12/7: Difference between revisions
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→See also: transformed included file into a file link, the alternative would have been to add a file link info |
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* [[Gallery of Just Intervals]] | * [[Gallery of Just Intervals]] | ||
* [[Wikipedia:Septimal major sixth|Septimal major sixth - Wikipedia]] | * [[Wikipedia:Septimal major sixth|Septimal major sixth - Wikipedia]] | ||
* [[File:Ji-12-7-csound-foscil-220hz.mp3]] an alternative sound sample | * [[:File:Ji-12-7-csound-foscil-220hz.mp3]] an alternative sound sample | ||
[[Category:7-limit]] | [[Category:7-limit]] |
Revision as of 11:20, 13 September 2020
Interval information |
septimal major sixth
[sound info]
In 7-limit Just Intonation, 12/7 is the supermajor sixth or septimal major sixth of about 933.1¢. It represents the interval between the 12th and 7th harmonics and appears in chords such as 4:5:7:9:12. It differs from the 5-limit major sixth of 5/3 by 36/35 -- the septimal quartertone -- a superparticular interval of about 48.8¢. It differs from the Pythagorean major sixth of 27/16 by 64/63 -- Archytas' comma -- about 27.3¢. And finally, it differs from the harmonic seventh -- 7/4, about 968.8¢ -- by 49/48 -- the large septimal diesis or slendro diesis -- about 35.7¢. 12/7 is the inversion of the septimal subminor third of 7/6.
See also
- 7/6 -- its octave complement
- Gallery of Just Intervals
- Septimal major sixth - Wikipedia
- File:Ji-12-7-csound-foscil-220hz.mp3 an alternative sound sample