Gene Ward Smith: Difference between revisions
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In mathematics, he worked in the areas of [[Wikipedia:Galois theory|Galois theory]] and [[Wikipedia:Monstrous moonshine|Moonshine theory]]. | In mathematics, he worked in the areas of [[Wikipedia:Galois theory|Galois theory]] and [[Wikipedia:Monstrous moonshine|Moonshine theory]]. | ||
In music theory, he introduced [[Wikipedia:Exterior_algebra|wedge products]] as a way of classifying [[Regular_Temperaments|regular temperaments]]. In this system, a temperament is specified by means of a [[Wedgies_and_Multivals|wedgie]], which may technically be identified as a point on a [[Wikipedia:Grassmannian|Grassmannian]]. He had long drawn attention to the relationship between [[Equal_Temperaments|equal divisions of the octave]] and the [[The_Riemann_Zeta_Function_and_Tuning|Riemann zeta function]].</sup>[[#cite_note-1|[1]]]</sup></sup>[[#cite_note-2|[2]]]</sup></sup>[[#cite_note-3|[3]]]</sup> He [http://www.webcitation.org/67ZUSajSK early on] identified and emphasized free abelian groups of finite rank and their homomorphisms, and it was from that perspective that he contributed to the creation of the [ | In music theory, he introduced [[Wikipedia:Exterior_algebra|wedge products]] as a way of classifying [[Regular_Temperaments|regular temperaments]]. In this system, a temperament is specified by means of a [[Wedgies_and_Multivals|wedgie]], which may technically be identified as a point on a [[Wikipedia:Grassmannian|Grassmannian]]. He had long drawn attention to the relationship between [[Equal_Temperaments|equal divisions of the octave]] and the [[The_Riemann_Zeta_Function_and_Tuning|Riemann zeta function]].</sup>[[#cite_note-1|[1]]]</sup></sup>[[#cite_note-2|[2]]]</sup></sup>[[#cite_note-3|[3]]]</sup> He [http://www.webcitation.org/67ZUSajSK early on] identified and emphasized free abelian groups of finite rank and their homomorphisms, and it was from that perspective that he contributed to the creation of the [[Regular temperament|regular mapping paradigm]]. | ||
In the 1970s, Gene experimented with musical compositions using a device with four square-wave voices, whose tuning was very stable and accurate, being controlled by a [[Wikipedia:crystal oscillator|crystal oscillator]]. The device in turn was controlled by [[Wikipedia:HP 9800 series desktop computers|HP 9800 series desktop computers]], initially the HP 9830A, programmed in HP Basic, later the 9845A. Using this, he explored both just intonation with a particular emphasis on groups of transformations, and [[pajara|pajara]]. | In the 1970s, Gene experimented with musical compositions using a device with four square-wave voices, whose tuning was very stable and accurate, being controlled by a [[Wikipedia:crystal oscillator|crystal oscillator]]. The device in turn was controlled by [[Wikipedia:HP 9800 series desktop computers|HP 9800 series desktop computers]], initially the HP 9830A, programmed in HP Basic, later the 9845A. Using this, he explored both just intonation with a particular emphasis on groups of transformations, and [[pajara|pajara]]. | ||