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[https://space.bilibili.com/281369461 Bilibili]
[https://space.bilibili.com/281369461 Bilibili]
[[Category:User zh-N]]
 
[[Category:User en-3]]
== Interval naming (thirds as an example) ==
{| class="wikitable"
|+
| septimal minor || [[7/6]]
|-
| (diatonic) minor || [[32/27]]
|-
| classical minor || [[6/5]]
|-
| neutral || sqrt(3/2)
|-
| classical major || [[5/4]]
|-
| (diatonic) major || [[81/64]]
|-
| septimal major || [[9/7]]
|}


== Useful links ==
== Useful links ==
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{{Special:Prefixindex|prefix=User:Zhenlige/|hideredirects=1|stripprefix=1}}
{{Special:Prefixindex|prefix=User:Zhenlige/|hideredirects=1|stripprefix=1}}
[[Category:User zh-N]]
[[Category:User en-3]]

Revision as of 14:11, 21 December 2025

The author of XenNote, a game mod for playing xenharmonic music in Minecraft.

I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.

When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. 81/64) are more consonant than tempered sinple intervals (e.g. a meantone fifth) for synthetic waves (specifically, the parabolic wave, which is misnamed as “semisine” in ScaleWorkshop), but vise versa for real instrument samples.

Bilibili

Interval naming (thirds as an example)

septimal minor 7/6
(diatonic) minor 32/27
classical minor 6/5
neutral sqrt(3/2)
classical major 5/4
(diatonic) major 81/64
septimal major 9/7

Useful links

Defactoring algorithms