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Kite Guitar translations by Kite Giedraitis: Difference between revisions

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autopatrolled, Sysops
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autopatrolled, Sysops
3,990 edits
→Barbershop tags: added "Way Down South" tag
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|hi-3
|hi-3
| colspan="2" |
| colspan="2" |
|}
=== Way Down South ===
Source: https://www.barbershoptags.com/tag-10-Way-Down-South
The bass and baritone's P8 is the lead and tenor's P1. The opening two chords make a [[50/49|Biruyo]] comma warp. The interval between the top two voices is warped from 10/7 to 7/5. I chose to have the lead be the one to adjust, because rising seemed more apt than falling, and because the tenor seemed more prominent. Also, the tenor would have to shift to a ~6, way out of key. The lead's vA2 note in the "down" chord is enharmonically equivalent to a m3. The very open voicings of the final three chords require 7 strings.
{| class="wikitable"
|+
! rowspan="2" |Lyrics
! colspan="4" |vocal parts
! rowspan="2" |7-string
guitar tab
! colspan="2" rowspan="2" |chords
|-
!Bass
!Baritone
!Lead
!Tenor
|-
|Way
|P4
|P8
|vm3
|vM6
|  - 5 - 4 2 6 -
|IVv7
|hi-3
|-
|Down
|A4
|M7
|vA2
|vM6
|  - 7 9 9 - 6 -
|VIIv7
|lo-5
|-
| rowspan="11" |South
|P8
| rowspan="2" |vM10
| rowspan="2" |P5
| rowspan="11" |P8
|  - - - 4 4 3 5
|Iv
|close add-8
|-
|vm7
|  - - - 0 4 3 5
|Iv7
|hi-R lo-7
|-
|vM6
|vM9
|P4
|  - - 5 7 6 - 5
|vII^m7
|lo-5
|-
|^m6
|^m10
|d5
|  - - 4 - 3 1 5
|^bVIv7
|hi-3
|-
|P5
|vM10
|P5
|  - - 2 - 4 3 5
|Iv
|hi-R lo-5 add-5
|-
|P4
|vM9
|vM6
|  - 5 - 7 - 6 5
|vII^m7
|lo-3
|-
|vM3
|P8
| rowspan="2" |P5
|  - 3 - 4 - 3 5
|Iv
|lo-3 add-8
|-
|^m3
|^m7
| - 2 - 1 - 3 5
|^bIIIv6
|hi-3-6
|-
|^M2
|^M6
|A4
|7 - 6 - 8 - 5
|^IIv7
|hi-3-7
|-
|^m2
|^m6
|P4
|5 - 4 - 6 - 5
|^bIIvM7
|hi-3-7
|-
|P1
|P5
|vM3
|3 - 2 - 4 - 5
|Iv
|hi-3 add-hi-8
|}
|}


=== Whisper Words of Wisdom (Let It Be by the Beatles) ===
=== Whisper Words of Wisdom (Let It Be by the Beatles) ===
My JI arrangement of the last line of the chorus of "Let It Be" as a barbershop tag, translated to 41edo. I tried to give each of the 4 lines a fun easy melody. The 2nd to last chord is an upmajor triad, the "rub" that drives the cadence.
My just intonation arrangement of the last line of the chorus of "Let It Be" as a barbershop tag, translated to 41edo. I tried to give each of the 4 lines a fun easy melody. The 2nd to last chord is an upmajor triad, the "rub" that drives the cadence.


The P8 of the bass and baritone is the P1 of the lead and tenor. For 6-string and 7-string guitar, in A downmajor. The 7-string would be in high-7 tuning. The guitar duplicates the voices exactly.  
The P8 of the bass and baritone is the P1 of the lead and tenor. For 6-string and 7-string guitar, in A downmajor. The 7-string would be in high-7 tuning. The guitar duplicates the voices exactly. This arrangement omits the lead's suspension (M2 to P1) on "Be" because it doesn't work well on the guitar.  
{| class="wikitable"
{| class="wikitable"
|+
|+
Line 1,534: Line 1,646:
! colspan="4" |vocal parts
! colspan="4" |vocal parts
! colspan="2" |guitar tab
! colspan="2" |guitar tab
! rowspan="2" |chords
! colspan="2" rowspan="2" |chords
! colspan="2" rowspan="2" |chord homonyms
|-
|-
!Bass
!Bass
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|18 20 20 - 17 -
|18 20 20 - 17 -
|Iv7
|Iv7
|lo-5
| colspan="2" |
|-
|-
|Words
|Words
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| - - 5 - 2 2 4
| - - 5 - 2 2 4
|18 - 15 15 17 -
|18 - 15 15 17 -
|Vvm7(b5)
|Vvdv7
|hi-3
|vbVII^m6
|hi-R lo-6
|-
|-
|Of
|Of
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|18 20 20 22 - -
|18 20 20 22 - -
|Iv6
|Iv6
|lo-5
| colspan="2" |
|-
|-
|Wis-
|Wis-
Line 1,577: Line 1,697:
| - - 5 5 7 6 -
| - - 5 5 7 6 -
|18 18 20 19 - -
|18 18 20 19 - -
|vIII^m (or Vv6no5)
|vIII^m
|hi-R add-10
|Vv6no5
|close add-8
|-
|-
|dom
|dom
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|18 18 17 15 - -
|18 18 17 15 - -
|Vv7
|Vv7
|close
| colspan="2" |
|-
|-
|Let
|Let
Line 1,595: Line 1,720:
| - - 5 3 7 6 -
| - - 5 3 7 6 -
| - - 5 3 7 6
| - - 5 3 7 6
|Vvm6no5 (or Iv7noR)
|Vvm6no5
|close add-8
|Iv7noR
|lo-5-7 add-5
|-
|-
|It
|It
Line 1,605: Line 1,733:
| - - 5 3 4 2
| - - 5 3 4 2
|Vvm7
|Vvm7
|close
| colspan="2" rowspan="2" |
|-
|-
|Be-
|Be-
Line 1,614: Line 1,744:
| - 8 8 7 5 -
| - 8 8 7 5 -
|IVv7
|IVv7
|close
|-
|-
| -e-
| -e-
Line 1,622: Line 1,753:
| - 4 6 7 5 - -
| - 4 6 7 5 - -
| - 4 6 7 5 -
| - 4 6 7 5 -
|vbVI^ (or IVvm7noR)
|vbVI^  
|lo-5 add-5
|IVvm7noR
|lo-7 add-7
|-
|-
| -e
| -e
Line 1,632: Line 1,766:
|6 - 5 7 7 -
|6 - 5 7 7 -
|Iv
|Iv
|hi-3 add-8
| colspan="2" |
|}
|}


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