeadingRule:8 -->Compositions</h1> | <!-- ws:start:WikiTextHeadingRule:8:&lt;h1&gt; --><h1 id="toc4"><a name="Compositions"></a><!-- ws:end:WikiTextHeadingRule:8 -->Compositions</h1> |
Revision as of 06:39, 2 January 2017
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[[toc|flat]] <span style="display: block; text-align: right;">Other languages: [[xenharmonie/53edo|Deutsch]] </span> =Theory= The famous //53 equal division// divides the octave into 53 equal comma-sized parts of 22.642 cents each. It is notable as a [[xenharmonic/5-limit|5-limit]] system, a fact apparently first noted by Isaac Newton, tempering out the schisma, 32805/32768, the kleisma, 15625/15552, the amity comma, 1600000/1594323 and the semicomma, 2109375/2097152. In the 7-limit it tempers out 225/224, 1728/1715 and 3125/3087, the marvel comma, the gariboh, and the orwell comma. In the 11-limit, it tempers out 99/98 and 121/120, and is the [[xenharmonic/optimal patent val|optimal patent val]] for [[xenharmonic/Nuwell family|Big Brother]] temperament, which tempers out both, as well as 11-limit [[xenharmonic/Semicomma family|orwell temperament]], which also tempers out the 11-limit comma 176/175. In the 13-limit, it tempers out 169/168 and 245/243, and gives the optimal patent val for [[xenharmonic/Marvel family|athene temperament]]. It is the eighth [[xenharmonic/The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta integral edo]] and the 16th [[xenharmonic/prime numbers|prime]] edo, following [[xenharmonic/47edo|47edo]] and coming before [[xenharmonic/59edo|59edo]]. 53EDO has also found a certain dissemination as an EDO tuning for [[Arabic, Turkish, Persian|Arabic/Turkish/Persian music]]. It can also be treated as a no-elevens, no-seventeens tuning, on which it is consistent all the way up to the 21-limit. [[http://en.wikipedia.org/wiki/53_equal_temperament|Wikipeda article about 53edo]] =Linear temperaments= [[List of edo-distinct 53et rank two temperaments]] =Just Approximation= 53edo provides excellent approximations for the classic 5-limit [[xenharmonic/just|just]] chords and scales, such as the Ptolemy-Zarlino "just major" scale. ||~ interval ||~ ratio ||~ size ||~ difference || || perfect fifth || 3/2 ||= 31 || −0.07 cents || || major third || 5/4 ||= 17 || −1.40 cents || || minor third || 6/5 ||= 14 || +1.34 cents || || major tone || 9/8 ||= 9 || −0.14 cents || || minor tone || 10/9 ||= 8 || −1.27 cents || || diat. semitone || 16/15 ||= 5 || +1.48 cents || One notable property of 53EDO is that it offers good approximations for both pure and pythagorean major thirds. The perfect fifth is almost perfectly equal to the just interval 3/2, with only a 0.07 cent difference! 53EDO is practically equal to an extended Pythagorean. The 14- and 17- degree intervals are also very close to 6/5 and 5/4 respectively, and so 5-limit tuning can also be closely approximated. In addition, the 43-degree interval is only 4.8 cents away from the just ratio 7/4, so 53EDO can also be used for 7-limit harmony, tempering out the [[xenharmonic/septimal kleisma|septimal kleisma]], 225/224. =Intervals= || degree || solfege || cents || approximate ratios ||||||= [[xenharmonic/Ups and Downs Notation|ups and downs ]][[xenharmonic/Ups and Downs Notation|notation]] || generator for || || 0 || do || 0.00 || 1/1 ||= P1 ||= unison ||= D || || || 1 || di || 22.64 || 81/80, 64/63, 50/49 ||= ^1 ||= up unison ||= D^ || || || 2 || daw || 45.28 || 49/48, 36/35, 33/32, 128/125 ||= ^^1, vvm2 ||= double-up unison, double-down min 2nd ||= D^^, Ebvv || [[xenharmonic/Quartonic|Quartonic]] || || 3 || ro || 67.92 || 27/26, 26/25, 25/24, 22/21 ||= vm2 ||= downminor 2nd ||= Ebv || || || 4 || rih || 90.57 || 21/20, 256/243 ||= m2 ||= minor 2nd ||= Eb || || || 5 || ra || 113.21 || 16/15, 15/14 ||= ^m2 ||= upminor 2nd ||= Eb^ || || || 6 || ru || 135.85 || 14/13, 13/12, 27/25 ||= v~2 ||= down-mid 2nd ||= Eb^^ || || || 7 || ruh || 158.49 || 12/11, 11/10, 800/729 ||= ^~2 ||= up-mid 2nd ||= Evv || [[xenharmonic/Hemikleismic|Hemikleismic]] || || 8 || reh || 181.13 || 10/9 ||= vM2 ||= downmajor 2nd ||= Ev || || || 9 || re || 203.77 || 9/8 ||= M2 ||= major 2nd ||= E || || || 10 || ri || 226.42 || 8/7, 256/225 ||= ^M2 ||= upmajor 2nd ||= E^ || || || 11 || raw || 249.06 || 15/13, 144/125 ||= ^^M2, vvm3 ||= double-up major 2nd, double-down min 3rd ||= E^^, vvF || [[xenharmonic/Hemischis|Hemischis]] || || 12 || ma || 271.70 || 7/6, 75/64 ||= vm3 ||= downminor 3rd ||= vF || [[xenharmonic/Orwell|Orwell]] || || 13 || meh || 294.34 || 13/11, 32/27 ||= m3 ||= minor 3rd ||= F || || || 14 || me || 316.98 || 6/5 ||= ^m3 ||= upminor 3rd ||= F^ || [[xenharmonic/Hanson|Hanson]]/[[xenharmonic/Catakleismic|Catakleismic]] || || 15 || mu || 339.62 || 11/9, 243/200 ||= v~3 ||= downmid 3rd ||= F^^ || [[xenharmonic/Amity|Amity]]/[[xenharmonic/Hitchcock|Hitchcock]] || || 16 || muh || 362.26 || 16/13, 100/81 ||= ^~3 ||= upmid 3rd ||= F#vv || || || 17 || mi || 384.91 || 5/4 ||= vM3 ||= downmajor 3rd ||= F#v || || || 18 || maa || 407.55 || 81/64 ||= M3 ||= major 3rd ||= F# || || || 19 || mo || 430.19 || 9/7, 14/11 ||= ^M3 ||= upmajor 3rd ||= F#^ || [[Hamity]] || || 20 || maw || 452.83 || 13/10, 125/96 ||= ^^M3, vv4 ||= double-up major 3rd, double-down 4th ||= F#^^, Gvv || || || 21 || fe || 475.47 || 21/16, 675/512, 320/243 ||= v4 ||= down 4th ||= Gv || [[xenharmonic/Vulture|Vulture]]/[[xenharmonic/Buzzard|Buzzard]] || || 22 || fa || 498.11 || 4/3 ||= P4 ||= perfect 4th ||= G || || || 23 || fih || 520.75 || 27/20 ||= ^4 ||= up 4th ||= G^ || || || 24 || fu || 543.40 || 11/8, 15/11 ||= ^^4 ||= double-up 4th ||= G^^ || || || 25 || fuh || 566.04 || 18/13 ||= vvA4, vd5 ||= double-down aug 4th, downdim 5th ||= G#vv, Abv || [[xenharmonic/Tricot|Tricot]] || || 26 || fi || 588.68 || 7/5, 45/32 ||= vA4, d5 ||= downaug 4th, dim 5th ||= G#v, Ab || || || 27 || se || 611.32 || 10/7, 64/45 ||= A4, ^d5 ||= aug 4th, updim 5th ||= G#, Ab^ || || || 28 || suh || 633.96 || 13/9 ||= ^A4, ^^d5 ||= upaug 4th, double-up dim 5th ||= G#^, Ab^^ || || || 29 || su || 656.60 || 16/11, 22/15 ||= vv5 ||= double-down 5th ||= Avv || || || 30 || sih || 679.25 || 40/27 ||= v5 ||= down 5th ||= Av || || || 31 || sol || 701.89 || 3/2 ||= P5 ||= perfect 5th ||= A || [[xenharmonic/Helmholtz|Helmholtz]]/[[xenharmonic/Garibaldi|Garibaldi]] || || 32 || si || 724.53 || 32/21, 243/160, 1024/675 ||= ^5 ||= up 5th ||= A^ || || || 33 || saw || 747.17 || 20/13, 192/125 ||= ^^5, vvm6 ||= double-up 5th, double-down minor 6th ||= A^^, Bbvv || || || 34 || lo || 769.81 || 14/9, 25/16, 11/7 ||= vm6 ||= downminor 6th ||= Bbv || || || 35 || leh || 792.45 || 128/81 ||= m6 ||= minor 6th ||= Bb || || || 36 || le || 815.09 || 8/5 ||= ^m6 ||= upminor 6th ||= Bb^ || || || 37 || lu || 837.74 || 13/8, 81/50 ||= v~6 ||= downmid 6th ||= Bb^^ || || || 38 || luh || 860.38 || 18/11, 400/243 ||= ^~6 ||= upmid 6th ||= Bvv || || || 39 || la || 883.02 || 5/3 ||= vM6 ||= downmajor 6th ||= Bv || || || 40 || laa || 905.66 || 22/13, 27/16 ||= M6 ||= major 6th ||= B || || || 41 || lo || 928.30 || 12/7 ||= ^M6 ||= upmajor 6th ||= B^ || || || 42 || law || 950.94 || 26/15, 125/72 ||= ^^M6 vvm7 ||= double-up major 6th, double-down minor 7th ||= B^^, Cvv || || || 43 || ta || 973.58 || 7/4 ||= vm7 ||= downminor 7th ||= Cv || || || 44 || teh || 996.23 || 16/9 ||= m7 ||= minor 7th ||= C || || || 45 || te || 1018.87 || 9/5 ||= ^m7 ||= upminor 7th ||= C^ || || || 46 || tu || 1041.51 || 11/6, 20/11, 729/400 ||= v~7 ||= downmid 7th ||= C^^ || || || 47 || tuh || 1064.15 || 13/7, 24/13, 50/27 ||= ^~7 ||= upmid 7th ||= C#vv || || || 48 || ti || 1086.79 || 15/8 ||= vM7 ||= downmajor 7th ||= C#v || || || 49 || tih || 1109.43 || 40/21, 243/128 ||= M7 ||= major 7th ||= C# || || || 50 || to || 1132.08 || 48/25, 27/14 ||= ^M7 ||= upmajor 7th ||= C#^ || || || 51 || taw || 1154.72 || 125/64 ||= ^^M7, vv8 ||= double-up major 7th, double-down 8ve ||= C#^^, Dvv || || || 52 || da || 1177.36 || 160/81 ||= v8 ||= down 8ve ||= Dv || || || 53 || do || 1200 || 2/1 ||= P8 ||= perfect 8ve ||= D || || The distance from C to C# is 5 keys or frets or EDOsteps, and one up equals one fifth of a sharp. Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[xenharmonic/Ups and Downs Notation#Chord%20names%20in%20other%20EDOs|Ups and Downs Notation - Chord names in other EDOs]]. =Compositions= [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/prelude1-53.mp3|Bach WTC1 Prelude 1 in 53]] by Bach and [[xenharmonic/Mykhaylo Khramov|Mykhaylo Khramov]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/fugue1-53.mp3|Bach WTC1 Fugue 1 in 53]] by Bach and Mykhaylo Khramov [[http://bumpermusic.blogspot.com/2007/05/whisper-song-in-53-edo-now-526-slower.html|Whisper Song in 53EDO]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Prent/sing53-c5-slow.mp3|play]] by [[xenharmonic/Prent Rodgers|Prent Rodgers]] [[http://www.archive.org/details/TrioInOrwell|Trio in Orwell]] [[http://www.archive.org/download/TrioInOrwell/TrioInOrwell.mp3|play]] by [[xenharmonic/Gene Ward Smith|Gene Ward Smith]] [[http://www.akjmusic.com/audio/desert_prayer.mp3|Desert Prayer]] by [[http://www.akjmusic.com/|Aaron Krister Johnson]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Rodgers/sing53-c5-slow.mp3|Whisper Song in 53 EDO]] by [[Prent Rodgers]] [[@http://andrewheathwaite.bandcamp.com/track/elf-dine-on-ho-ho|Elf Dine on Ho Ho]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2005%20Elf%20Dine%20on%20Ho%20Ho.mp3|play]] and [[@http://andrewheathwaite.bandcamp.com/track/spun|Spun]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2008%20Spun.mp3|play]] by [[xenharmonic/Andrew Heathwaite|Andrew Heathwaite]] [[http://chrisvaisvil.com/the-fallen-of-kleismic15/|The Fallen of Kleismic15]][[http://micro.soonlabel.com/53edo/20130903_Kleismic%5b15%5d.mp3|play]] by [[Chris Vaisvil]]
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<html><head><title>53edo</title></head><body><!-- ws:start:WikiTextTocRule:10:<img id="wikitext@@toc@@flat" class="WikiMedia WikiMediaTocFlat" title="Table of Contents" src="/site/embedthumbnail/toc/flat?w=100&h=16"/> --><!-- ws:end:WikiTextTocRule:10 --><!-- ws:start:WikiTextTocRule:11: --><a href="#Theory">Theory</a><!-- ws:end:WikiTextTocRule:11 --><!-- ws:start:WikiTextTocRule:12: --> | <a href="#Linear temperaments">Linear temperaments</a><!-- ws:end:WikiTextTocRule:12 --><!-- ws:start:WikiTextTocRule:13: --> | <a href="#Just Approximation">Just Approximation</a><!-- ws:end:WikiTextTocRule:13 --><!-- ws:start:WikiTextTocRule:14: --> | <a href="#Intervals">Intervals</a><!-- ws:end:WikiTextTocRule:14 --><!-- ws:start:WikiTextTocRule:15: --> | <a href="#Compositions">Compositions</a><!-- ws:end:WikiTextTocRule:15 --><!-- ws:start:WikiTextTocRule:16: --> <!-- ws:end:WikiTextTocRule:16 --><span style="display: block; text-align: right;">Other languages: <a class="wiki_link" href="http://xenharmonie.wikispaces.com/53edo">Deutsch</a><br /> </span><br /> <br /> <!-- ws:start:WikiTextHeadingRule:0:<h1> --><h1 id="toc0"><a name="Theory"></a><!-- ws:end:WikiTextHeadingRule:0 -->Theory</h1> The famous <em>53 equal division</em> divides the octave into 53 equal comma-sized parts of 22.642 cents each. It is notable as a <a class="wiki_link" href="http://xenharmonic.wikispaces.com/5-limit">5-limit</a> system, a fact apparently first noted by Isaac Newton, tempering out the schisma, 32805/32768, the kleisma, 15625/15552, the amity comma, 1600000/1594323 and the semicomma, 2109375/2097152. In the 7-limit it tempers out 225/224, 1728/1715 and 3125/3087, the marvel comma, the gariboh, and the orwell comma. In the 11-limit, it tempers out 99/98 and 121/120, and is the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/optimal%20patent%20val">optimal patent val</a> for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Nuwell%20family">Big Brother</a> temperament, which tempers out both, as well as 11-limit <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Semicomma%20family">orwell temperament</a>, which also tempers out the 11-limit comma 176/175. In the 13-limit, it tempers out 169/168 and 245/243, and gives the optimal patent val for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Marvel%20family">athene temperament</a>. It is the eighth <a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta integral edo</a> and the 16th <a class="wiki_link" href="http://xenharmonic.wikispaces.com/prime%20numbers">prime</a> edo, following <a class="wiki_link" href="http://xenharmonic.wikispaces.com/47edo">47edo</a> and coming before <a class="wiki_link" href="http://xenharmonic.wikispaces.com/59edo">59edo</a>.<br /> <br /> 53EDO has also found a certain dissemination as an EDO tuning for <a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian">Arabic/Turkish/Persian music</a>.<br /> <br /> It can also be treated as a no-elevens, no-seventeens tuning, on which it is consistent all the way up to the 21-limit.<br /> <br /> <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/53_equal_temperament" rel="nofollow">Wikipeda article about 53edo</a><br /> <br /> <!-- ws:start:WikiTextHeadingRule:2:<h1> --><h1 id="toc1"><a name="Linear temperaments"></a><!-- ws:end:WikiTextHeadingRule:2 -->Linear temperaments</h1> <a class="wiki_link" href="/List%20of%20edo-distinct%2053et%20rank%20two%20temperaments">List of edo-distinct 53et rank two temperaments</a><br /> <br /> <!-- ws:start:WikiTextHeadingRule:4:<h1> --><h1 id="toc2"><a name="Just Approximation"></a><!-- ws:end:WikiTextHeadingRule:4 -->Just Approximation</h1> 53edo provides excellent approximations for the classic 5-limit <a class="wiki_link" href="http://xenharmonic.wikispaces.com/just">just</a> chords and scales, such as the Ptolemy-Zarlino "just major" scale.<br /> <table class="wiki_table"> <tr> <th>interval<br /> </th> <th>ratio<br /> </th> <th>size<br /> </th> <th>difference<br /> </th> </tr> <tr> <td>perfect fifth<br /> </td> <td>3/2<br /> </td> <td style="text-align: center;">31<br /> </td> <td>−0.07 cents<br /> </td> </tr> <tr> <td>major third<br /> </td> <td>5/4<br /> </td> <td style="text-align: center;">17<br /> </td> <td>−1.40 cents<br /> </td> </tr> <tr> <td>minor third<br /> </td> <td>6/5<br /> </td> <td style="text-align: center;">14<br /> </td> <td>+1.34 cents<br /> </td> </tr> <tr> <td>major tone<br /> </td> <td>9/8<br /> </td> <td style="text-align: center;">9<br /> </td> <td>−0.14 cents<br /> </td> </tr> <tr> <td>minor tone<br /> </td> <td>10/9<br /> </td> <td style="text-align: center;">8<br /> </td> <td>−1.27 cents<br /> </td> </tr> <tr> <td>diat. semitone<br /> </td> <td>16/15<br /> </td> <td style="text-align: center;">5<br /> </td> <td>+1.48 cents<br /> </td> </tr> </table> <br /> One notable property of 53EDO is that it offers good approximations for both pure and pythagorean major thirds.<br /> <br /> The perfect fifth is almost perfectly equal to the just interval 3/2, with only a 0.07 cent difference! 53EDO is practically equal to an extended Pythagorean. The 14- and 17- degree intervals are also very close to 6/5 and 5/4 respectively, and so 5-limit tuning can also be closely approximated. In addition, the 43-degree interval is only 4.8 cents away from the just ratio 7/4, so 53EDO can also be used for 7-limit harmony, tempering out the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/septimal%20kleisma">septimal kleisma</a>, 225/224.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:6:<h1> --><h1 id="toc3"><a name="Intervals"></a><!-- ws:end:WikiTextHeadingRule:6 -->Intervals</h1> <table class="wiki_table"> <tr> <td>degree<br /> </td> <td>solfege<br /> </td> <td>cents<br /> </td> <td>approximate ratios<br /> </td> <td colspan="3" style="text-align: center;"><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation">ups and downs </a><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation">notation</a><br /> </td> <td>generator for<br /> </td> </tr> <tr> <td>0<br /> </td> <td>do<br /> </td> <td>0.00<br /> </td> <td>1/1<br /> </td> <td style="text-align: center;">P1<br /> </td> <td style="text-align: center;">unison<br /> </td> <td style="text-align: center;">D<br /> </td> <td><br /> </td> </tr> <tr> <td>1<br /> </td> <td>di<br /> </td> <td>22.64<br /> </td> <td>81/80, 64/63, 50/49<br /> </td> <td style="text-align: center;">^1<br /> </td> <td style="text-align: center;">up unison<br /> </td> <td style="text-align: center;">D^<br /> </td> <td><br /> </td> </tr> <tr> <td>2<br /> </td> <td>daw<br /> </td> <td>45.28<br /> </td> <td>49/48, 36/35, 33/32, 128/125<br /> </td> <td style="text-align: center;">^^1, <br /> vvm2<br /> </td> <td style="text-align: center;">double-up unison,<br /> double-down min 2nd<br /> </td> <td style="text-align: center;">D^^,<br /> Ebvv<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Quartonic">Quartonic</a><br /> </td> </tr> <tr> <td>3<br /> </td> <td>ro<br /> </td> <td>67.92<br /> </td> <td>27/26, 26/25, 25/24, 22/21<br /> </td> <td style="text-align: center;">vm2<br /> </td> <td style="text-align: center;">downminor 2nd<br /> </td> <td style="text-align: center;">Ebv<br /> </td> <td><br /> </td> </tr> <tr> <td>4<br /> </td> <td>rih<br /> </td> <td>90.57<br /> </td> <td>21/20, 256/243<br /> </td> <td style="text-align: center;">m2<br /> </td> <td style="text-align: center;">minor 2nd<br /> </td> <td style="text-align: center;">Eb<br /> </td> <td><br /> </td> </tr> <tr> <td>5<br /> </td> <td>ra<br /> </td> <td>113.21<br /> </td> <td>16/15, 15/14<br /> </td> <td style="text-align: center;">^m2<br /> </td> <td style="text-align: center;">upminor 2nd<br /> </td> <td style="text-align: center;">Eb^<br /> </td> <td><br /> </td> </tr> <tr> <td>6<br /> </td> <td>ru<br /> </td> <td>135.85<br /> </td> <td>14/13, 13/12, 27/25<br /> </td> <td style="text-align: center;">v~2<br /> </td> <td style="text-align: center;">down-mid 2nd<br /> </td> <td style="text-align: center;">Eb^^<br /> </td> <td><br /> </td> </tr> <tr> <td>7<br /> </td> <td>ruh<br /> </td> <td>158.49<br /> </td> <td>12/11, 11/10, 800/729<br /> </td> <td style="text-align: center;">^~2<br /> </td> <td style="text-align: center;">up-mid 2nd<br /> </td> <td style="text-align: center;">Evv<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Hemikleismic">Hemikleismic</a><br /> </td> </tr> <tr> <td>8<br /> </td> <td>reh<br /> </td> <td>181.13<br /> </td> <td>10/9<br /> </td> <td style="text-align: center;">vM2<br /> </td> <td style="text-align: center;">downmajor 2nd<br /> </td> <td style="text-align: center;">Ev<br /> </td> <td><br /> </td> </tr> <tr> <td>9<br /> </td> <td>re<br /> </td> <td>203.77<br /> </td> <td>9/8<br /> </td> <td style="text-align: center;">M2<br /> </td> <td style="text-align: center;">major 2nd<br /> </td> <td style="text-align: center;">E<br /> </td> <td><br /> </td> </tr> <tr> <td>10<br /> </td> <td>ri<br /> </td> <td>226.42<br /> </td> <td>8/7, 256/225<br /> </td> <td style="text-align: center;">^M2<br /> </td> <td style="text-align: center;">upmajor 2nd<br /> </td> <td style="text-align: center;">E^<br /> </td> <td><br /> </td> </tr> <tr> <td>11<br /> </td> <td>raw<br /> </td> <td>249.06<br /> </td> <td>15/13, 144/125<br /> </td> <td style="text-align: center;">^^M2,<br /> vvm3<br /> </td> <td style="text-align: center;">double-up major 2nd,<br /> double-down min 3rd<br /> </td> <td style="text-align: center;">E^^,<br /> vvF<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Hemischis">Hemischis</a><br /> </td> </tr> <tr> <td>12<br /> </td> <td>ma<br /> </td> <td>271.70<br /> </td> <td>7/6, 75/64<br /> </td> <td style="text-align: center;">vm3<br /> </td> <td style="text-align: center;">downminor 3rd<br /> </td> <td style="text-align: center;">vF<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Orwell">Orwell</a><br /> </td> </tr> <tr> <td>13<br /> </td> <td>meh<br /> </td> <td>294.34<br /> </td> <td>13/11, 32/27<br /> </td> <td style="text-align: center;">m3<br /> </td> <td style="text-align: center;">minor 3rd<br /> </td> <td style="text-align: center;">F<br /> </td> <td><br /> </td> </tr> <tr> <td>14<br /> </td> <td>me<br /> </td> <td>316.98<br /> </td> <td>6/5<br /> </td> <td style="text-align: center;">^m3<br /> </td> <td style="text-align: center;">upminor 3rd<br /> </td> <td style="text-align: center;">F^<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Hanson">Hanson</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/Catakleismic">Catakleismic</a><br /> </td> </tr> <tr> <td>15<br /> </td> <td>mu<br /> </td> <td>339.62<br /> </td> <td>11/9, 243/200<br /> </td> <td style="text-align: center;">v~3<br /> </td> <td style="text-align: center;">downmid 3rd<br /> </td> <td style="text-align: center;">F^^<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Amity">Amity</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/Hitchcock">Hitchcock</a><br /> </td> </tr> <tr> <td>16<br /> </td> <td>muh<br /> </td> <td>362.26<br /> </td> <td>16/13, 100/81<br /> </td> <td style="text-align: center;">^~3<br /> </td> <td style="text-align: center;">upmid 3rd<br /> </td> <td style="text-align: center;">F#vv<br /> </td> <td><br /> </td> </tr> <tr> <td>17<br /> </td> <td>mi<br /> </td> <td>384.91<br /> </td> <td>5/4<br /> </td> <td style="text-align: center;">vM3<br /> </td> <td style="text-align: center;">downmajor 3rd<br /> </td> <td style="text-align: center;">F#v<br /> </td> <td><br /> </td> </tr> <tr> <td>18<br /> </td> <td>maa<br /> </td> <td>407.55<br /> </td> <td>81/64<br /> </td> <td style="text-align: center;">M3<br /> </td> <td style="text-align: center;">major 3rd<br /> </td> <td style="text-align: center;">F#<br /> </td> <td><br /> </td> </tr> <tr> <td>19<br /> </td> <td>mo<br /> </td> <td>430.19<br /> </td> <td>9/7, 14/11<br /> </td> <td style="text-align: center;">^M3<br /> </td> <td style="text-align: center;">upmajor 3rd<br /> </td> <td style="text-align: center;">F#^<br /> </td> <td><a class="wiki_link" href="/Hamity">Hamity</a><br /> </td> </tr> <tr> <td>20<br /> </td> <td>maw<br /> </td> <td>452.83<br /> </td> <td>13/10, 125/96<br /> </td> <td style="text-align: center;">^^M3,<br /> <br /> vv4<br /> </td> <td style="text-align: center;">double-up major 3rd,<br /> double-down 4th<br /> </td> <td style="text-align: center;">F#^^,<br /> Gvv<br /> </td> <td><br /> </td> </tr> <tr> <td>21<br /> </td> <td>fe<br /> </td> <td>475.47<br /> </td> <td>21/16, 675/512, 320/243<br /> </td> <td style="text-align: center;">v4<br /> </td> <td style="text-align: center;">down 4th<br /> </td> <td style="text-align: center;">Gv<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Vulture">Vulture</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/Buzzard">Buzzard</a><br /> </td> </tr> <tr> <td>22<br /> </td> <td>fa<br /> </td> <td>498.11<br /> </td> <td>4/3<br /> </td> <td style="text-align: center;">P4<br /> </td> <td style="text-align: center;">perfect 4th<br /> </td> <td style="text-align: center;">G<br /> </td> <td><br /> </td> </tr> <tr> <td>23<br /> </td> <td>fih<br /> </td> <td>520.75<br /> </td> <td>27/20<br /> </td> <td style="text-align: center;">^4<br /> </td> <td style="text-align: center;">up 4th<br /> </td> <td style="text-align: center;">G^<br /> </td> <td><br /> </td> </tr> <tr> <td>24<br /> </td> <td>fu<br /> </td> <td>543.40<br /> </td> <td>11/8, 15/11<br /> </td> <td style="text-align: center;">^^4<br /> </td> <td style="text-align: center;">double-up 4th<br /> </td> <td style="text-align: center;">G^^<br /> </td> <td><br /> </td> </tr> <tr> <td>25<br /> </td> <td>fuh<br /> </td> <td>566.04<br /> </td> <td>18/13<br /> </td> <td style="text-align: center;">vvA4,<br /> vd5<br /> </td> <td style="text-align: center;">double-down aug 4th, <br /> downdim 5th<br /> </td> <td style="text-align: center;">G#vv,<br /> Abv<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Tricot">Tricot</a><br /> </td> </tr> <tr> <td>26<br /> </td> <td>fi<br /> </td> <td>588.68<br /> </td> <td>7/5, 45/32<br /> </td> <td style="text-align: center;">vA4,<br /> d5<br /> </td> <td style="text-align: center;">downaug 4th,<br /> dim 5th<br /> </td> <td style="text-align: center;">G#v,<br /> Ab<br /> </td> <td><br /> </td> </tr> <tr> <td>27<br /> </td> <td>se<br /> </td> <td>611.32<br /> </td> <td>10/7, 64/45<br /> </td> <td style="text-align: center;">A4,<br /> ^d5<br /> </td> <td style="text-align: center;">aug 4th,<br /> updim 5th<br /> </td> <td style="text-align: center;">G#,<br /> Ab^<br /> </td> <td><br /> </td> </tr> <tr> <td>28<br /> </td> <td>suh<br /> </td> <td>633.96<br /> </td> <td>13/9<br /> </td> <td style="text-align: center;">^A4,<br /> <br /> ^^d5<br /> </td> <td style="text-align: center;">upaug 4th,<br /> double-up dim 5th<br /> </td> <td style="text-align: center;">G#^,<br /> Ab^^<br /> </td> <td><br /> </td> </tr> <tr> <td>29<br /> </td> <td>su<br /> </td> <td>656.60<br /> </td> <td>16/11, 22/15<br /> </td> <td style="text-align: center;">vv5<br /> </td> <td style="text-align: center;">double-down 5th<br /> </td> <td style="text-align: center;">Avv<br /> </td> <td><br /> </td> </tr> <tr> <td>30<br /> </td> <td>sih<br /> </td> <td>679.25<br /> </td> <td>40/27<br /> </td> <td style="text-align: center;">v5<br /> </td> <td style="text-align: center;">down 5th<br /> </td> <td style="text-align: center;">Av<br /> </td> <td><br /> </td> </tr> <tr> <td>31<br /> </td> <td>sol<br /> </td> <td>701.89<br /> </td> <td>3/2<br /> </td> <td style="text-align: center;">P5<br /> </td> <td style="text-align: center;">perfect 5th<br /> </td> <td style="text-align: center;">A<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Helmholtz">Helmholtz</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/Garibaldi">Garibaldi</a><br /> </td> </tr> <tr> <td>32<br /> </td> <td>si<br /> </td> <td>724.53<br /> </td> <td>32/21, 243/160, 1024/675<br /> </td> <td style="text-align: center;">^5<br /> </td> <td style="text-align: center;">up 5th<br /> </td> <td style="text-align: center;">A^<br /> </td> <td><br /> </td> </tr> <tr> <td>33<br /> </td> <td>saw<br /> </td> <td>747.17<br /> </td> <td>20/13, 192/125<br /> </td> <td style="text-align: center;">^^5,<br /> <br /> vvm6<br /> </td> <td style="text-align: center;">double-up 5th,<br /> double-down minor 6th<br /> </td> <td style="text-align: center;">A^^,<br /> Bbvv<br /> </td> <td><br /> </td> </tr> <tr> <td>34<br /> </td> <td>lo<br /> </td> <td>769.81<br /> </td> <td>14/9, 25/16, 11/7<br /> </td> <td style="text-align: center;">vm6<br /> </td> <td style="text-align: center;">downminor 6th<br /> </td> <td style="text-align: center;">Bbv<br /> </td> <td><br /> </td> </tr> <tr> <td>35<br /> </td> <td>leh<br /> </td> <td>792.45<br /> </td> <td>128/81<br /> </td> <td style="text-align: center;">m6<br /> </td> <td style="text-align: center;">minor 6th<br /> </td> <td style="text-align: center;">Bb<br /> </td> <td><br /> </td> </tr> <tr> <td>36<br /> </td> <td>le<br /> </td> <td>815.09<br /> </td> <td>8/5<br /> </td> <td style="text-align: center;">^m6<br /> </td> <td style="text-align: center;">upminor 6th<br /> </td> <td style="text-align: center;">Bb^<br /> </td> <td><br /> </td> </tr> <tr> <td>37<br /> </td> <td>lu<br /> </td> <td>837.74<br /> </td> <td>13/8, 81/50<br /> </td> <td style="text-align: center;">v~6<br /> </td> <td style="text-align: center;">downmid 6th<br /> </td> <td style="text-align: center;">Bb^^<br /> </td> <td><br /> </td> </tr> <tr> <td>38<br /> </td> <td>luh<br /> </td> <td>860.38<br /> </td> <td>18/11, 400/243<br /> </td> <td style="text-align: center;">^~6<br /> </td> <td style="text-align: center;">upmid 6th<br /> </td> <td style="text-align: center;">Bvv<br /> </td> <td><br /> </td> </tr> <tr> <td>39<br /> </td> <td>la<br /> </td> <td>883.02<br /> </td> <td>5/3<br /> </td> <td style="text-align: center;">vM6<br /> </td> <td style="text-align: center;">downmajor 6th<br /> </td> <td style="text-align: center;">Bv<br /> </td> <td><br /> </td> </tr> <tr> <td>40<br /> </td> <td>laa<br /> </td> <td>905.66<br /> </td> <td>22/13, 27/16<br /> </td> <td style="text-align: center;">M6<br /> </td> <td style="text-align: center;">major 6th<br /> </td> <td style="text-align: center;">B<br /> </td> <td><br /> </td> </tr> <tr> <td>41<br /> </td> <td>lo<br /> </td> <td>928.30<br /> </td> <td>12/7<br /> </td> <td style="text-align: center;">^M6<br /> </td> <td style="text-align: center;">upmajor 6th<br /> </td> <td style="text-align: center;">B^<br /> </td> <td><br /> </td> </tr> <tr> <td>42<br /> </td> <td>law<br /> </td> <td>950.94<br /> </td> <td>26/15, 125/72<br /> </td> <td style="text-align: center;">^^M6 <br /> vvm7<br /> </td> <td style="text-align: center;">double-up major 6th,<br /> double-down minor 7th<br /> </td> <td style="text-align: center;">B^^,<br /> Cvv<br /> </td> <td><br /> </td> </tr> <tr> <td>43<br /> </td> <td>ta<br /> </td> <td>973.58<br /> </td> <td>7/4<br /> </td> <td style="text-align: center;">vm7<br /> </td> <td style="text-align: center;">downminor 7th<br /> </td> <td style="text-align: center;">Cv<br /> </td> <td><br /> </td> </tr> <tr> <td>44<br /> </td> <td>teh<br /> </td> <td>996.23<br /> </td> <td>16/9<br /> </td> <td style="text-align: center;">m7<br /> </td> <td style="text-align: center;">minor 7th<br /> </td> <td style="text-align: center;">C<br /> </td> <td><br /> </td> </tr> <tr> <td>45<br /> </td> <td>te<br /> </td> <td>1018.87<br /> </td> <td>9/5<br /> </td> <td style="text-align: center;">^m7<br /> </td> <td style="text-align: center;">upminor 7th<br /> </td> <td style="text-align: center;">C^<br /> </td> <td><br /> </td> </tr> <tr> <td>46<br /> </td> <td>tu<br /> </td> <td>1041.51<br /> </td> <td>11/6, 20/11, 729/400<br /> </td> <td style="text-align: center;">v~7<br /> </td> <td style="text-align: center;">downmid 7th<br /> </td> <td style="text-align: center;">C^^<br /> </td> <td><br /> </td> </tr> <tr> <td>47<br /> </td> <td>tuh<br /> </td> <td>1064.15<br /> </td> <td>13/7, 24/13, 50/27<br /> </td> <td style="text-align: center;">^~7<br /> </td> <td style="text-align: center;">upmid 7th<br /> </td> <td style="text-align: center;">C#vv<br /> </td> <td><br /> </td> </tr> <tr> <td>48<br /> </td> <td>ti<br /> </td> <td>1086.79<br /> </td> <td>15/8<br /> </td> <td style="text-align: center;">vM7<br /> </td> <td style="text-align: center;">downmajor 7th<br /> </td> <td style="text-align: center;">C#v<br /> </td> <td><br /> </td> </tr> <tr> <td>49<br /> </td> <td>tih<br /> </td> <td>1109.43<br /> </td> <td>40/21, 243/128<br /> </td> <td style="text-align: center;">M7<br /> </td> <td style="text-align: center;">major 7th<br /> </td> <td style="text-align: center;">C#<br /> </td> <td><br /> </td> </tr> <tr> <td>50<br /> </td> <td>to<br /> </td> <td>1132.08<br /> </td> <td>48/25, 27/14<br /> </td> <td style="text-align: center;">^M7<br /> </td> <td style="text-align: center;">upmajor 7th<br /> </td> <td style="text-align: center;">C#^<br /> </td> <td><br /> </td> </tr> <tr> <td>51<br /> </td> <td>taw<br /> </td> <td>1154.72<br /> </td> <td>125/64<br /> </td> <td style="text-align: center;">^^M7,<br /> <br /> vv8<br /> </td> <td style="text-align: center;">double-up major 7th,<br /> double-down 8ve<br /> </td> <td style="text-align: center;">C#^^,<br /> Dvv<br /> </td> <td><br /> </td> </tr> <tr> <td>52<br /> </td> <td>da<br /> </td> <td>1177.36<br /> </td> <td>160/81<br /> </td> <td style="text-align: center;">v8<br /> </td> <td style="text-align: center;">down 8ve<br /> </td> <td style="text-align: center;">Dv<br /> </td> <td><br /> </td> </tr> <tr> <td>53<br /> </td> <td>do<br /> </td> <td>1200<br /> </td> <td>2/1<br /> </td> <td style="text-align: center;">P8<br /> </td> <td style="text-align: center;">perfect 8ve<br /> </td> <td style="text-align: center;">D<br /> </td> <td><br /> </td> </tr> </table> The distance from C to C# is 5 keys or frets or EDOsteps, and one up equals one fifth of a sharp. Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation#Chord%20names%20in%20other%20EDOs">Ups and Downs Notation - Chord names in other EDOs</a>.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:8:<h1> --><h1 id="toc4"><a name="Compositions"></a><!-- ws:end:WikiTextHeadingRule:8 -->Compositions</h1> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/prelude1-53.mp3" rel="nofollow">Bach WTC1 Prelude 1 in 53</a> by Bach and <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Mykhaylo%20Khramov">Mykhaylo Khramov</a><br /> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/fugue1-53.mp3" rel="nofollow">Bach WTC1 Fugue 1 in 53</a> by Bach and Mykhaylo Khramov<br /> <a class="wiki_link_ext" href="http://bumpermusic.blogspot.com/2007/05/whisper-song-in-53-edo-now-526-slower.html" rel="nofollow">Whisper Song in 53EDO</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Prent/sing53-c5-slow.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Prent%20Rodgers">Prent Rodgers</a><br /> <a class="wiki_link_ext" href="http://www.archive.org/details/TrioInOrwell" rel="nofollow">Trio in Orwell</a> <a class="wiki_link_ext" href="http://www.archive.org/download/TrioInOrwell/TrioInOrwell.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Gene%20Ward%20Smith">Gene Ward Smith</a><br /> <a class="wiki_link_ext" href="http://www.akjmusic.com/audio/desert_prayer.mp3" rel="nofollow">Desert Prayer</a> by <a class="wiki_link_ext" href="http://www.akjmusic.com/" rel="nofollow">Aaron Krister Johnson</a><br /> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Rodgers/sing53-c5-slow.mp3" rel="nofollow">Whisper Song in 53 EDO</a> by <a class="wiki_link" href="/Prent%20Rodgers">Prent Rodgers</a><br /> <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/elf-dine-on-ho-ho" rel="nofollow" target="_blank">Elf Dine on Ho Ho</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2005%20Elf%20Dine%20on%20Ho%20Ho.mp3" rel="nofollow">play</a> and <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/spun" rel="nofollow" target="_blank">Spun</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2008%20Spun.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Andrew%20Heathwaite">Andrew Heathwaite</a><br /> <a class="wiki_link_ext" href="http://chrisvaisvil.com/the-fallen-of-kleismic15/" rel="nofollow">The Fallen of Kleismic15</a><a class="wiki_link_ext" href="http://micro.soonlabel.com/53edo/20130903_Kleismic%5b15%5d.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="/Chris%20Vaisvil">Chris Vaisvil</a></body></html>