5-7-13-15 by 9/8 bihexany: Difference between revisions
m Linking. |
m Formatting |
||
| Line 1: | Line 1: | ||
[[File:5-7-13-15_by_9-8_Bihexany.png|thumb|Circle diagram.]] A [[15-odd-limit]] [[Hexany]]. This creates a scale of 1 117/112 15/14 9/8 135/112 13/10 39/28 117/80 3/2 351/224 27/16 13/7 2/1, with steps of 117/112 40/39 21/20 15/14 728/675 15/14 21/20 40/39 117/112 14/13 208/189 14/13. Like many hexanies with two 3/2's that do not connect to one-another, offsetting the notes by this interval is an easy way to create a bihexany with 6 perfect fifths, organised in two chains of 3. However, in this case it causes the clusters of notes in the [[5-7-13-15_hexany]] | [[File:5-7-13-15_by_9-8_Bihexany.png|thumb|Circle diagram.]] A [[15-odd-limit]] [[Hexany]]. This creates a scale of 1 117/112 15/14 9/8 135/112 13/10 39/28 117/80 3/2 351/224 27/16 13/7 2/1, with steps of 117/112 40/39 21/20 15/14 728/675 15/14 21/20 40/39 117/112 14/13 208/189 14/13. Like many hexanies with two 3/2's that do not connect to one-another, offsetting the notes by this interval is an easy way to create a bihexany with 6 perfect fifths, organised in two chains of 3. However, in this case it causes the clusters of notes in the [[5-7-13-15_hexany|base hexany]] to overlap, creating multiple third and fifth-tones in quick succession, making it not the strongest choice melodically even if it is the easiest way to add large quantities of stable chords to choose from. | ||
<pre> | <pre> | ||