User:CompactStar/Ed16/9: Difference between revisions
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Division of 16/9 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The utility of 16/9 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony. | Division of 16/9 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The utility of 16/9 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony. | ||
{{Todo| | {{Todo|inline=1|improve synopsis}} | ||
[[Category:Ed16/9| ]] <!-- main article --> | [[Category:Ed16/9| ]] <!-- main article --> | ||
[[Category:Edonoi]] | [[Category:Edonoi]] | ||
[[Category:Lists of scales]] | [[Category:Lists of scales]] | ||
Revision as of 01:38, 25 April 2025
The equal division of 16/9 (ed16/9) is a tuning obtained by dividing the Pythagorean minor seventh (16/9) in a certain number of equal steps. An ed16/9 can be generated by taking every other tone of an ed4/3, so even-numbered ed16/9's are integer ed4/3's.
Division of 16/9 into equal parts does not necessarily imply directly using this interval as an equivalence. The utility of 16/9 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony.
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Todo: improve synopsis |