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User:Moremajorthanmajor/Hierarchy of soid-family modes: Difference between revisions

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!Mode
!Mode
|-
|-
|1\1edo-11\10edo
|1\1edo-22\21edo
|Perfect Soft Phrygian
|-
|22\21-11\10
|Perfect Phrygian
|Perfect Phrygian
|-
|-
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|-
|-
|40\29-7\5
|40\29-7\5
|Perfect Mixolydian-Ionian
|Perfect Mixolydian-Soft Ionian
|-
|7\5-17\12
|Perfect Soft Ionian
|-
|-
|7\5-10\7
|17\12-10\7
|Perfect Ionian
|Perfect Intense Ionian
|-
|-
|10\7-22\15
|10\7-22\15
|Ionian-Lydian/Locrian
|Intense Ionian-Lydian/Locrian
|-
|-
|22\15-23\15
|22\15-23\15
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|-
|-
|23\15-11\7
|23\15-11\7
|Lydian/Locrian-Phrygian
|Lydian/Locrian-Soft Phrygian
|-
|11\7-19\12
|Pluperfect Soft Phrygian
|-
|-
|11\7-8\5
|19\12-8\5
|Pluperfect Phrygian
|Pluperfect Phrygian
|-
|-
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|Pluperfect Soft Ionian
|Pluperfect Soft Ionian
|-
|-
|19\10-2\1
|19\10-41\21
|Pluperfect Ionian
|Pluperfect Ionian
|-
|41\21-2\1
|Pluperfect Intense Ionian
|}
|}
The names "Perfect" and "Pluperfect" refer to the common limitation of a vocal melody to within a tenth for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony.  
The names "Perfect" and "Pluperfect" refer to the common limitation of a vocal melody to within a tenth for the sake of overall perceptual coherence. The "Perfect" modes also match where LCP may consider just a triad (or tetrad) to be reasonably complete and therefore the basic chordal harmony.  
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