Pentadacus: Difference between revisions

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'''Pentadacus''' is a [[nonoctave]] [[regular temperament]] in the 5.7.11 [[subgroup]] which tempers out the comma [[831875/823543]]. It is even more exotic than [[Bohlen-Pierce]], lacking both [[2/1]] and [[3/1]], and typically it would be used with an [[equave]] of [[5/1]]. It is generated by a [[meantone]]-esque small whole tone interval that represents [[54/49]]. Stacking 3 of these tones gives [[7/5]] and 7 of them give [[11/5]]. Pentadacus has both low [[complexity]] (especially by the standards of the 5/1-equivalent world, where scales have lots of notes) and low [[error]] if tuned correctly, providing an [[efficiency|efficient]] traversal of the 5.7.11 subgroup. It was first discovered and named by CompactStar in 2026.

'''Pentadacus''' is a [[nonoctave]] [[regular temperament]] in the 5.7.11 [[subgroup]] which tempers out the comma [[831875/823543]]. It is even more exotic than [[Bohlen-Pierce]], lacking both [[2/1]] and [[3/1]], and typically it would be used with an [[equave]] of [[5/1]]. It is generated by a [[meantone]]-esque small whole tone interval that represents [[54/49]]. Stacking 3 of these tones gives [[7/5]] and 7 of them give [[11/5]]. Pentadacus has both low [[complexity]] (especially by the standards of the 5/1-equivalent world, where scales have lots of notes) and low [[error]] if tuned correctly, providing an [[efficiency|efficient]] traversal of the 5.7.11 subgroup. It was first discovered and named by [[User:CompactStar|CompactStar]] in 2026.

[[14ed5]] is an inaccurate but important tuning of Pentadacus, because in 14ed5, the whole tone generator corresponds to a single step of 14ed5, although the whole tone is bigger than usual being around [[9/8]]-sized, causing the approximations of 7/5 and 11/5 to be bad. Basically, pentadacus can be thought of as a compressed 14ed5, at least until you hit [[5/1]]. 14ed5 is also close to [[6edo]], the familiar whole-tone scale with octaves, and 6 generators in pentadacus can sound like a tempered octave but it’s usually quite inaccurate and dissonant.

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-'''Pentadacus''' is a [[nonoctave]] [[regular temperament]] in the 5.7.11 [[subgroup]] which tempers out the comma [[831875/823543]]. It is even more exotic than [[Bohlen-Pierce]], lacking both [[2/1]] and [[3/1]], and typically it would be used with an [[equave]] of [[5/1]]. It is generated by a [[meantone]]-esque small whole tone interval that represents [[54/49]]. Stacking 3 of these tones gives [[7/5]] and 7 of them give [[11/5]]. Pentadacus has both low [[complexity]] (especially by the standards of the 5/1-equivalent world, where scales have lots of notes) and low [[error]] if tuned correctly, providing an [[efficiency|efficient]] traversal of the 5.7.11 subgroup. It was first discovered and named by CompactStar in 2026.
+'''Pentadacus''' is a [[nonoctave]] [[regular temperament]] in the 5.7.11 [[subgroup]] which tempers out the comma [[831875/823543]]. It is even more exotic than [[Bohlen-Pierce]], lacking both [[2/1]] and [[3/1]], and typically it would be used with an [[equave]] of [[5/1]]. It is generated by a [[meantone]]-esque small whole tone interval that represents [[54/49]]. Stacking 3 of these tones gives [[7/5]] and 7 of them give [[11/5]]. Pentadacus has both low [[complexity]] (especially by the standards of the 5/1-equivalent world, where scales have lots of notes) and low [[error]] if tuned correctly, providing an [[efficiency|efficient]] traversal of the 5.7.11 subgroup. It was first discovered and named by [[User:CompactStar|CompactStar]] in 2026.
 [[14ed5]] is an inaccurate but important tuning of Pentadacus, because in 14ed5, the whole tone generator corresponds to a single step of 14ed5, although the whole tone is bigger than usual being around [[9/8]]-sized, causing the approximations of 7/5 and 11/5 to be bad. Basically, pentadacus can be thought of as a compressed 14ed5, at least until you hit [[5/1]]. 14ed5 is also close to [[6edo]], the familiar whole-tone scale with octaves, and 6 generators in pentadacus can sound like a tempered octave but it’s usually quite inaccurate and dissonant.