User:Zhenlige: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
← Older editNewer edit →
VisualWikitext
Zhenlige (talk | contribs)
autopatrolled
318 edits
No edit summary
Overthink (talk | contribs)
autopatrolled
2,695 edits
m fix typo
Line 3: Line 3:
I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.
I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.


When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.
When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.


[https://space.bilibili.com/281369461 Bilibili]
[https://space.bilibili.com/281369461 Bilibili]

Revision as of 23:00, 26 January 2026

The author of XenNote, a game mod for playing xenharmonic music in Minecraft.

I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. 81/64) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.

Bilibili

Interval naming (thirds as an example)

septimal minor 7/6
(diatonic) minor 32/27
classical minor 6/5
neutral sqrt(3/2)
classical major 5/4
(diatonic) major 81/64
septimal major 9/7

Useful links

Defactoring algorithms

Retrieved from "https://en.xen.wiki/index.php?title=User:Zhenlige&oldid=222543"