17edo tetrachords: Difference between revisions
m cleanup of unneccesary pipe links, html lists, etc. |
label all the ajnas and add a couple notes about them |
||
| Line 91: | Line 91: | ||
| | 1-3-3 | | | 1-3-3 | ||
| | do ra me fa | | | do ra me fa | ||
| | phrygian | | | phrygian (jins Kurd) | ||
| | diatonic (phrygian) | | | diatonic (phrygian) | ||
|- | |- | ||
| Line 101: | Line 101: | ||
| | 1-5-1 | | | 1-5-1 | ||
| | do ra mi fa | | | do ra mi fa | ||
| | balkan, Hijaz | | | balkan, jins Hijaz | ||
| | | | | | ||
|- | |- | ||
| | 2-2-3 | | | 2-2-3 | ||
| | do ru me fa | | | do ru me fa | ||
| | Bayyati | | | jins Bayyati | ||
| | [[17edo neutral scale]] (led) | | | [[17edo neutral scale]] (led) | ||
|- | |- | ||
| | 2-3-2 | | | 2-3-2 | ||
| | do ru mu fa | | | do ru mu fa | ||
| | | | | "ʻIraq" tetrachord | ||
| | [[17edo neutral scale]] (bish, fish, jwl) | | | [[17edo neutral scale]] (bish, fish, jwl) | ||
|- | |- | ||
| Line 121: | Line 121: | ||
| | 3-1-3 | | | 3-1-3 | ||
| | do re me fa | | | do re me fa | ||
| | aeolian | | | aeolian (jins Nahawand) | ||
| | diatonic (aolian, dorian) ; [[scorp]] (mode 3) | | | diatonic (aolian, dorian) ; [[scorp]] (mode 3) | ||
|- | |- | ||
| | 3-2-2 | | | 3-2-2 | ||
| | do re mu fa | | | do re mu fa | ||
| | Rast | | | jins Rast | ||
| | [[17edo neutral scale]] (dril, gil, kleeth) | | | [[17edo neutral scale]] (dril, gil, kleeth) | ||
|- | |- | ||
| | 3-3-1 | | | 3-3-1 | ||
| | do re mi fa | | | do re mi fa | ||
| | ionian | | | ionian (jins ʻAjam) | ||
| | diatonic (ionian, mixolydian) | | | diatonic (ionian, mixolydian) | ||
|} | |} | ||
Notes on the above: | |||
* Many references say that the semitones in Hijaz should be greater than 100 cents, but in 17edo they are significantly smaller (about 70 cents). | |||
* The "ʻIraq" tetrachord is similar to the first four notes of Maqam ʻIraq, but those are not usually considered a jins because the fourth note is not a place of rest (in particular it is not the ''ghammaz''). This tetrachord is jins Sikah with an extra note on top making a perfect fourth with the tonic. | |||
Another way of showing them: | Another way of showing them: | ||