19edo: Difference between revisions

Wikispaces>PiotrGrochowski
**Imported revision 613696055 - Original comment: **
Wikispaces>TallKite
**Imported revision 615121195 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:PiotrGrochowski|PiotrGrochowski]] and made on <tt>2017-05-27 05:32:00 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-06-27 02:34:56 UTC</tt>.<br>
: The original revision id was <tt>613696055</tt>.<br>
: The original revision id was <tt>615121195</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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0-7-11 = C E# G = C(#3) or C(A3) = C sharp-three or C aug-three (14:18:21)
0-7-11 = C E# G = C(#3) or C(A3) = C sharp-three or C aug-three (14:18:21)


0-6-11-15 = C E G Bbb = C(bb7) or C(d7) = C double-flat-seven or C major dim-seven or C add dim-seven = 4:5:6:7
0-6-11-15 = C E G Bbb = C,bb7 or C,d7 = C double-flat-seven or C major dim-seven or C add dim-seven = 4:5:6:7
0-5-11-15 = C Eb G A# is Cm(#6) or Cm(A6) = C minor sharp-six or C minor aug-six = 1/(4:5:6:7) = 1/1 - 6/5 - 3/2 - 12/7
0-5-11-15 = C Eb G A# is Cm,#6 or Cm,A6 = C minor sharp-six or C minor aug-six = 1/(4:5:6:7) = 1/1 - 6/5 - 3/2 - 12/7


The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate otonal and utonal septimal ratios.
The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate otonal and utonal septimal ratios.
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0-7-11 = C E# G = C(#3) or C(A3) = C sharp-three or C aug-three (14:18:21)&lt;br /&gt;
0-7-11 = C E# G = C(#3) or C(A3) = C sharp-three or C aug-three (14:18:21)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
0-6-11-15 = C E G Bbb = C(bb7) or C(d7) = C double-flat-seven or C major dim-seven or C add dim-seven = 4:5:6:7&lt;br /&gt;
0-6-11-15 = C E G Bbb = C,bb7 or C,d7 = C double-flat-seven or C major dim-seven or C add dim-seven = 4:5:6:7&lt;br /&gt;
0-5-11-15 = C Eb G A# is Cm(#6) or Cm(A6) = C minor sharp-six or C minor aug-six = 1/(4:5:6:7) = 1/1 - 6/5 - 3/2 - 12/7&lt;br /&gt;
0-5-11-15 = C Eb G A# is Cm,#6 or Cm,A6 = C minor sharp-six or C minor aug-six = 1/(4:5:6:7) = 1/1 - 6/5 - 3/2 - 12/7&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate otonal and utonal septimal ratios.&lt;br /&gt;
The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo tends to conflate otonal and utonal septimal ratios.&lt;br /&gt;