10ed5: Difference between revisions
Jump to navigation
Jump to search
Wikispaces>Kosmorsky **Imported revision 288953957 - Original comment: ** |
Wikispaces>FREEZE No edit summary |
||
| Line 1: | Line 1: | ||
=10 equal divisions of the 5th harmonic= | |||
Half of [[20ed5]] (obviously). But it has important characteristics of its own: | Half of [[20ed5|20ed5]] (obviously). But it has important characteristics of its own: | ||
In general, 10ed5 is simply a smashing tuning. The relatively large small steps, about the size of a minor third or an orwell generator, actually work for melodies, and it's harmonies while strange have no lack of impact. It can be used such that the fifth harmonic is equivalent, but of course, doesn't have to. | In general, 10ed5 is simply a smashing tuning. The relatively large small steps, about the size of a minor third or an orwell generator, actually work for melodies, and it's harmonies while strange have no lack of impact. It can be used such that the fifth harmonic is equivalent, but of course, doesn't have to. | ||
As 5ed5 is the simplest [[hyperpyth]] tuning, analogous to [[5edo]] and [[4edt]] in their own spheres, this, its double, can be compared, structurally, to, [[10edo]]. While its approximations of 9/5, 17/5 and 21/5 are quite far off, these are still categorically important intervals. | As 5ed5 is the simplest [[Hyperpyth|hyperpyth]] tuning, analogous to [[5edo|5edo]] and [[4edt|4edt]] in their own spheres, this, its double, can be compared, structurally, to, [[10edo|10edo]]. While its approximations of 9/5, 17/5 and 21/5 are quite far off, these are still categorically important intervals. | ||
Adding octaves, strangely enough, relates this tuning to [[53edo]]. | Adding octaves, strangely enough, relates this tuning to [[53edo|53edo]]. | ||
0: 1/1 | 0: 1/1 | ||
1: 278.631 cents 13/11 | 1: 278.631 cents 13/11 | ||
2: 557.263 cents 7/5 | 2: 557.263 cents 7/5 | ||
3: 835.894 cents | 3: 835.894 cents | ||
4: 1114.525 cents "9/5" | 4: 1114.525 cents "9/5" | ||
5: 1393.157 cents 11/5 | 5: 1393.157 cents 11/5 | ||
6: 1671.788 cents 13/5 | 6: 1671.788 cents 13/5 | ||
7: 1950.420 cents | 7: 1950.420 cents | ||
8: 2229.051 cents "17/5" | 8: 2229.051 cents "17/5" | ||
9: 2507.682 cents 21/5 | 9: 2507.682 cents 21/5 | ||
10: 5/1 | 10: 5/1 | ||
Music: | Music: | ||
[http://www.youtube.com/watch?v=tjD7Es05zuI Weird Blues] -- Kosmorsky | |||
[[Category:5th_harmonic]] | |||
[[Category:ed5]] | |||
[[Category:edonoi]] | |||
Revision as of 00:00, 17 July 2018
10 equal divisions of the 5th harmonic
Half of 20ed5 (obviously). But it has important characteristics of its own:
In general, 10ed5 is simply a smashing tuning. The relatively large small steps, about the size of a minor third or an orwell generator, actually work for melodies, and it's harmonies while strange have no lack of impact. It can be used such that the fifth harmonic is equivalent, but of course, doesn't have to.
As 5ed5 is the simplest hyperpyth tuning, analogous to 5edo and 4edt in their own spheres, this, its double, can be compared, structurally, to, 10edo. While its approximations of 9/5, 17/5 and 21/5 are quite far off, these are still categorically important intervals.
Adding octaves, strangely enough, relates this tuning to 53edo.
0: 1/1
1: 278.631 cents 13/11
2: 557.263 cents 7/5
3: 835.894 cents
4: 1114.525 cents "9/5"
5: 1393.157 cents 11/5
6: 1671.788 cents 13/5
7: 1950.420 cents
8: 2229.051 cents "17/5"
9: 2507.682 cents 21/5
10: 5/1
Music:
Weird Blues -- Kosmorsky