Consonance and dissonance: Difference between revisions
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[[ | [[Joe Monzo]] considers [[consonance]] and [[dissonance]] to be opposite poles of a continuum of sensation, which he calls "[http://www.tonalsoft.com/enc/s/sonance.aspx sonance]". However he was not the first who used the term '''sonance''': also [https://de.wikipedia.org/wiki/Wilhelm_Keller_%28Komponist%29 Wilhelm Keller] distinguishes between ''sonanzmodal'' and ''distanzmodal'' aspects when analysing sounds, see his ''Handbuch der Tonsatzlehre'' from 1957. | ||
The term '''sonance''' goes back to Giovanni Battista Benedetti [ | The term '''sonance''' goes back to Giovanni Battista Benedetti <ref>[http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32 http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32]</ref> | ||
''Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973).'' [ | ''Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973).'' <ref>[http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf]</ref> | ||
< | == References == | ||
[[Category: | <references/> | ||
[[Category: | |||
[[Category: | == See also == | ||
* [[Tenney height]] | |||
* [[A singular measure of dissonance]] | |||
* [[Harmonic Entropy]] | |||
[[Category:Consonance]] | |||
[[Category:Dissonance]] | |||
[[Category:Sonance]] | |||
[[Category:Terminology]] | |||
Revision as of 21:20, 5 June 2021
Joe Monzo considers consonance and dissonance to be opposite poles of a continuum of sensation, which he calls "sonance". However he was not the first who used the term sonance: also Wilhelm Keller distinguishes between sonanzmodal and distanzmodal aspects when analysing sounds, see his Handbuch der Tonsatzlehre from 1957.
The term sonance goes back to Giovanni Battista Benedetti [1]
Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973). [2]