Frequency ratio: Difference between revisions

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m Xenwolf moved page Ratios to Ratio: rule: use singular form for lemma; reason: easier to link by adding the s needed in the text like ratios
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reworked both lemmas bold, interwiki, etc
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A '''frequency ratio''' (in this wiki mostly shortened to '''ratio''') is the relationship between the frequencies of two sound waves. For example, a piano string vibrating at 110 Hz (110 times per second) and a piano string vibrating at 220 Hz are in a 2:1 ratio (since 220/110 reduces to 2/1).


A '''frequency ratio''' is the relationship between the frequencies of two sound waves. For example, a piano string vibrating at 110 Hz (110 times per second) and a piano string vibrating at 220 Hz are in a 2:1 ratio (since 220/110 reduces to 2/1).
Although mostly written in the form (<code>larger/smaller</code>) throughout this wiki, ratios of frequencies may be written several ways:


Ratios of frequencies may be written several ways:
* 2/1, 2:1, 1/2, 1:2 ([[octave]])
* 3/2, 3:2, 2/3, 2:3 ([[just fifth]])


2/1
When the larger number is written first (<code>note/base</code>), this usually signifies a note being played ''above'' some base tone (perhaps the starting note of a scale). When the smaller number is written first (<code>base/note</code>), this usually signifies the note being played ''below'' that base tone.


2:1
The [http://en.wikipedia.org/wiki/Harmonic_series_%28music%29 harmonic series] can be represented as a ratio - 1:2:3:4:5:6:7:8:9:10:11:12:13:14:15:16:17... etc.


1/2
Chords can also be expressed as ratios. For example, the just intoned major chord in root position is 4:5:6. (When chords are expressed as ratios, the above rule about the notes being above or below a base tone doesn't usually apply). Chords can also be written as a string of intervals, such as the major chord 1/1–5/4–3/2


1:2
In the context of just intonation, ratios are almost always used to label and identify intervals and chords. However, the use of ratios to identify intervals and chords in tempered scales is also common - in these cases, it is implied that the notes are in the ''approximate'' ratio indicated. For example, a common shorthand expression might be ''"4:6:7:9:11 chords in [[17edo|17-EDO]]"'' - which really means ''"The [[chords]] in which the notes are in the approximate ratio of 4:6:7:9:11 in 17-EDO".''
 
When the larger number is written first, this usually signifies a second note being played ''above'' some base tone (perhaps the starting note of a scale). When the smaller number is written first, this usually signifies the second note being played ''below'' that base tone.
 
<span style="">The [http://en.wikipedia.org/wiki/Harmonic_series_%28music%29 harmonic series] can be represented as a ratio - 1:2:3:4:5:6:7:8:9:10:11:12:13:14:15:16:17... etc.</span>
 
Chords can also be expressed as ratios. For example, the just intoned major chord in root position is 4:5:6. (When chords are expressed as ratios, the above rule about the notes being above or below a base tone doesn't usually apply). Chords can also be written as a string of intervals, such as the major chord 1/1–5/4–3/2


In the context of just intonation, ratios are almost always used to label and identify intervals and chords. However, the use of ratios to identify intervals and chords in tempered scales is also common - in these cases, it is implied that the notes are in the ''approximate'' ratio indicated. For example, a common shorthand expression might be ''"4:6:7:9:11 chords in [[17edo|17-EDO]]"'' - which really means ''"The [[Chords|chords]] in which the notes are in the approximate ratio of 4:6:7:9:11 in 17-EDO".''      [[Category:basics]]
[[Category:Basics]]
[[Category:frequency]]
[[Category:Frequency]]
[[Category:ratio]]
[[Category:Ratio]]
[[Category:theory]]
[[Category:Theory]]
[[Category:Term]]