User:Holger Stoltenberg/embed: Difference between revisions

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==== Link to Wikipedia source ====
==== Link to Wikipedia source ====
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]
Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]
[[File:Steel bar (tonebar) used in playing steel guitar.jpg|thumb|180px|<u>Fig.2</u>: <ref>Eagledj, [https://creativecommons.org/licenses/by-sa/4.0 CC BY-SA 4.0 ], via [https://commons.wikimedia.org/wiki/File:Steel_bar_(tonebar)_used_in_playing_steel_guitar.jpg Wikimedia Commons]</ref> Steel bar (tonebar) used to play certain types of steel guitars.]]<br>


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Revision as of 15:45, 4 March 2025

...this page is used to check out embedding of videos.


Overtone Scales on Stage
Video 1:[1] Neck of a 10-string E9-pedal steel guitar:

The fret marks guide the player to 12edo intervals, while the intervals between the strings are often tuned differently (i.e. just intervals, meantone tuning, various best-practice tunings)

Audio only

steel guitar

Link to Wikipedia source

Link with single brackets: steelguitar

Fig.2: [2] Steel bar (tonebar) used to play certain types of steel guitars.







  1. Video 1 - Webressource and licensing:
    DaveB11th, CC BY 4.0 , via Wikimedia Commons
    The original video is 3:14 minutes long. For demonstration purposes, an excerpt from 0:01 to 01:55 is shown here.
  2. Eagledj, CC BY-SA 4.0 , via Wikimedia Commons


7 Levels of Jazz Harmony

Neely-intonalism

; The 7 Levels of Jazz Harmony, Intonalism [9:12], Xenharmonic [10:46]

In 2020 music educator Adam Neely picked up the term intonalism and used it in his Seven Levels of Jazz Harmony, with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often 12edo) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of adaptive just intonation where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.

To distinguish this form of intonalism from the other, you could call it Neely-intonalism.[idiosyncratic term]