91edo: Difference between revisions

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!Step
!Step
!Interval
!Interval
<small>(duality notation)</small>
<small>(duality notation using 7x13 framework)</small>
!Name (if unison = 0)
!Name (if unison = 0)
<small>(duality notation)</small>
<small>(duality notation)</small>
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|unison, perfect prime, perfect prota
|unison, perfect prime, perfect prota
|C, Az
|C, Az
|
|[[1/1]]
|-
|-
|1
|1
|major unison
|major prime, major prota
|C#
|C#
|
|
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|Vedi
|Vedi
|
|
|-
|20
|minor tesseria
|Glagol♭
|[[7/6]]
|-
|-
|21
|21
|neutral tetartia
|neutral tesseria
|Glagol
|Glagol
|
|
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|neutral tertie
|neutral tertie
|E
|E
|
|[[11/9]]
|-
|27
|major tertie, minor pemptia
|E#
|[[16/13]]
|-
|-
|28
|28
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|Zhivete
|Zhivete
|
|
|-
|44
|augmented hebdomia
|Zhivete##
|[[7/5]]
|-
|45
|biaugmented hebdomia
|Zhivete###
|[[10/7]]
|-
|-
|49
|49
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|augmented quinte, diminished ennatia
|augmented quinte, diminished ennatia
|G##, Zemle♭♭
|G##, Zemle♭♭
|[[3/2]] II
|[[3/2]] II, [[256/169]]
|-
|-
|55
|55
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|perfect octave, perfect decatotetartia
|perfect octave, perfect decatotetartia
|C, Az
|C, Az
|
|[[2/1]] exact
|}
|}



Revision as of 00:11, 2 January 2022

91edo, the 91 equal division divides the octave into 91 parts of 13.187 cents each.

91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13. From an aesthetic standpoint, the factoring of 91 represents a kind of "yin-yang" since historically, the number 7 symbolizes luck and 13 misfortune.

Theory

Script error: No such module "primes_in_edo".

The 3, 5 and 7 for 91 are on the flat side, making this a mostly flat system. It provides the optimal patent val for 11- and 13-limit septimin temperament, and the 13-limit rank three tripod temperament, as well as the 11-limit rank four temperament tempering out 245/242 and the 13-limit rank five temperament tempering out 105/104, or rank four tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also. It tempers out 15625/15552 in the 5-limit, 225/224 and 4375/4374 in the 7-limit, 245/242, 385/384 in the 11-limit, and 105/104, 144/143, 196/195 in the 13-limit. It is the second highest it a series of four consecutive EDOs that temper out quartisma (117440512/117406179). Using the 91c val, it is audibly indistinguishable from a closed system of 1/7 comma meantone, with a 5th only 0.018 cents sharper.

Naive modes

91edo possesses naive versions of heptatonic and tridecatonic scales.

For example, it can recreate diatonic major by first making an equiheptatonic scale with step size 13, and then raising III, VI and VII by a desired amount. Similar approximation can be done in 28edo or any edo divisible by 7.

Likewise, it can also recreate Orwells from tridecatonic scale. However, there is not a "trivial" way to do it due to larger amount of notes. The "correct" way to recreate a mode in this fashion would be using the differences of Irvian mode and principal mode - that is by applying the generator or construction at the original tonic. For example, 22edo's Irvian mode for Orwell[13] is 2212212221221, while for 7/6 generator from the tonic is 1221221221222, and applying the differences results in 5795795777779 scale. This scale is quite bulky for musical performance since it contains an even row of 5x7 steps. A more vibrant possible variant is 5795797597579, which is derived from differences of 2212212212221 and 1221222122122 22edo Orwells.

Since 7 and 13 are the only factors of 91, these numbers are the only ones which can produce naive scales.

Table of intervals

Due to 91edo's unusual layout, there isn't one unique way to name notes in it, and due to its size, the diatonic way of naming is starting to lag.

Eliora proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.

Step Interval

(duality notation using 7x13 framework)

Name (if unison = 0)

(duality notation)

Associated ratio
0 unison, perfect prime, perfect prota C, Az 1/1
1 major prime, major prota C#
7 neutral deiteria Buki
13 neutral secunde D
14 neural tritia Vedi
20 minor tesseria Glagol♭ 7/6
21 neutral tesseria Glagol
26 neutral tertie E 11/9
27 major tertie, minor pemptia E# 16/13
28 neutral pemptia Dobro
35 neutral hektia Yest
39 neutral quarte F
42 neutral hebdomia Zhivete
44 augmented hebdomia Zhivete## 7/5
45 biaugmented hebdomia Zhivete### 10/7
49 neutral ogdonia Dzelo
52 neutral quinte G
53 major quinte G# 3/2
54 augmented quinte, diminished ennatia G##, Zemle♭♭ 3/2 II, 256/169
55 minor ennatia Zemle♭
56 neutral ennatia Zemle
63 neutral decatia Izhe
64 major decatia, minor sexte Izhe#, A♭
65 neutral sexte A
70 neutral hendecatia Izhe-yi
77 neutral dodecatia Jerve
78 neutral septime B
84 neutral decatotritia Kako
91 perfect octave, perfect decatotetartia C, Az 2/1 exact

Scales

  • NaiveMajor[7]: 13 16 10 13 16 13 10
  • NaiveMajor[7]: 13 16 10 15 14 13 10 - fifth adjusted to match with NaiveOrwell[13]
  • NaiveMinor[7]: 13 10 16 13 10 13 16
  • NaiveOrwell[13]: 5795797597579
  • ArabicNaiveOrwell[13]: 1 11 9 5 1 15 7 5 9 7 1 11 9 - above scale with 2, 6, and 12 degrees lowered 4 steps
  • HungarianNaiveOrwell[13]: 7 7 8 6 11 5 5 7 10 4 4 13 4
  • Semaphore5
  • Semaphore9
  • Semaphore14

Music

See also