19edo Chord Names: Difference between revisions
Created page with "Various 19edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules fo..." |
mNo edit summary |
||
| Line 6: | Line 6: | ||
!m3 | !m3 | ||
!M3 | !M3 | ||
! | !A3 | ||
!P4 | !P4 | ||
|- | |- | ||
| Line 13: | Line 13: | ||
|Cm | |Cm | ||
|C | |C | ||
|C( | |C(A3) | ||
|C4 | |C4 | ||
|- | |- | ||
| Line 20: | Line 20: | ||
|Cm6 | |Cm6 | ||
|C6 | |C6 | ||
|C6( | |C6(A3) | ||
|C4,6 | |C4,6 | ||
|- | |- | ||
! | !A6 | ||
d7 | d7 | ||
|C(d3) | |C(d3)A6 | ||
C(d3)d7 | C(d3)d7 | ||
| | |CmA6 | ||
Cmd7 | Cmd7 | ||
|C, | |C,A6 | ||
C,d7 | C,d7 | ||
|C( | |C(A3)A6 | ||
C( | C(A3)d7 | ||
| | |C4A6 | ||
C4d7 | C4d7 | ||
|- | |- | ||
| Line 40: | Line 40: | ||
|Cm7 | |Cm7 | ||
|C7 | |C7 | ||
|C7( | |C7(A3) | ||
|C4,7 | |C4,7 | ||
|- | |- | ||
| Line 47: | Line 47: | ||
|CmM7 | |CmM7 | ||
|CM7 | |CM7 | ||
|CM7( | |CM7(A3) | ||
|C4M7 | |C4M7 | ||
|- | |- | ||
! | !A7 | ||
| | |CA7(d3) | ||
| | |CmA7 | ||
|C, | |C,A7 | ||
|C( | |C(A3)A7 | ||
| | |C4A7 | ||
|} | |} | ||
A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four- | A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. | ||
4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened. | 4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened. | ||
Revision as of 07:26, 6 May 2021
Various 19edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. The aug 6th and the dim 7th are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
| d3 | m3 | M3 | A3 | P4 | |
|---|---|---|---|---|---|
| triad | C(d3) | Cm | C | C(A3) | C4 |
| M6 | C6(d3) | Cm6 | C6 | C6(A3) | C4,6 |
| A6
d7 |
C(d3)A6
C(d3)d7 |
CmA6
Cmd7 |
C,A6
C,d7 |
C(A3)A6
C(A3)d7 |
C4A6
C4d7 |
| m7 | C7(d3) | Cm7 | C7 | C7(A3) | C4,7 |
| M7 | CM7(d3) | CmM7 | CM7 | CM7(A3) | C4M7 |
| A7 | CA7(d3) | CmA7 | C,A7 | C(A3)A7 | C4A7 |
A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.
4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from color notation to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
| chord | notes | ups and downs name | color name | ||
|---|---|---|---|---|---|
| 4:5:6:7 | C E G Bbb | C add-dim-7 | C,d7 | C har7 | Ch7 |
| 7/(7:6:5:4) | C Ebb Gbb Bbb | C dim-3 dim-7 double-dim5 | C(d3)d7(dd5) | C sub7 | Cs7 |
| 12/(12:10:8:7) | C Eb G A# | C minor aug-6 | CmA6 | C sub6 | Cs6 |